The seemingly disparate realms of West Coast hip-hop and Southern country music have, against conventional expectations, found a captivating point of intersection. This unexpected confluence has manifested in the form of “Gettin’ Gone,” a refreshingly laidback and genre-fluid track born from the collaboration between the iconic rap luminary Snoop Dogg and the ascendant Nashville country artist ERNEST. This intriguing musical partnership graces ERNEST’s forthcoming mixtape, “Cadillac Sessions,” hinting at a project that dares to defy genre boundaries and explore uncharted sonic territories.
ERNEST, a name rapidly gaining prominence within the Nashville songwriting and performing community, has already established himself as a significant force in contemporary country music. His songwriting prowess is evident in his collaborations with artists like Morgan Wallen, contributing to a string of chart-topping singles that have resonated deeply with audiences. On the other side of this compelling musical equation stands Snoop Dogg, a veritable institution in the hip-hop world. Beyond his legendary status as a rapper, Snoop has consistently demonstrated a willingness to venture beyond the confines of his primary genre. His forays into reggae under the moniker Snoop Lion, his explorations of gospel music, and even his unlikely yet endearing collaborations with Martha Stewart underscore a restless creative spirit and an openness to diverse sonic landscapes, solidifying his position as a global cultural icon unafraid of artisustic risk.
While the pairing of Snoop Dogg and a rising country artist might initially raise eyebrows, a closer examination reveals a surprising undercurrent of mutual respect and appreciation. Snoop Dogg himself has publicly acknowledged a long-standing affinity for country music, notably expressing admiration for the legendary Johnny Cash, whom he once lauded as his “main man” and a quintessential “real American gangster.” This shared appreciation for authenticity, the power of storytelling, and a certain rebellious spirit inherent in both hip-
hop and traditional country music renders their collaboration not as a contrived marketing ploy, but rather as a serendipitous alignment of artistic sensibilities.
An Unlikely Backstage Encounter Sparks a Musical Connection
The genesis of “Gettin’ Gone” was not orchestrated in a sterile boardroom but rather unfolded organically in the backstage milieu of a Jelly Roll concert. ERNEST, a self-professed admirer of hip-hop culture and ever the astute opportunist, seized the moment to engage in conversation with Snoop Dogg amidst the backstage bustle. Armed with a freshly recorded demo of “Gettin’ Gone,” ERNEST recognized a potential opportunity and boldly presented his musical offering.
Recounting the pivotal encounter with a touch of amusement, ERNEST explained, “I basically weaseled my way into Snoop’s green room. I was like, ‘Yo, can I play you a song I wrote last weekend?’ and he was just super chill—’Sure.’ I hit play, and he was vibing.” This initial positive reception paved the way for a direct exchange of contact information, laying the groundwork for a collaboration that would soon transcend the confines of that backstage meeting.
The song itself, “Gettin’ Gone,” had its genesis during a songwriting retreat held on ERNEST’s tour bus, in the company of esteemed country songwriting heavyweights Rhett Akins, Ben Hayslip, and Mark Holman. The initial concept revolved around the universal desire for escapism—whether a physical departure or a mental retreat—when the pressures of the world become overwhelming. This theme of seeking solace and respite resonates deeply within both country and rap traditions, albeit often explored through distinct lyrical and sonic lenses.
A mere couple of weeks after their chance encounter, ERNEST received a text message from Snoop Dogg that signaled more than just casual appreciation. It was an enthusiastic expression of interest in actively participating in the song. “He sent me this flood of emojis—blue hearts, fire, paw prints,” ERNEST described, interpreting the digital deluge as Snoop’s affirmative response: “Yeah, I’m down.” True to his word, Snoop swiftly recorded and delivered his verse in less than 48 hours. This rapid and enthusiastic engagement speaks volumes about the genuine connection and organic energy that fueled the collaboration, a refreshing departure from the often-calculated pace of the modern music industry.
Capturing the Vibe: Cadillac Cruising and Authentic Chemistry
The music video accompanying “Gettin’ Gone” masterfully captures the same relaxed and authentic vibe that permeates the track itself. Filmed against the backdrop of iconic Nashville landmarks, the visual narrative feels less like a meticulously scripted production
and more like an impromptu hangout between two artists from seemingly different worlds who find common ground in their shared passion for music. ERNEST and Snoop are seen cruising through the city in a classic Cadillac, making stops at local haunts and effortlessly trading verses, their camaraderie palpable and genuine.
“The chemistry was real,” ERNEST emphasized. “It wasn’t just like, ‘Hey, here’s your verse, and we’ll film you in a studio later.’ He was all in. He wanted to film the video. He wanted to vibe in the city.” One particularly memorable moment for ERNEST during the filming occurred while they were driving back to Castle Recording Studios. He decided to play Snoop Dogg’s timeless hit, “Gin and Juice.” The surreal experience of Snoop rapping along to his own iconic track, word for word, while the bass resonated through the Cadillac’s sound system, created a profound full-circle moment for ERNEST. “That was a childhood memory unfolding in real-time,” he reflected.
A Growing Trend: Genre Lines Blur in Modern Music
While some might view Snoop Dogg’s foray into country music as an unexpected detour, it is not entirely unprecedented. In recent years, Snoop and his longtime collaborator Dr. Dre have demonstrated an increasing interest in the evolving musical landscape of Nashville. Notably, they featured the burgeoning country sensation Jelly Roll on a track from their collaborative album, “Missionary,” released the previous year. Furthermore, earlier this year, they enlisted HARDY, a prominent figure in the country-rock scene, for a fresh reimagining of Snoop’s 1994 classic “Gin and Juice,” complete with an accompanying short film.
These instances are not isolated experiments but rather indicative of a broader trend in the music industry: the gradual erosion of rigid genre boundaries. The traditional walls separating Nashville’s country vocalists and hip-hop’s lyrical giants are becoming increasingly porous. Country artists are exploring covers of hip-hop tracks, while rappers are incorporating elements of folk music into their sonic palettes. We are entering an era where individual playlists, driven by personal taste, are gaining precedence over traditional genre classifications, and music enthusiasts are increasingly valuing authenticity over strict adherence to established labels.
More significantly, collaborations such as “Gettin’ Gone” serve to challenge preconceived notions and foster connections across generational and cultural divides. ERNEST and Snoop Dogg, while originating from distinct backgrounds and musical traditions, find common ground at the intersection of creative expression, rhythmic innovation, and genuine soulfulness.
“Cadillac Sessions”: A Launchpad for Southern Sound and Collaboration
“Gettin’ Gone” serves as a compelling precursor to ERNEST’s upcoming “Cadillac Sessions” mixtape, a project that extends beyond his own artistic endeavors to spotlight a new wave of emerging talent nurtured under his own label, DeVille Records, a partnership with Big Loud Records.
“This project is all about spotlighting a new wave of talent coming out of the South,” ERNEST elaborated. “I’m collaborating with guys like Cody Lohden, Chandler Walters, and Rhys Rutherford. These aren’t just features—they wrote their own songs. They’re authentic, they’re storytellers, and they represent the next generation of Nashville.”
Each artist featured on the mixtape hails from a different corner of the American South—Rhys from Nashville itself, Chandler from Georgia, and Cody from Kentucky. This geographical diversity imbues the project with a rich tapestry of styles and thematic explorations, while maintaining a cohesive grounding in Southern identity and ethos. ERNEST’s vision for “Cadillac Sessions” extends beyond simply creating music; it encompasses the ambition to cultivate a supportive community and establish a lasting legacy for these emerging voices.
While the title “Gettin’ Gone” might conjure images of escaping on open highways, ERNEST offers a more nuanced perspective on finding moments of respite in his adopted home of Nashville. When asked about his preferred local spots for unwinding, his answer reveals a refreshingly down-to-earth sensibility.
“Either Troubadour Golf Course out in College Grove or Losers in Midtown,” he shared. “But honestly, sometimes I be gettin’ gone while I work at the office.”
This sentiment encapsulates the core essence of “Gettin’ Gone.” It transcends the literal act of physical departure, delving into the realm of mental reprieve, a temporary detachment from expectations, and the freedom to simply be oneself. Whether it’s the familiar comfort of a local dive bar or the expansive tranquility of a driving range, the specific location is secondary to the liberating energy it provides.
Snoop Dogg’s participation in a country music project sends a significant signal throughout the music industry, indicating a broader cultural shift. Audiences are increasingly receptive to genre-bending sounds, embracing musical fusions that defy traditional categorization. The willingness of artists to collaborate across genre lines reflects a growing appreciation for authenticity and a desire to connect with diverse audiences.
More importantly, collaborations like “Gettin’ Gone” challenge ingrained stereotypes and foster connections across generational and cultural divides. ERNEST and Snoop Dogg, while originating from distinct backgrounds and musical traditions, find common ground in their shared commitment to expressive storytelling, rhythmic innovation, and genuine soulfulness.
In conclusion, “Gettin’ Gone” is more than just a novelty track; it serves as a potent reminder of the creative possibilities that emerge when artists disregard artificial industry barriers and simply create from a place of genuine inspiration. It underscores the notion that music, when infused with sincere respect and unwavering passion, possesses the remarkable ability to transcend genre limitations and geographical boundaries.
ERNEST’s audacious move of approaching a legendary figure like Snoop Dogg backstage with a demo, and subsequently forging a collaborative partnership, embodies the kind of bold, spontaneous action that often lies at the heart of the most compelling musical narratives. And Snoop Dogg’s enthusiastic embrace of this unexpected collaboration, lending his iconic voice to a country track and immersing himself in the Nashville experience, stands as a testament to his continued evolution as a cultural bridge-builder. If “Cadillac Sessions” lives up to the promising precedent set by “Gettin’ Gone,” ERNEST may well be on the cusp of not just releasing a mixtape, but potentially igniting a transformative movement within the landscape of contemporary country music.
In the ever-evolving landscape of hip-hop, few artists have maintained their relevance and influence quite like Snoop Dogg. The West Coast rap icon recently sat down for an enlightening conversation with Complex, shedding light on his latest musical endeavor and the creative process behind it. In a moment of candor and humor, Snoop revealed an alternative title he had considered for his new album, showcasing the playful spirit that has endeared him to fans for decades.
The Genesis of ‘Missionary’
Snoop Dogg’s latest album, ‘Missionary,’ hit the airwaves last Friday, marking another milestone in the rapper’s illustrious career. The release coincides with the 30th anniversary of his groundbreaking debut, ‘Doggystyle,’ both of which bear the production prowess of the legendary Dr. Dre. This reunion of two hip-hop titans has sparked excitement among fans and industry insiders alike, promising a return to the classic sound that defined an era.
During the interview, Snoop delved into the album’s provocative title, revealing that it was Dr. Dre who christened both ‘Missionary’ and ‘Doggystyle.’ With a mix of amusement and mock exasperation, Snoop quipped, “Give this motherfucker with his nasty ass. I’m all grown and shit and you going to pull me right back.” This playful exchange offers a glimpse into the dynamic between the two artists, showcasing their enduring friendship and creative synergy.
The ‘Cowgirl’ That Never Was
In a moment of levity, Snoop jokingly mentioned an alternative title he had considered for the album. When pressed about other potential names, he mischievously replied, “I was going to call it ‘Cowgirl,’ but he didn’t really want that. No, I’m fucking with you. That’s not true.” This lighthearted revelation not only demonstrates Snoop’s quick wit but also highlights the creative back-and-forth that often occurs during the album-making process.
Dr. Dre, for his part, expressed his enthusiasm for the chosen title, stating, “I think [Missionary] is fucking fun and funny as shit. We’re just having fun and being creative. That’s what this whole shit is about. That’s just being in the studio together.” This sentiment encapsulates the spirit of collaboration and joy that permeates their work together, even after three decades in the industry.
A Creative Partnership Renewed
The reunion of Snoop Dogg and Dr. Dre for ‘Missionary’ represents more than just a nostalgic throwback. It’s a testament to their enduring creative partnership and their ability to evolve while staying true to their roots. Snoop emphasized the unique quality of Dr. Dre’s production, stating, “That void is Dr. Dre’s sound. When Dr. Dre makes music, his music don’t sound like nobody else’s music.”
This collaboration has allowed Snoop to tap into a sound that’s both familiar and fresh, bridging the gap between his early career and his current status as a hip-hop elder statesman. The rapper expressed his gratitude for the opportunity to continue working at such a high level with Dr. Dre, highlighting the rarity and value of their musical connection.
Evolution of a Working Relationship
Dr. Dre shed light on the evolving nature of their collaboration, revealing that their approach to creating ‘Missionary’ differed from their previous work together. “This is a different way of working, to be honest with you. I think it took maybe 20 years for Snoop to allow me to work with him this way,” Dre explained. This new methodology encompassed changes in production techniques, writing processes, and overall creative direction.
The producer went on to express his excitement about the project, stating, “I think the audience is going to really get another taste for the next saga of what we’re doing. Especially making hip-hop records at this age, and it’s the shit.” This sentiment speaks to the duo’s confidence in their ability to remain relevant and innovative, even as they navigate the ever-changing landscape of modern hip-hop.
Bridging Generations in Hip-Hop
‘Missionary’ stands as a bridge between generations, showcasing the enduring appeal of Snoop Dogg and Dr. Dre’s collaborative efforts. By embracing their seasoned status in the industry while continuing to push creative boundaries, they offer a unique perspective on hip-hop’s evolution. The album serves as a testament to their ability to adapt and thrive in an industry that often favors youth and novelty.
The project also highlights the importance of mentorship and long-standing relationships in hip-hop. Snoop and Dre’s continued collaboration serves as an inspiration to younger artists, demonstrating the value of artistic partnerships that can withstand the test of time and the pressures of the music industry.
The Impact of Provocative Album Titles
The choice of ‘Missionary’ as the album title, following in the footsteps of ‘Doggystyle,’ speaks to Snoop Dogg and Dr. Dre’s penchant for provocative marketing. These titles not only grab attention but also reflect the artists’ unapologetic approach to their craft. By embracing humor and sexuality in their album names, they continue a tradition that has been a part of hip-hop culture since its inception.
This strategy has proven effective in generating buzz and sparking conversations around their music. The playful revelation about the potential ‘Cowgirl’ title adds another layer to this narrative, showcasing the thought process behind album naming and the role of humor in their creative decisions.
The Significance of the 30th Anniversary
The release of ‘Missionary’ coinciding with the 30th anniversary of ‘Doggystyle’ is not merely a coincidence but a deliberate celebration of Snoop Dogg’s legacy. This milestone offers an opportunity to reflect on the rapper’s journey from a young artist breaking into the scene to a respected figure in hip-hop culture. The anniversary underscores the longevity of Snoop’s career and his ability to remain relevant across three decades of rapid change in the music industry.
By reuniting with Dr. Dre for this project, Snoop pays homage to his roots while demonstrating his continued growth as an artist. The anniversary serves as a reminder of the impact ‘Doggystyle’ had on the hip-hop landscape and sets the stage for ‘Missionary’ to potentially leave a similar mark on contemporary music.
The Role of Humor in Snoop Dogg’s Public Persona
Snoop Dogg’s joke about naming the album ‘Cowgirl’ is more than just a throwaway comment; it’s a reflection of the humor that has been integral to his public persona throughout his career. This lighthearted approach to interviews and music has endeared him to fans and media alike, allowing him to navigate the often-tumultuous waters of celebrity with grace and charm.
The rapper’s ability to blend humor with serious artistry has contributed to his longevity in the industry. By not taking himself too seriously, Snoop has created a relatable image that transcends generational and cultural boundaries. This aspect of his personality shines through in his music, his public appearances, and even in the naming of his albums.
The Anticipation Surrounding ‘Missionary’
The revelation about the album’s title and the creative process behind it has only served to heighten anticipation for ‘Missionary.’ Fans and critics alike are eager to hear how Snoop Dogg and Dr. Dre have evolved their sound while maintaining the elements that made their earlier collaborations so iconic. The project promises to be a blend of nostalgia and innovation, catering to long-time followers while potentially attracting a new generation of listeners.
The music industry is watching closely to see how this album will be received and what impact it might have on the current hip-hop landscape. With their track record of success and their ability to capture the zeitgeist, Snoop and Dre have set high expectations for ‘Missionary.’
Conclusion: A Testament to Enduring Creativity
Snoop Dogg’s playful revelation about almost naming his album ‘Cowgirl’ offers a glimpse into the creative process behind ‘Missionary.’ It highlights the camaraderie between Snoop and Dr. Dre, the thought that goes into every aspect of album creation, and the role of humor in their artistic expression. As the hip-hop community eagerly awaits the release of ‘Missionary,’ this anecdote serves as a reminder of why Snoop Dogg remains one of the most beloved and enduring figures in music.
The collaboration between Snoop Dogg and Dr. Dre on ‘Missionary‘ represents more than just another album release; it’s a celebration of a partnership that has shaped hip-hop for three decades. Their ability to continue creating relevant, exciting music while maintaining their signature style is a testament to their artistic vision and adaptability. As they embark on this new chapter, Snoop Dogg and Dr. Dre prove once again that they are not just pioneers of West Coast rap, but ongoing innovators in the ever-evolving world of hip-hop.
A couple of months ago, Snoop Dogg released his 19th studio album entitled BODR (Bacc On Death Row). This project included 18 tracks and contributions from artists such as Nas, Wiz Khalifa, T.I., Nate Dogg, DaBaby, The Game, Uncle Murda, and others. The legendary Long Beach emcee debuted yesterday (Oct. 16) a brand-new visual for “Crip Your Enthusiasm,” a DJ Green Lantern-produced track reminiscent of the theme song to Larry David-helmed series “Curb Your Enthusiasm.” Throughout the track, the Long Beach legend highlights why he is considered one of the best emcees of all time:
As an accompanying video for the song, “Crip Your Enthusiasm,” it was directed by Jesse Wellens and James Defina in which an older, animated version of Snoop is seen going about his daily routine. Watchers can see him enjoying a cigarette at a pool party, getting into a car accident with a police officer, and hanging out with Tupac Shakur throughout the four-minute video.
The rapper revealed a new album is in the works between Snoop and Dr. Dre, as he announced to Stephen A. Smith:
“In the past two months, Dr. Dre and I have been working on an album together. The project will be completed by November. We are celebrating our 30th anniversary at Doggystyle, and it is produced by Dr. Dre. The name of the project is Missionary.”
In a new collaboration, producer Benny Blanco ropes in BTS and Snoop Dogg members Jin, Jimin, V and Jung Kook on the track “Bad Decisions.” The song will be included on Benny’s forthcoming third studio album, which is expected to be released later this year. This clip, directed by Ben Sinclair, shows Blanco getting into his inner BTS Army mode in preparation for their concert.
The teenager dances around in his room, creates a poster, and heads over to the concert with great anticipation. His day includes more mishaps than he can count. As he makes his way, he gets caught in traffic, but that’s not all he gets caught in. Using his signature flow, Snoop combines a catchy cadence with the beat that BTS fans are accustomed to:
It is not the first time Blanco has shown his appreciation for the South Korean megagroup. It was earlier this year when he mashed up their songs: “Life Goes On,” “Blood Sweat and Tears” and “Fake Love.” As far as what Snoop Dogg is doing, he released a compilation album entitled Snoop Dogg Presents Death Row Summer 2022 during June.
Snoop Dogg released a compilation over the weekend entitled Death Row Summer 2022. A playlist that’s appropriate for the summer months. It’s an interesting mix of music. The album comprises 15 tracks and features contributions from The Eastsidaz, Tha Dogg Pound, Butch Cassidy, Raphael Saadiq, LaToiya Williams, Miguel, and more.
Along with the release of the full-length album, Snoop has also released the visuals for the lead track, “Whoopty Whoop,” which features Tha Dogg Pound members Kurupt and Daz Dillinger rapping about people saying nonsense and how they stay on top of their game:
Tha Dogg Pound and their crew can be spotted in the above video strolling along and performing at what appears to be a convention. In addition to their rhymes, they can be seen performing in front of murals of Warren G, Snoop, and the late Nate Dogg.
In March, Tha Dogg Pound announced their resignation from the legendary Death Row Records label, which Snoop had acquired from MNRK Music Group just a month earlier. He also revealed that the sequel to Tha Dogg Pound’s classic 1995 debut album is on its way in a removed Instagram video:
“Kurupt and Daz, we are back with the Dogg on The Row. Here’s some exciting news for all of you coming up. We have formulated a plan, and we are working on it. Dog Food 2 is coming, it’s Kurupt, Daz, Snoopy hitting ’em real heavy with that.”
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