Celebrated music artist Playboi Carti is set to mark the three-year milestone of his chart-topping album, Whole Lotta Red this December. The groundbreaking album, which has been a mainstay in music rotations since its Christmas Day release in 2020, has sparked an array of theories. The project has been known by various working titles, including the cryptic “Music.”
In a recent conversation with Damien Cummings for Numéro Berlin, Carti shed light on his unconventional recording process for his latest work, which intriguingly included a prolonged stay inside an unspecified cave and other distinctive locations.
Music Born in a Cave: A Journey Into the Unorthodox
“I’ve been recording in Paris, I love Paris. Amazing,” Carti told the publication.
Carti’s recording journey took him to the French capital, Paris, which he openly adores. But more fascinating is his admission of spending about three months inside a cave, a move that might seem eccentric to some. The music born out of this unique experience, according to Carti, is nothing short of “chaotic and crazy.”
Carti’s Diverse Recording Locales and Their Influence on His Music
“Then, I’m in a glass house, somewhere in the hills, and the music there is just very good to the ears. And then, I’m in Atlanta and the tensions are just high and the music is biting.”
Carti’s musical journey didn’t stop at the cave. He went further to record in a glass house nestled somewhere in the hills. The music birthed there was, in Carti’s words, “very good to the ears.” He also recorded in Atlanta, where the high tensions translated into biting music.
The Anticipation of a New Album
Even though Carti didn’t give specific details about the release plans of this much-anticipated album or a final title, he did share his excitement about its likely release. He believes he’s about to release the “best album” of his career, a sentiment he admits to feeling with every project.
“This is my moment,” he said. “This is the one for me.”
This suggests a strong conviction in the quality of his impending work and a readiness to meet the expectations of his fans.
The Antagonist Tour and Album Release Speculations
Carti’s latest run of U.S. tour dates, dubbed the Antagonist Tour, was initially planned to start earlier but will now commence at the start of 2024. With the support of Ken Carson, Destroy Lonely, and Homixide Gang, the tour will kick off with a show at the Delta Center in Salt Lake City on Jan. 14.
Given that Carti’s new album is widely speculated to be released in 2024, the shift in tour dates is understandable. The eagerness for a WLR follow-up among fans remains undeniably high. As proof, fans are still actively commenting on a Carti Instagram post from December of last year.
Playboi Carti’s Opium Label: A Year in Review
In summary, as the three-year anniversary of Whole Lotta Red draws near, fans eagerly anticipate new music from Playboi Carti. His unique recording process and the promise of a “chaotic and crazy” sound have only heightened the anticipation. As we wait, the words echo: “This is my moment. This is the one for me.”
In a powerful testament to solidarity and shared humanity, a group of Black men demonstrated an unwavering bond as they intervened to protect one of their own from a violent altercation that unfolded in Montgomery’s Riverfront Park. Chaotic scenes captured in viral videos showcased an incident where unity prevailed over division, offering a poignant reminder of the strength found in community and collective action.
The episode unfolded on a day that would soon be marked by resounding affirmation, August 6. The footage that circulated widely bore witness to a Black man who found himself confronting a group of white men in an unsettling brawl. As the confrontation escalated, the outnumbered individual was thrust into a precarious situation that might have had dire consequences if not for the intervention of his fellow Black men.
Initial reports suggest that the Black man at the center of the altercation was employed as a security guard at the bustling Riverfront Park, a popular recreational spot. Positioned to ensure order and safety, he found himself targeted by a white man, becoming a focal point of aggression and hostility. The spark that ignited this confrontation was apparently a situation involving a pontoon boat parked on the dock, obstructing the offloading of passengers from the Harriott II Riverboat.
Amid the chaotic and unsettling footage, a heartwarming narrative emerges. The solidarity displayed by Black men stepping forward to shield their fellow community member speaks volumes about the power of collective support. The incident resonated deeply with observers on social media platforms, particularly on Black Twitter, where discussions about shared experiences and the significance of standing together echoed loudly.
The response from the digital community was one of pride and commendation. The sight of Black men uniting to safeguard their own resonated deeply. Comments flooded in, acknowledging the importance of such unity. One individual noted that instances like this are among the reasons why unity and support matter. Another comment expressed reverence for the Black men who rallied to the aid of the security guard, emphasizing the respect garnered from such actions.
Amid the praise and recognition, the stark juxtaposition with historical struggles could not be ignored. A comment that highlighted the transformation from a past era to the present day underscored the profound shifts in society’s dynamics. While acknowledging the strides made, the comment’s implication was clear: The resilience and unity displayed by these Black men is a testament to a brighter future, yet underscores the journey that still lies ahead.
The viral footage of the Black men intervening in the Montgomery Riverfront brawl transcends a singular incident. It serves as a powerful reminder that unity, support, and shared purpose can shatter the barriers of division. As society continues its evolution, the actions of these Black men illuminate a path toward understanding, empathy, and the dismantling of preconceived notions.
At Malvern, Pennsylvania’s People’s Light theatre, you cannot miss Sam Shepard’s theatrical interpretation of True West. As the award-winning play examines the complexities of two-dimensionality, manhood, and the American West from a multifaceted viewpoint, it is astounding to see that the entire cast and design team are all Asian Americans, so this piece exhibits a distinctive vision from an Asian American lens.
This performance promises to be nothing short of incredible, directed by Mei Ann Teo and featuring Sanjit De Silva, Ron Domingo, Greg Watanabe, and Ching Valdes-Aran. Catch one of their 25 performances from August 2 to 27 at the Leonard C. Haas stage, housed in an 18th-century stone barn that adds to the ambiance of the entire venue when it comes to the quality of their performance. Prepare yourself for an enriching and memorable theatre experience that will blow your mind. There is no better way of spending your evening.
For iHeartRadio, Sanjit De Silva conducted a high-spirited phone interview with noted journalist Jonathan P-Wright, an interview that was high in spirit. It goes without saying that Sanjit De Silva is one of the most versatile and skilled actors in Hollywood. He has a God-given talent for transforming a script into silver screen mastery. Actors are born and not created in Hollywood.
There are multiple hats that Sanjit De Silva wears in the production of ‘True West’. A playwright and an actor, Sanjit seamlessly blends the two worlds so as to produce a visual experience that is both polarizing and captivating. In terms of theater and fine arts, Sanjit De Silva is the definition of a true student. It was during the first half of his life that he dedicated himself to education and self-development.
From the famed New York University, he received a Master of Fine Arts degree in acting. An MFA degree is considered a “terminal” degree, meaning that is the highest degree attainable in the field in which you plan to specialize.
As part of the master’s degree system in acting at New York University, students who already possess specific actor training receive an intensive, conservatory-style course of study designed to prepare them for direct entry into the performing arts, including the theatre, television, and film industries.
Stream the ultra-dynamic and highly expected interview between Sanjit De Silva and Jonathan P-Wright below, and don’t miss this event!
It was announced earlier this month that Yung Bleu would release Love Scars II, the sequel to his 2018 comedy Love Scars: The 5 Stages of Emotions. A few days before Valentine’s Day (Feb. 14), the talented Alabama artist dropped his new single from the upcoming project titled “Games Women Play,” an album that was produced by Jerry Lang, Robby Hale, Teldrick Smith, and MOONBOY. Bleu matches the toxic features of his love interest when it comes to loyalty and commitment in the track, as the title suggests.
Yung Bleu shared a snippet of the performance in a video clip he shared before the song’s official release, which could be seen below. An acoustic pianist provides support to the singer behind the scenes in this short clip where the singer of “You’re Mines Still” delivers his harmonies from within a lavish residence as a pianist performs to the background.
It has been just over three years since Yung Bleu released his sophomore album, “TANTRA,” which is a 17-track body of work with additional collaborations from Kelly Rowland, Fivio Foreign, ZAYN, Nicki Minaj, French Montana, Lil Wayne, Lucky Daye, Ty Dolla $ign, and Ne-Yo. Additionally, the same year saw the Investments artist growing into one of the most sought after features across genres, thanks to his standout performances on a variety of songs, including Dvsn “Last Time”, M Huncho “Who We Are,” Coi Leray “Aye Yai Yai,” Maroon 5 “One Light (Remix),” Chris Brown “Possessive,” and Ashanti “Falling For You.”
As of October of 2022, RJmrLA had finally released his highly anticipated Rodney Brown Jr. album, creating quite a stir among hip-hop fans. The 20-track collection of tracks that made up the album featured a number of artists, including Bree Carter, Roddy Ricch, Marcus, Symba, Cashton, G Perico, Joe Moses, and plenty of others. There were a number of singles that preceded the release, including “Special Delivery” alongside Ty Dolla $ign, and “Aye B**ch,” “Corner House” with O.T. Genasis and on which he raps over a sample of Usher’s iconic 2001 single “U Don’t Have To Call.”
I am pleased to inform you that the South Central-born artist returned to the scene yesterday (Jan. 12), with the official music video for his song “Stop Playin Wit Me.” RJmrLA depicts the hills of Hollywood in his new clip, which was directed by Keoni Mars, while continuously moving over production by J Drip.
RJmrLA was last seen on 2020’s Let Me Talk My S**t, an album that consisted of 10 tracks. This album included guest appearances from Mike Wayne, 1TakeJay, Bino Rideaux, Bree Carter, Joe Moses, Rucci, and others. In addition to his own productions, he has recently been featured on collaborations that include “What If?” featuring Rucci, “Evil Thoughts” produced for the late Drakeo The Ruler, and “Instagram” recorded with Joe Moses.
Related to this initiative, Roger Brown recently announced the first leg of his “Rodney Brown Jr. Tour,” which is scheduled to commence at the end of January in Santa Ana. During a previous interview, he elaborated on how he feels completely comfortable performing in front of a crowd full of people. It is on the stage that I am able to let go of everything. The only thing I get to do is become the superstar I wish to be and feel I am capable of becoming. I was always told that I was not an average person by my people. Those feelings were poured into him,” he stated.
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