There’s a method to the madness for J. Cole’s upcoming tour with Drake, according to Cole’s manager, Ibrahim “Ib” Hamad. The tour, set to ignite 2024, is not your usual concert tour. It’s a mission to revisit the roots, the cities that shaped J. Cole and Drake’s musical journey but often get overlooked on the conventional touring map.
The Announcement: A Different Kind of Tour
On Monday, it was announced that J. Cole and Drake will go on the road together in 2024 for a joint run dubbed It’s All a Blur Tour: Big as the What? The tour is set to kick off on Jan. 18 in Denver, Colorado. It will then visit San Antonio, New Orleans, Tampa, Nashville, Kansas City, and wrap up in Birmingham, Alabama on March 27.
Ib Hamad took to social media to share his excitement about the upcoming journey, stating that the tour is a special run for markets that they don’t usually get to visit. The decision sparked conversations, with fans asking why the tour wouldn’t visit other stops such as Washington, D.C.
Hamad’s Take on the Tour
Ib Hamad clarified that the tour is not a major city run. Instead, it’s for the secondary market they don’t get to go to as much, hence the choice of cities. He further expressed his excitement to hit those cities again and reminisce about their early days in the music industry when they were grinding through these markets.
When asked why J. Cole and Drake wouldn’t pull up to North Carolina, Ib reminded the fan about Dreamville Festival 2024, which is happening in North Carolina a few weeks after the tour.
“We literally have a festival in North Carolina a few weeks after,” he wrote.
The Unique Approach: Revisiting the Roots
The decision to focus on the secondary markets instead of the major cities is a refreshing take on the usual concert tours. This approach allows the artists to reconnect with their roots and gives fans in these areas a chance to experience their favorite artists live, something that doesn’t happen often.
By doing this, J. Cole and Drake are not only creating a unique experience for their fans, but they’re also reminding themselves of where they came from and the journey they’ve been through.
Final Thoughts
In the world of music news, this tour stands out for its unique approach. It’s a testament to J. Cole and Drake’s humility and their dedication to their fans in all corners of the country. As they revisit the cities that played a crucial part in their journey, they’re also creating an opportunity for their fans in these areas to be a part of their ongoing journey.
While some fans might feel left out, this approach is a reminder that every city and every fan is important. It’s a celebration of music and its ability to connect people, regardless of where they are.
It’s All a Blur Tour: Big as the What? is set to be a memorable journey for both the artists and their fans. It’s a look back at the past, a celebration of the present, and a glimpse into the future.
So, if you’re in one of these cities, don’t miss out on the opportunity to see J. Cole and Drake live. And for those in the major cities, don’t feel left out. There’s always the next tour, and who knows, it might be even bigger and better.
Amazon, the e-commerce giant, is altering its grocery delivery model in a bid to stay competitive in the rapidly evolving online grocery landscape. The company’s revised strategy for its grocery service, Amazon Fresh, could prove to be a significant turning point in the industry.
A Shift Towards Inclusivity
Amazon has announced changes to its grocery delivery service, Amazon Fresh, aiming to make it more competitive with rivals like Instacart, Walmart, Target-owned Shipt, and DoorDash. The most significant alteration? Customers no longer need an Amazon Prime membership to order groceries for delivery or free pickup from Amazon Fresh.
This move allows non-Prime members to avail themselves of Amazon Fresh’s services, giving the company a broader customer base. It is expected to roll out in locations across the U.S., where Amazon Fresh is offered, and soon, a similar option will be made available to Whole Foods shoppers.
Expanded Service and Delivery Options
According to the company, once this expansion phase is completed, customers in more than 3,500 U.S. cities and towns will have the option of ordering two-hour grocery delivery from either Amazon Fresh or Whole Foods Market, depending on availability.
In addition to this, Amazon shoppers can now order from local grocers and specialty shops through the Amazon website. These include stores like Bristol Farms, Cardenas Markets, Pet Food Express, Weis Markets, and Save Mart.
Pricing and Discounts
While Amazon Fresh is not a free service, even for Prime members, Amazon’s membership program will offer several discounts. For example, Fresh orders over $100 will still be free if you have a Prime membership, and won’t include a delivery fee. Meanwhile, two-hour deliveries will include a service fee of $6.95 for orders ranging from $50-$100, and $9.95 for deliveries under $50, for Prime members.
Non-members will be charged between $7.95-$13.95 depending on their basket size and the delivery window selected. Flexible orders with delivery times of up to six hours may also receive a fee reduction, while rushed orders may include additional fees.
Grocery Pickup and More
For grocery pickup with Amazon Fresh, the company offers stores in California, Illinois, Maryland, New Jersey, New York, Pennsylvania, Virginia, Washington, D.C., and Washington State. Some of these stores will also offer Amazon’s cashierless payment option, Just Walk Out where customers pay with a palm reader.
Both Amazon Fresh stores and Whole Foods Market locations can also be used for package pickup and return for Amazon.com orders, and those using this service in Fresh stores will receive coupons to use in-store.
The Bigger Picture: Amazon’s Grocery Market Position
This significant move of broadening Amazon’s grocery reach is indicative of how far Amazon has fallen behind in the broader online grocery market. Operating different grocery brands has led to consumer confusion — particularly in markets where both services are available with their own unique product selections.
Taylor Swift, the iconic pop star, expressed her gratitude towards Beyoncé for her unwavering support at the Los Angeles premiere of her Eras Tour concert film. The highly anticipated film, directed by Sam Wrench, offers fans a theatrical experience showcasing Swift’s blockbuster tour. With pre-sale tickets worldwide surpassing $100 million, the film has already made a significant impact. Beyoncé’s presence at the premiere added a touch of magic to the event, and Swift took to Instagram to express her admiration for the fellow artist and the profound influence she has had on the music industry.
The Premiere and Beyoncé’s Support
At the Grove in Los Angeles, the premiere of the Eras Tour concert film took place, attracting fans from all over. The film, distributed by AMC Theatres and Cinemark, has already achieved remarkable success, with over $100 million in pre-sale tickets sold globally. Beyoncé, a respected figure in the music industry, not only posed with Swift on the red carpet but also joined her inside the theater for a popcorn-assisted photo opportunity. This display of support from Beyoncé left Swift feeling grateful and reflective. She took to Instagram to acknowledge the impact Beyoncé has had on her career and the industry at large.
The Eras Tour Film
The Eras Tour film, directed by Sam Wrench, offers fans an immersive experience, showcasing Swift’s blockbuster tour. With a runtime of nearly three hours, this theatrical production is a testament to the success of Swift’s music career. The film’s success is evident in the tremendous pre-sale ticket numbers, surpassing $100 million worldwide. It is being screened not only in major chain theaters but also in select arthouse theaters and independent venues. One such venue is the Belcourt Theatre in Nashville, a city that holds immense significance in Swift’s journey as an artist.
Beyoncé’s Renaissance Tour Film
In addition to supporting Taylor Swift at the Eras Tour premiere, Beyoncé is gearing up to release her own concert film, celebrating her massively successful Renaissance Tour. This tour aimed to create an inclusive space where everyone is free and judgment is absent. Beyoncé’s trailer for the film, titled “Renaissance: A Film by Beyoncé,” emphasizes the themes of starting over, fresh beginnings, and creating something new. The Renaissance Tour film is set to open on December 1, and tickets are already available for purchase.
Conclusion
Taylor Swift’s heartfelt gratitude towards Beyoncé for her support at the Eras Tour premiere highlights the immense impact the latter has had on the music industry. The success of the concert film, with its impressive pre-sale ticket numbers, showcases the undeniable influence and popularity of Swift’s music. Beyoncé’s upcoming Renaissance Tour film promises to be another remarkable production, giving fans an opportunity to witness the magic of her live performances. As these two icons continue to dominate the music world, their collaborations and support for one another serve as a reminder of the power of unity and mutual admiration within the industry.
he University of Alabama, an esteemed institution in the USA, recently found itself at the center of a controversy that sparked nationwide conversation on social justice. A football match held at the university’s Bryant-Denny Stadium became the backdrop for an event that overshadowed the game itself, leading to a wave of outrage, discussions, and introspection.
The Incident
On an otherwise ordinary Saturday night, September 9, 2023, the University of Alabama’s Crimson Tide lost a match to the Texas Longhorns (34-24). However, the match’s result wasn’t what captured the public’s attention. The Bryant-Denny Stadium, the eighth-largest in the United States with a capacity of 100,077, became the stage for an unsettling display of bigotry.
As the University of Texas athletes began to celebrate their victory, a group of spectators hurled racial slurs and homophobic comments at the Longhorns’ players on their sideline. This shocking incident happened on the same night that popular artist Lil Nas X and others faced a homophobic bomb threat at the 2023 Toronto International Film Festival, highlighting the pervasiveness of such discrimination.
University of Alabama’s Response
The University of Alabama responded swiftly and decisively to the incident. In a statement released on Monday, September 11, the university expressed its deep disgust at the reports of vile language and inappropriate behavior that occurred during the match.
The institution emphasized its condemnation of such conduct, stating that it doesn’t represent the university or its values. The university further urged attendees to uphold the principles of respect and decorum, reassuring that violations of its rules would be dealt with promptly, including potential bans from future events.
The Fallout
The incident’s ripple effects were far-reaching, extending beyond the University of Alabama’s campus. A video of the event went viral, in which Crimson Tide fans could be heard shouting offensive slurs at three black players from the Longhorns team – X’Avion Brice, Jelani McDonald, and Quintrevion “Tre” Wisner.
The players’ families were not spared from the hostility either. Wisner’s mother took to Twitter to share her heartbreaking experience at the game. She revealed that they endured a night of verbal abuse, with spectators throwing beer cans, water bottles, and even spitting at them. Despite the painful ordeal, she expressed pride in her son and the other players, all of whom are on full scholarship at their respective schools.
Tagging the Incident
In the aftermath, the incident was widely discussed under various tags. Education, NCAA, and Sports were among the most frequently used. These tags served as crucial markers, linking the incident to broader issues of social justice, education, and sports culture, thereby facilitating a broader conversation around the event.
Broader Repercussions
The incident at the University of Alabama was not an isolated one. Similar events have occurred in various sporting arenas, reflecting the deep-seated racial and homophobic biases that persist in society. Such instances underscore the urgent need for social justice, the eradication of discrimination, and the promotion of inclusivity in all spheres of life, including sports.
Conclusion
The University of Alabama incident serves as a stark reminder of the challenges that persist in our society. It underscores the importance of fostering an environment of respect, tolerance, and inclusivity, not just within the confines of a university or sports arena, but in every aspect of our lives.
While the incident left a black mark on the match’s memory, the University of Alabama’s swift response and the ensuing discussions serve as a silver lining, paving the way for meaningful conversations and actions towards social justice. Such incidents serve as crucial reminders of the work that remains to be done in fostering a more inclusive and respectful society.
As we inch towards the twilight of the summer season and prepare to embrace the crisp ambiance of fall, it is impossible to ignore the mellifluous voices that have serenaded us throughout the season. Mercury may still be in retrograde, but the musical cosmos is in perfect alignment, offering us an array of harmonious compositions that perfectly complement the changing seasons. As the sun sets on Beyoncé’s Renaissance World Tour, we find solace in the new creations by some of R&B’s most talented artists, helping us transition smoothly into the new season.
Among the myriad of voices, one stands out – Jorja Smith. Her long-awaited sophomore album’s title track has been shared, and it’s as emotion-inducing as Ama Lou and Xenia Manasseh’s debut albums. While we patiently wait for Chase Shakur’s debut LP, he ensures his fans are well-fed with the deluxe edition of his EP. Keke Wyatt is making a stealthy re-entry into music with the lead single from her first album in six years. Additionally, male crooners like Eric Roberson, Lendryx, Landon Thomas, and Beharie are guiding us down a soothing path that’s deeply essential.
Jorja Smith – “Falling or Flying”
Jorja Smith, who welcomed the summer with her singles, “Little Things” and “GO GO GO,” has now unveiled the title track from her highly-anticipated sophomore album, “Falling Or Flying.” During a conversation with Zane Lowe from Apple Music, Smith confessed that this track is currently one of her favorites, depending on her mood.
Smith elaborated, “This song always takes me on a journey, so right now it’s one of my favorites. Maybe because it’s coming out. But it’s funny though because that song started out completely different with me and the producers. It’s the first song we actually ever started together but it didn’t have the chorus before, and we moved everything over and did all sorts to it, and then we got this chorus. But the song has nothing to do with the album title. It’s just called that.”
The music video for “Falling or Flying” also marks Smith’s directorial debut. She had always dreamed of shooting a video in space, and this song gave her the perfect opportunity to fulfill that dream. She candidly mentioned that she wanted to journey into space with someone she loved and cherished, but they didn’t reciprocate her enthusiasm.
Smith’s new album is set to release on September 29, and music enthusiasts are eagerly waiting for the release.
Ama Lou – “I Came Home Late”
Ama Lou’s debut album, “I Came Home Late,” is a testament to her profound songwriting skills. With an assortment of 15 tracks, including previously released singles “Silence” and “Caught Me Running,” the album paints a vivid picture of Lou’s artistic range.
Lou began songwriting at a tender age and released her debut single, “TBC,” in 2016, which caught the attention of Drake and heavily influenced his 2018 album, “Scorpion.” She has since dropped three EPs, providing fans with a taste of her depth before unveiling “I Came Home Late.”
Chase Shakur – “It’s not you, it’s me… it’s love”
Chase Shakur continues to tantalize his fans, who are eagerly waiting for his debut album, with the release of his deluxe EP, “It’s not you, it’s me… it’s love.” The EP follows the highs and lows of a tumultuous relationship, providing an insight into the male perspective of an emotionally-charged romance. The captivating follow-up includes three new tracks: “nite,” “exit 65,” and “you’re so lovely.”
Shakur has clarified on his Instagram that “this is NOT the album,” and is looking forward to performing these tracks live on his “It’s Still Love Tour.”
K. Michelle – “Blame Yourself”
K. Michelle is gearing up for the release of her final R&B album, “I’m The Problem,” and has shared the LP’s fourth single, “Blame Yourself.” The introspective track urges women to take some accountability and introspect whether they are the problem in their relationships.
The Memphis native sings, “You’re playing the victim all because he made you look stupid/ ‘Fore you put the blame on everybody else/ Point to the mirror and blame yourself.” Her honest and heartfelt lyrics echo the album’s premise.
Back in May, K. Michelle candidly expressed on Instagram, “I am the problem. Took me so long to solve ’em.” In a recent interview with The Shade Room, she added, “I’m gon’ be the problem regardless. The industry gonna label you. It doesn’t matter. I could try to change; I could be better, [but] no matter what I do, I’m a problem because I still stand for what I stand for and I am how I am. It just is what it is.”
LAYA – “Bet That”
LAYA’s long-awaited new EP, “BET THAT,” is finally here. The seven-track project is a confident flex, proving that LAYA is in charge of her world and isn’t budging one bit on that matter. The unapologetic anthem, “F’d Up,” set the tone for the EP, and the Staten Island, N.Y. native continued that momentum with “I Ain’t Playin’,” title track, “Bet That,” and the manic yet soulful “Psycho Bitch.”
The EP succeeds her debut EP, “Um, Hello.” If you’ve been missing out on this rising star, consider this an alert to wake up.
Raiche – “Big Daddy”
Raiche’s new single, “Big Daddy,” is a breath of fresh air as she addresses an alternative perspective from records like Usher’s “Hey Daddy (Daddy’s Home).” Her soothing, distinct tone captivates listeners as she sings, “You just stepped in/ What you bout to prove/ Big daddy, come take real good care of me/ Say that’s what you can be […] You know what your baby needs/ Just come through.”
The singer, with her soulful roots and alternative pop flair, recently performed at 2023’s Atlanta Funk Fest. Since her debut single in 2018, she has amassed over 20 million international streams and has been featured in Netflix’s Self Made: Inspired by the Life of Madam C.J. Walker and on The Kelly Clarkson Show.
Beharie – “We Never Knew”
Beharie is a dream we never knew we needed. Our introduction to the Norwegian crooner is his latest single, “We Never Knew.” The idyllic production is a somber reflection on a forever love that’s now non-existent.
The singer explains, “In the heat of it all. When you lose yourself in it. How things made sense, and how the bad things were ignored. But little did we know that we would end up being strangers.”
The record stems from his in-depth exploration of varying identities as heard on his upcoming debut album, “Are You There, Boy?,” set to arrive on October 20. Of the album, he explains in a statement, “This album has given me the opportunity to delve into various aspects of my own identity, and in the process, I have explored the complexity inherent in my personality and expression.”
Eric Roberson – “I Apologize”
Eric Roberson is honoring the indie R&B movement with a series of new monthly releases. “I Apologize” is the second single of the series, inspired by what the crooner considers to be his “creative gumbo.”
Co-written and produced by Jairus Mozee, Brett “B Dubb” Baker, Rodney Jones, and Roberson, the latter explains in a statement, “The song is inspired by the creative gumbo that feeds my music. The theatrical musicality of Stevie Wonder, heartfelt word play of urban contemporary gospel group Commissioned, and the unapologetic low-end approach of A Tribe Called Quest.”
Marzz – “In The Morning”
Marzz is back! Two years after the release of their debut EP, Love Letterz, and its subsequent deluxe installment, the singer’s impassioned new single, “In The Morning,” hypnotizes us once more.
“This song represents a feeling of waiting until the morning, getting excited of the unknown,” they explained in a statement. “It’s the wishful understanding of everything within a relationship. Sometimes we need understanding about falling in love when we’re not sure.” Ultimately, Marzz hopes their music encourages listeners to “create their own narratives” but in a magical way.
Landon Thomas – “Anything”
Landon Thomas may be new to us, but R&B is embedded in his DNA. With the lead single, “Anything,” from his forthcoming album, “R U STILL MAD AT ME,” the Pittsburgh, Pa. native is making his mark as a trailblazer with his infectious melodies and unique spin on contemporary R&B.
As he sings “Do you mind/ If I slide on you/ Spend time with you tonight/ Do you mind if I chill with you/ Make it real for you,” we’re drawn into the heartwarming embrace of his sultry tone.
“Anything” irresistibly sets the tone for the LP centered about intricate feelings, relationships, and ultimately, self-discovery.
“R U STILL MAD AT ME” arrives on Sunday, September 3.
Xenia Manasseh – “Love/Hate, PT. 1”
Xenia Manasseh’s debut album, “Love/Hate, Pt. 1,” is an emotional rollercoaster focused on love’s unpredictability. The 11-track LP is for delicate yet powerful women as the Kenyan-born, Los Angeles-based singer fuses her heritage with a sorrowful, intensely honest masterpiece.
After earning songwriting credits on Teyana Taylor’s The Album and singing background vocals for Taylor, Big Sean, and Burna Boy, fans love Xenia’s universal lyricism and earnest personal reflections.
“All the songs are special to me because they all came from me, they’re all my feelings on a page or in a song and the creation of all songs is sentimental to me,” she shared in a statement of the album. “But I will single out GI’s intro that is with my grandfather, Edgar Manasseh, GI is his nickname. That was done this year and was extremely sentimental and emotional because he has influenced so much of my musical journey. I can think of days when I was growing up he would teach me how to play things on the piano and his music collection is incredible.”
The endearing Swahili song was paired with a Luka Tututu composition. The LP wraps up just as strong as it began with the emotive yet hopeful “Love/Hate.”
She explained, “‘Love/Hate’ is also one of the tracks I felt that was the song that encompassed all the feelings that are spoken about in the album–the good, the bad, and in-between. I try to remember that balance as a lifeline. I’m also a Libra which is the sign of the scale, so I try to see the world through that lens and I felt like it’s not just representative of the album but also of me. I feel like everything in the album falls under those two words. It’s like a pendulum swing–you’re in and you’re out.”
Most of all, she hopes listeners take away the understanding of love’s karmic journey while also learning that it’s just the beginning. “This is just part 1 of the album; there’s a part 2 and in all of it, just know that love always comes around and it’s how you approach it the second time that matters.”
Keke Wyatt – “Water Into Wine”
The first offering from Keke Wyatt’s new album–her first in six years–has arrived. “Water Into Wine” showcases the mother of 11’s soulful roots as she gets honest with her lover about some expectations and realities.
“I really feel good about signing with Shanachie!” the singer said of her new team in a statement. “I’m excited and finally ready. I feel like this time we will create magic together and make HISTORY!”
Shanachie General Manager, Randall Grass, chimed in, “At a time when great singers are in short supply, Keke Wyatt continually displays what real singing is all about. Her range, power and intensely felt vocals connect with her audiences on the deepest level. We loved working with her before and are very excited to work with her now to make an epic new album.”
The reality TV star assures fans that her new LP will spotlight “good ole sanging” and will be an honest look into her life as she gears up to bare it all.
Lendryx – “Forces”
Lendryx is channeling two R&B legends with his new single, “Forces.”
Produced by Dionso, OSEI, and Jproof, the slow jam oozes romantic gratification as the crooner also inquires about the tug ‘o war battle of not wanting to fall in love, but also realizing that may be out of his control.
“I don’t wanna be in love/ But you’re so tempting/ When you leave the room, it feels so empty/ I’m trying be tough/ I’m fighting forces,” he sings.
Lendryx feels the ballad is his most “dynamic vocal performance yet” and admits that he challenged himself by using Tyrese’s “Signs Of Love Makin'” and Brandy’s range as the foundational elements of his vocal execution. It follows his previous single from April, “Just My Turn.”
Shae Universe – “Passenger Princess”
Shae Universe is riding the wave of her recent single, “Passenger Princess,” with the premiere of its visual. The song’s video, starring Kojey Radical, hints at the enthralling story being told as the title card reads, “Ever wish you could go back in time?”
Viewers see Shae seated in the backseat during a late-night drive as she reflects on some lingering feelings and bittersweet memories. The song, itself, was birthed by those emotions.
“He’d sent me roses all the way from LA and I still wasn’t over everything we’d been through when I received them, so I put all my mixed emotions into this song,” the UK-bred songbird stated of the record.
“I think ‘Passenger Princess’ is a very special song because not only is the title current and relatable, but the song’s deeper message of not always knowing exactly how to navigate situations is part of being a human with feelings. A part that sometimes frustrates us but hopefully, through this song, people feel seen and confident enough to accept this grey area of life.”
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