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A Closer Look at the Unjust Arrest at Wisconsin’s Applebee’s 

A Closer Look at the Unjust Arrest at Wisconsin’s Applebee’s 

In a shocking incident that gripped the nation, Jermelle English Jr, a Black man from Wisconsin, faced a wrongful arrest at a local Applebee’s. An unfortunate case of mistaken identity led to this brutal episode, sparking widespread outrage across social media platforms. 

The Incident Unfolds 

The incident unfolded in July, when law enforcement officers from Kenosha, Wisconsin, barged into an Applebee’s, targeting English Jr. They mistook him for a suspect involved in a hit-and-run accident. A video capturing the scene went viral, showcasing English Jr. pinned to the ground, with his 1-year-old baby nearby, as the officers began hitting him repeatedly1

Misidentification and Charges 

English Jr. and the woman accompanying him, Shanya Boyd, were taken into custody and charged with disorderly conduct and resisting police. Boyd faced an additional charge for marijuana possession. The actual culprits, whom the police were pursuing, were later discovered hiding in the Applebee’s restroom2

Aftermath and Social Media Uproar 

The aftermath of this incident was equally tumultuous. Jennifer Harris, the on-duty manager at Applebee’s at the time, recounted the chaotic scene to CBS 58. She expressed her concern for the baby and English Jr., while also noting that pepper spray was used during the scuffle3

“It was a lot, I was worried for the baby first off, the baby and the gentleman, that was my first concern,” she said. 

Harris also mentioned an employee who tried to intervene, urging the police to stop their assault. However, the cops responded by threatening to arrest him too4

“One employee was trying to get the cops to stop punching him, he was like, ‘Hey, hey, stop, he’s on the ground, stop,’ and they pushed him, pushed my employee, and said, ‘One more word out of you and you’re arrested.'” 

Manager’s Dismissal 

In a shocking turn of events, Harris was fired by the restaurant chain after videos of the incident surfaced on social media. The management accused her of tarnishing the Applebee’s brand name. 

“They told me they can’t trust me and that I didn’t just ruin this Applebee’s name, I ruined all the Applebee’s in Wisconsin’s name by letting these videos get out,” she stated. “I’m not the one who recorded the videos nor let them out on the internet, so I don’t understand. My employees are trying to get the right story out, so how did we ruin the name of Applebee’s?” 

The Power of Social Media and Celebrity Influence 

The incident, fueled by social media traction, caught the attention of influential figures, including music mogul JAY-Z. Known for his contributions towards social justice, JAY-Z reportedly helped English Jr. secure a strong legal defense5

Conclusion

The incident at the Wisconsin Applebee’s serves as a stark reminder of the persistent racial disparities in our society. It underscores the power of social media to highlight social injustices and mobilize support. The episode has spurred a renewed call for police reform and accountability, and the fight for justice continues. 

Jorja Smith and R&B’s Finest: A Melodious Farewell to Summer

Jorja Smith and R&B’s Finest: A Melodious Farewell to Summer

As we inch towards the twilight of the summer season and prepare to embrace the crisp ambiance of fall, it is impossible to ignore the mellifluous voices that have serenaded us throughout the season. Mercury may still be in retrograde, but the musical cosmos is in perfect alignment, offering us an array of harmonious compositions that perfectly complement the changing seasons. As the sun sets on Beyoncé’s Renaissance World Tour, we find solace in the new creations by some of R&B’s most talented artists, helping us transition smoothly into the new season.

Among the myriad of voices, one stands out – Jorja Smith. Her long-awaited sophomore album’s title track has been shared, and it’s as emotion-inducing as Ama Lou and Xenia Manasseh’s debut albums. While we patiently wait for Chase Shakur’s debut LP, he ensures his fans are well-fed with the deluxe edition of his EP. Keke Wyatt is making a stealthy re-entry into music with the lead single from her first album in six years. Additionally, male crooners like Eric Roberson, Lendryx, Landon Thomas, and Beharie are guiding us down a soothing path that’s deeply essential.

Jorja Smith – “Falling or Flying”

Jorja Smith, who welcomed the summer with her singles, “Little Things” and “GO GO GO,” has now unveiled the title track from her highly-anticipated sophomore album, “Falling Or Flying.” During a conversation with Zane Lowe from Apple Music, Smith confessed that this track is currently one of her favorites, depending on her mood.

Smith elaborated, “This song always takes me on a journey, so right now it’s one of my favorites. Maybe because it’s coming out. But it’s funny though because that song started out completely different with me and the producers. It’s the first song we actually ever started together but it didn’t have the chorus before, and we moved everything over and did all sorts to it, and then we got this chorus. But the song has nothing to do with the album title. It’s just called that.”

The music video for “Falling or Flying” also marks Smith’s directorial debut. She had always dreamed of shooting a video in space, and this song gave her the perfect opportunity to fulfill that dream. She candidly mentioned that she wanted to journey into space with someone she loved and cherished, but they didn’t reciprocate her enthusiasm.

Smith’s new album is set to release on September 29, and music enthusiasts are eagerly waiting for the release.

Ama Lou – “I Came Home Late”

Ama Lou’s debut album, “I Came Home Late,” is a testament to her profound songwriting skills. With an assortment of 15 tracks, including previously released singles “Silence” and “Caught Me Running,” the album paints a vivid picture of Lou’s artistic range.

Lou began songwriting at a tender age and released her debut single, “TBC,” in 2016, which caught the attention of Drake and heavily influenced his 2018 album, “Scorpion.” She has since dropped three EPs, providing fans with a taste of her depth before unveiling “I Came Home Late.”

Chase Shakur – “It’s not you, it’s me… it’s love”

Chase Shakur continues to tantalize his fans, who are eagerly waiting for his debut album, with the release of his deluxe EP, “It’s not you, it’s me… it’s love.” The EP follows the highs and lows of a tumultuous relationship, providing an insight into the male perspective of an emotionally-charged romance. The captivating follow-up includes three new tracks: “nite,” “exit 65,” and “you’re so lovely.”

Shakur has clarified on his Instagram that “this is NOT the album,” and is looking forward to performing these tracks live on his “It’s Still Love Tour.”

K. Michelle – “Blame Yourself”

K. Michelle is gearing up for the release of her final R&B album, “I’m The Problem,” and has shared the LP’s fourth single, “Blame Yourself.” The introspective track urges women to take some accountability and introspect whether they are the problem in their relationships.

The Memphis native sings, “You’re playing the victim all because he made you look stupid/ ‘Fore you put the blame on everybody else/ Point to the mirror and blame yourself.” Her honest and heartfelt lyrics echo the album’s premise.

Back in May, K. Michelle candidly expressed on Instagram, “I am the problem. Took me so long to solve ’em.” In a recent interview with The Shade Room, she added, “I’m gon’ be the problem regardless. The industry gonna label you. It doesn’t matter. I could try to change; I could be better, [but] no matter what I do, I’m a problem because I still stand for what I stand for and I am how I am. It just is what it is.”

LAYA – “Bet That”

LAYA’s long-awaited new EP, “BET THAT,” is finally here. The seven-track project is a confident flex, proving that LAYA is in charge of her world and isn’t budging one bit on that matter. The unapologetic anthem, “F’d Up,” set the tone for the EP, and the Staten Island, N.Y. native continued that momentum with “I Ain’t Playin’,” title track, “Bet That,” and the manic yet soulful “Psycho Bitch.”

The EP succeeds her debut EP, “Um, Hello.” If you’ve been missing out on this rising star, consider this an alert to wake up.

Raiche – “Big Daddy”

Raiche’s new single, “Big Daddy,” is a breath of fresh air as she addresses an alternative perspective from records like Usher’s “Hey Daddy (Daddy’s Home).” Her soothing, distinct tone captivates listeners as she sings, “You just stepped in/ What you bout to prove/ Big daddy, come take real good care of me/ Say that’s what you can be […] You know what your baby needs/ Just come through.”

The singer, with her soulful roots and alternative pop flair, recently performed at 2023’s Atlanta Funk Fest. Since her debut single in 2018, she has amassed over 20 million international streams and has been featured in Netflix’s Self Made: Inspired by the Life of Madam C.J. Walker and on The Kelly Clarkson Show.

Beharie – “We Never Knew”

Beharie is a dream we never knew we needed. Our introduction to the Norwegian crooner is his latest single, “We Never Knew.” The idyllic production is a somber reflection on a forever love that’s now non-existent.

The singer explains, “In the heat of it all. When you lose yourself in it. How things made sense, and how the bad things were ignored. But little did we know that we would end up being strangers.”

The record stems from his in-depth exploration of varying identities as heard on his upcoming debut album, “Are You There, Boy?,” set to arrive on October 20. Of the album, he explains in a statement, “This album has given me the opportunity to delve into various aspects of my own identity, and in the process, I have explored the complexity inherent in my personality and expression.”

Eric Roberson – “I Apologize”

Eric Roberson is honoring the indie R&B movement with a series of new monthly releases. “I Apologize” is the second single of the series, inspired by what the crooner considers to be his “creative gumbo.”

Co-written and produced by Jairus Mozee, Brett “B Dubb” Baker, Rodney Jones, and Roberson, the latter explains in a statement, “The song is inspired by the creative gumbo that feeds my music. The theatrical musicality of Stevie Wonder, heartfelt word play of urban contemporary gospel group Commissioned, and the unapologetic low-end approach of A Tribe Called Quest.”

Marzz – “In The Morning”

Marzz is back! Two years after the release of their debut EP, Love Letterz, and its subsequent deluxe installment, the singer’s impassioned new single, “In The Morning,” hypnotizes us once more.

“This song represents a feeling of waiting until the morning, getting excited of the unknown,” they explained in a statement. “It’s the wishful understanding of everything within a relationship. Sometimes we need understanding about falling in love when we’re not sure.” Ultimately, Marzz hopes their music encourages listeners to “create their own narratives” but in a magical way.

Landon Thomas – “Anything”

Landon Thomas may be new to us, but R&B is embedded in his DNA. With the lead single, “Anything,” from his forthcoming album, “R U STILL MAD AT ME,” the Pittsburgh, Pa. native is making his mark as a trailblazer with his infectious melodies and unique spin on contemporary R&B.

As he sings “Do you mind/ If I slide on you/ Spend time with you tonight/ Do you mind if I chill with you/ Make it real for you,” we’re drawn into the heartwarming embrace of his sultry tone.

“Anything” irresistibly sets the tone for the LP centered about intricate feelings, relationships, and ultimately, self-discovery.

“R U STILL MAD AT ME” arrives on Sunday, September 3.

Xenia Manasseh – “Love/Hate, PT. 1”

Xenia Manasseh’s debut album, “Love/Hate, Pt. 1,” is an emotional rollercoaster focused on love’s unpredictability. The 11-track LP is for delicate yet powerful women as the Kenyan-born, Los Angeles-based singer fuses her heritage with a sorrowful, intensely honest masterpiece.

After earning songwriting credits on Teyana Taylor’s The Album and singing background vocals for Taylor, Big Sean, and Burna Boy, fans love Xenia’s universal lyricism and earnest personal reflections.

“All the songs are special to me because they all came from me, they’re all my feelings on a page or in a song and the creation of all songs is sentimental to me,” she shared in a statement of the album. “But I will single out GI’s intro that is with my grandfather, Edgar Manasseh, GI is his nickname. That was done this year and was extremely sentimental and emotional because he has influenced so much of my musical journey. I can think of days when I was growing up he would teach me how to play things on the piano and his music collection is incredible.”

The endearing Swahili song was paired with a Luka Tututu composition. The LP wraps up just as strong as it began with the emotive yet hopeful “Love/Hate.”

She explained, “‘Love/Hate’ is also one of the tracks I felt that was the song that encompassed all the feelings that are spoken about in the album–the good, the bad, and in-between. I try to remember that balance as a lifeline. I’m also a Libra which is the sign of the scale, so I try to see the world through that lens and I felt like it’s not just representative of the album but also of me. I feel like everything in the album falls under those two words. It’s like a pendulum swing–you’re in and you’re out.”

Most of all, she hopes listeners take away the understanding of love’s karmic journey while also learning that it’s just the beginning. “This is just part 1 of the album; there’s a part 2 and in all of it, just know that love always comes around and it’s how you approach it the second time that matters.”

Keke Wyatt – “Water Into Wine”

The first offering from Keke Wyatt’s new album–her first in six years–has arrived. “Water Into Wine” showcases the mother of 11’s soulful roots as she gets honest with her lover about some expectations and realities.

“I really feel good about signing with Shanachie!” the singer said of her new team in a statement. “I’m excited and finally ready. I feel like this time we will create magic together and make HISTORY!”

Shanachie General Manager, Randall Grass, chimed in, “At a time when great singers are in short supply, Keke Wyatt continually displays what real singing is all about. Her range, power and intensely felt vocals connect with her audiences on the deepest level. We loved working with her before and are very excited to work with her now to make an epic new album.”

The reality TV star assures fans that her new LP will spotlight “good ole sanging” and will be an honest look into her life as she gears up to bare it all.

Lendryx – “Forces”

Lendryx is channeling two R&B legends with his new single, “Forces.”

Produced by Dionso, OSEI, and Jproof, the slow jam oozes romantic gratification as the crooner also inquires about the tug ‘o war battle of not wanting to fall in love, but also realizing that may be out of his control.

“I don’t wanna be in love/ But you’re so tempting/ When you leave the room, it feels so empty/ I’m trying be tough/ I’m fighting forces,” he sings.

Lendryx feels the ballad is his most “dynamic vocal performance yet” and admits that he challenged himself by using Tyrese’s “Signs Of Love Makin'” and Brandy’s range as the foundational elements of his vocal execution. It follows his previous single from April, “Just My Turn.”

Shae Universe – “Passenger Princess”

Shae Universe is riding the wave of her recent single, “Passenger Princess,” with the premiere of its visual. The song’s video, starring Kojey Radical, hints at the enthralling story being told as the title card reads, “Ever wish you could go back in time?”

Viewers see Shae seated in the backseat during a late-night drive as she reflects on some lingering feelings and bittersweet memories. The song, itself, was birthed by those emotions.

“He’d sent me roses all the way from LA and I still wasn’t over everything we’d been through when I received them, so I put all my mixed emotions into this song,” the UK-bred songbird stated of the record.

“I think ‘Passenger Princess’ is a very special song because not only is the title current and relatable, but the song’s deeper message of not always knowing exactly how to navigate situations is part of being a human with feelings. A part that sometimes frustrates us but hopefully, through this song, people feel seen and confident enough to accept this grey area of life.”

Havoc Announces New Mobb Deep Album with Unreleased Prodigy Verses

Havoc Announces New Mobb Deep Album with Unreleased Prodigy Verses

Rapper Prodigy from the group Mobb Deep made an appearance at MTV studios for a taping of MTV 2 Presents Sucker Free Week on April 6, 2006, in New York City.

Introduction

Havoc, one-half of the iconic hip-hop duo Mobb Deep, has recently announced that a new album is in the works. This highly anticipated project will feature unreleased verses from their late groupmate, Prodigy. The news has sent shockwaves through the music industry and has fans eagerly awaiting the release of this album. In a recent interview on the People’s Party podcast, Havoc shared his plans for the future, including his work on the Mobb Deep album and other exciting collaborations.

A New Chapter for Mobb Deep

During his appearance on the People’s Party podcast, Havoc revealed that he is actively working on a Mobb Deep album. This announcement has brought hope and excitement to fans who have been longing for new music from the iconic duo. Havoc expressed his dedication to the project, stating that he has been blessed with a collection of unreleased vocals by Prodigy. These vocals will undoubtedly add a unique and powerful element to the album, allowing fans to once again experience the raw talent and lyrical genius of Prodigy.

Continuing the Legacy

The passing of Prodigy in June 2017 was a devastating loss for the music industry and for Mobb Deep fans worldwide. Prodigy was known for his distinctive voice, thought-provoking lyrics, and his ability to captivate listeners with his storytelling abilities. Despite his untimely death, his legacy continues to live on through his music. The upcoming Mobb Deep album will serve as a testament to Prodigy’s enduring influence and will allow fans to cherish his artistry once again.

Unreleased Verses from Prodigy

One of the most exciting aspects of the upcoming Mobb Deep album is the inclusion of unreleased verses from Prodigy. These previously unheard lyrics will provide a glimpse into the creative process of one of hip-hop’s most talented artists. Fans can expect a mix of nostalgia and fresh material as they listen to Prodigy’s powerful words and storytelling abilities. It is a rare opportunity to witness the evolution of an artist even after their passing, and this album will undoubtedly be a cherished addition to Prodigy’s discography.

Collaborations and Future Projects

In addition to the Mobb Deep album, Havoc has also been working on other exciting collaborations. During his interview on the People’s Party podcast, he revealed that he is working on a joint album with Wu-Tang Clan member Method Man. This collaboration between two legendary hip-hop artists is highly anticipated and is sure to be a standout project. Havoc is also collaborating with RJ PAYNE and Ras Kass on a separate project, further showcasing his versatility and dedication to creating innovative music.

Mobb Deep’s Legacy and Discography

Mobb Deep has left an indelible mark on the hip-hop landscape with their unique sound and gritty storytelling. Throughout their career, they released eight studio albums, including the critically acclaimed “The Infamous,” “Hell on Earth,” “Murda Muzik,” and “Infamy.” These albums showcased the duo’s ability to paint vivid pictures of their experiences growing up in Queens, New York, and resonated with audiences worldwide. Their most recent album, “The Infamous Mobb Deep,” was released in 2014, three years prior to Prodigy’s passing. The upcoming album will serve as a continuation of their legacy and a testament to their enduring impact on the genre.

Seeking Justice for Prodigy

In 2018, Prodigy’s family filed a wrongful death lawsuit against the Spring Valley Medical Center and one of its physicians. The lawsuit alleges that the hospital failed to provide adequate care to Prodigy, leading to his untimely death. The family’s pursuit of justice highlights the importance of proper medical care and the need for accountability within the healthcare system. While the lawsuit is ongoing, it serves as a reminder of the tragic

circumstances surrounding Prodigy’s passing and the need to prevent similar incidents from occurring in the future.

Anticipation and Excitement

The announcement of a new Mobb Deep album with unreleased Prodigy verses has sparked anticipation and excitement among fans and the music community. The album will undoubtedly be a celebration of Mobb Deep’s legacy and a testament to their enduring impact on hip-hop. With Havoc at the helm, fans can rest assured that the project will be a labor of love, honoring Prodigy’s memory and showcasing the timeless talent of Mobb Deep. As the release date approaches, fans eagerly await the opportunity to immerse themselves in the powerful lyrics and captivating storytelling that Mobb Deep is known for.

Conclusion

Havoc’s announcement of a new Mobb Deep album with unreleased Prodigy verses has reignited the flame of excitement among fans. This highly anticipated project promises to be a celebration of Mobb Deep’s legacy and a testament to the enduring impact of Prodigy’s artistry. As fans eagerly await the release of the album, they can take solace in the fact that Havoc is dedicated to preserving the authenticity and raw talent that made Mobb Deep legendary. The upcoming album will undoubtedly solidify Mobb Deep’s place in hip-hop history, ensuring that their music continues to inspire and resonate with audiences for years to come.

Startling Video Emerges Depicting Arrest of Black Child Allegedly for Taking Out the Trash

Startling Video Emerges Depicting Arrest of Black Child Allegedly for Taking Out the Trash

A TikTok video shared by user careyann327 has ignited a wave of concern and outrage as it purportedly captures the arrest of a young Black child in Lansing, MI. The incident, which occurred on August 10, has sparked discussions about the treatment of minors by law enforcement officers and the broader issues of accountability and sensitivity.

In the video, a scene unfolds that shows the young Black child being apprehended by what appears to be a Lansing police officer. According to individuals heard in the background, the child was reportedly engaged in a simple act – taking out the trash from his residence – when the unexpected encounter with the police took place.

As the situation escalates, additional officials arrive on the scene to provide support to the lone officer. Amid the unfolding confusion, an older Black man, believed to be the boy’s father, approaches the scene to ascertain the nature of the incident. Although much of the conversation remains unintelligible, the concerned man can b e heard describing the child as “perfect.” He questions the necessity of subjecting the child to handcuffs, expressing his concern that such actions could potentially inflict lasting emotional “trauma.”

The incident has stirred a passionate debate in online communities, with commenters expressing a range of emotions and opinions. Many have called for the parents of the child to take legal action against what they perceive as an unjustified use of authority. Others have shared sentiments of skepticism towards law enforcement, emphasizing the importance of understanding one’s rights and involving legal representation when interacting with officers.

This incident serves as a stark reminder of the complex dynamics between law enforcement and marginalized communities, particularly involving minors. The video has raised important questions about the appropriateness of using handcuffs on children, the need for transparent and fair policing practices, and the broader implications of such encounters on young individuals.

As discussions continue, the video serves as a catalyst for broader conversations about police conduct, community relations, and the wellbeing of vulnerable populations. The incident has ignited a renewed call for accountability and sensitivity in law enforcement interactions with individuals, regardless of their age or background.

Family of Man Eaten Alive by Bed Bugs in Fulton County Jail Reaches $4 Million Settlement

Family of Man Eaten Alive by Bed Bugs in Fulton County Jail Reaches $4 Million Settlement

A tragic tale of negligence and suffering has culminated in a landmark resolution as the family of Lashawn Thompson, a 35-year-old man who endured a horrifying fate while in custody, reaches a settlement of $4 million with the Fulton County Jail in Atlanta, Georgia.

Lashawn Thompson’s distressing demise within the confines of a jail cell, where he was left to be consumed by bed bugs, sent shockwaves through the nation. The recent settlement is a poignant reminder of the magnitude of the tragedy and the urgent need for accountability within the criminal justice system.

The circumstances surrounding Thompson’s death are chillingly disturbing. According to an autopsy report, the causes listed include “dehydration, malnutrition, severe body insect infestation,” and the haunting presence of “untreated decompensated schizophrenia.” These conditions collectively paint a grim picture of a man who was not only physically abandoned but also denied essential medical and psychological care.

The journey to this settlement has been fraught with pain and heartache for Thompson’s family. His death occurred within a mental health ward at Fulton County Jail on September 13, 2022, a mere three months following his arrest on misdemeanor simple battery charges. The tragedy speaks to the critical need for comprehensive reform in how individuals with mental health challenges are treated within the criminal justice system.

The settlement sends a resounding message about the responsibilities borne by institutions to ensure the safety, health, and dignity of those under their care. Michael Harper, an attorney representing Thompson’s family, affirmed that no statement regarding the settlement will be released. This outcome serves as a powerful testament to the quest for justice in the face of profound adversity.

Nonetheless, this heart-wrenching event has not occurred in isolation. Just recently, the U.S. Department of Justice initiated an inquiry into the living conditions at Fulton County Jail, underlining a broader concern. This investigation was triggered by a series of troubling reports detailing inmate abuse and neglect. The announcement underscores the dire need for comprehensive oversight and reforms to prevent future instances of such flagrant neglect and abuse.

“Fulton County and the Sheriff’s Office have been made aware of a civil rights investigation by the U.S. Department of Justice to examine conditions at the Fulton County Jail and will be cooperating fully with the investigation,” read a joint statement from Fulton County officials and the Fulton County Sheriff’s Office.

As the legal system grapples with the aftermath of this devastating incident, the settlement underscores the imperative for accountability, transparency, and the unwavering protection of human rights. The legacy of Lashawn Thompson remains a touching testament, underscoring the vital principle that every person, irrespective of their situation, merits to be treated with honor and consideration. Moving ahead, our course must be one of transformation, empathy, and an unwavering dedication to preventing the recurrence of such a heartrending tragedy.