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Jorja Smith and R&B’s Finest: A Melodious Farewell to Summer

Jorja Smith and R&B’s Finest: A Melodious Farewell to Summer

As we inch towards the twilight of the summer season and prepare to embrace the crisp ambiance of fall, it is impossible to ignore the mellifluous voices that have serenaded us throughout the season. Mercury may still be in retrograde, but the musical cosmos is in perfect alignment, offering us an array of harmonious compositions that perfectly complement the changing seasons. As the sun sets on Beyoncé’s Renaissance World Tour, we find solace in the new creations by some of R&B’s most talented artists, helping us transition smoothly into the new season.

Among the myriad of voices, one stands out – Jorja Smith. Her long-awaited sophomore album’s title track has been shared, and it’s as emotion-inducing as Ama Lou and Xenia Manasseh’s debut albums. While we patiently wait for Chase Shakur’s debut LP, he ensures his fans are well-fed with the deluxe edition of his EP. Keke Wyatt is making a stealthy re-entry into music with the lead single from her first album in six years. Additionally, male crooners like Eric Roberson, Lendryx, Landon Thomas, and Beharie are guiding us down a soothing path that’s deeply essential.

Jorja Smith – “Falling or Flying”

Jorja Smith, who welcomed the summer with her singles, “Little Things” and “GO GO GO,” has now unveiled the title track from her highly-anticipated sophomore album, “Falling Or Flying.” During a conversation with Zane Lowe from Apple Music, Smith confessed that this track is currently one of her favorites, depending on her mood.

Smith elaborated, “This song always takes me on a journey, so right now it’s one of my favorites. Maybe because it’s coming out. But it’s funny though because that song started out completely different with me and the producers. It’s the first song we actually ever started together but it didn’t have the chorus before, and we moved everything over and did all sorts to it, and then we got this chorus. But the song has nothing to do with the album title. It’s just called that.”

The music video for “Falling or Flying” also marks Smith’s directorial debut. She had always dreamed of shooting a video in space, and this song gave her the perfect opportunity to fulfill that dream. She candidly mentioned that she wanted to journey into space with someone she loved and cherished, but they didn’t reciprocate her enthusiasm.

Smith’s new album is set to release on September 29, and music enthusiasts are eagerly waiting for the release.

Ama Lou – “I Came Home Late”

Ama Lou’s debut album, “I Came Home Late,” is a testament to her profound songwriting skills. With an assortment of 15 tracks, including previously released singles “Silence” and “Caught Me Running,” the album paints a vivid picture of Lou’s artistic range.

Lou began songwriting at a tender age and released her debut single, “TBC,” in 2016, which caught the attention of Drake and heavily influenced his 2018 album, “Scorpion.” She has since dropped three EPs, providing fans with a taste of her depth before unveiling “I Came Home Late.”

Chase Shakur – “It’s not you, it’s me… it’s love”

Chase Shakur continues to tantalize his fans, who are eagerly waiting for his debut album, with the release of his deluxe EP, “It’s not you, it’s me… it’s love.” The EP follows the highs and lows of a tumultuous relationship, providing an insight into the male perspective of an emotionally-charged romance. The captivating follow-up includes three new tracks: “nite,” “exit 65,” and “you’re so lovely.”

Shakur has clarified on his Instagram that “this is NOT the album,” and is looking forward to performing these tracks live on his “It’s Still Love Tour.”

K. Michelle – “Blame Yourself”

K. Michelle is gearing up for the release of her final R&B album, “I’m The Problem,” and has shared the LP’s fourth single, “Blame Yourself.” The introspective track urges women to take some accountability and introspect whether they are the problem in their relationships.

The Memphis native sings, “You’re playing the victim all because he made you look stupid/ ‘Fore you put the blame on everybody else/ Point to the mirror and blame yourself.” Her honest and heartfelt lyrics echo the album’s premise.

Back in May, K. Michelle candidly expressed on Instagram, “I am the problem. Took me so long to solve ’em.” In a recent interview with The Shade Room, she added, “I’m gon’ be the problem regardless. The industry gonna label you. It doesn’t matter. I could try to change; I could be better, [but] no matter what I do, I’m a problem because I still stand for what I stand for and I am how I am. It just is what it is.”

LAYA – “Bet That”

LAYA’s long-awaited new EP, “BET THAT,” is finally here. The seven-track project is a confident flex, proving that LAYA is in charge of her world and isn’t budging one bit on that matter. The unapologetic anthem, “F’d Up,” set the tone for the EP, and the Staten Island, N.Y. native continued that momentum with “I Ain’t Playin’,” title track, “Bet That,” and the manic yet soulful “Psycho Bitch.”

The EP succeeds her debut EP, “Um, Hello.” If you’ve been missing out on this rising star, consider this an alert to wake up.

Raiche – “Big Daddy”

Raiche’s new single, “Big Daddy,” is a breath of fresh air as she addresses an alternative perspective from records like Usher’s “Hey Daddy (Daddy’s Home).” Her soothing, distinct tone captivates listeners as she sings, “You just stepped in/ What you bout to prove/ Big daddy, come take real good care of me/ Say that’s what you can be […] You know what your baby needs/ Just come through.”

The singer, with her soulful roots and alternative pop flair, recently performed at 2023’s Atlanta Funk Fest. Since her debut single in 2018, she has amassed over 20 million international streams and has been featured in Netflix’s Self Made: Inspired by the Life of Madam C.J. Walker and on The Kelly Clarkson Show.

Beharie – “We Never Knew”

Beharie is a dream we never knew we needed. Our introduction to the Norwegian crooner is his latest single, “We Never Knew.” The idyllic production is a somber reflection on a forever love that’s now non-existent.

The singer explains, “In the heat of it all. When you lose yourself in it. How things made sense, and how the bad things were ignored. But little did we know that we would end up being strangers.”

The record stems from his in-depth exploration of varying identities as heard on his upcoming debut album, “Are You There, Boy?,” set to arrive on October 20. Of the album, he explains in a statement, “This album has given me the opportunity to delve into various aspects of my own identity, and in the process, I have explored the complexity inherent in my personality and expression.”

Eric Roberson – “I Apologize”

Eric Roberson is honoring the indie R&B movement with a series of new monthly releases. “I Apologize” is the second single of the series, inspired by what the crooner considers to be his “creative gumbo.”

Co-written and produced by Jairus Mozee, Brett “B Dubb” Baker, Rodney Jones, and Roberson, the latter explains in a statement, “The song is inspired by the creative gumbo that feeds my music. The theatrical musicality of Stevie Wonder, heartfelt word play of urban contemporary gospel group Commissioned, and the unapologetic low-end approach of A Tribe Called Quest.”

Marzz – “In The Morning”

Marzz is back! Two years after the release of their debut EP, Love Letterz, and its subsequent deluxe installment, the singer’s impassioned new single, “In The Morning,” hypnotizes us once more.

“This song represents a feeling of waiting until the morning, getting excited of the unknown,” they explained in a statement. “It’s the wishful understanding of everything within a relationship. Sometimes we need understanding about falling in love when we’re not sure.” Ultimately, Marzz hopes their music encourages listeners to “create their own narratives” but in a magical way.

Landon Thomas – “Anything”

Landon Thomas may be new to us, but R&B is embedded in his DNA. With the lead single, “Anything,” from his forthcoming album, “R U STILL MAD AT ME,” the Pittsburgh, Pa. native is making his mark as a trailblazer with his infectious melodies and unique spin on contemporary R&B.

As he sings “Do you mind/ If I slide on you/ Spend time with you tonight/ Do you mind if I chill with you/ Make it real for you,” we’re drawn into the heartwarming embrace of his sultry tone.

“Anything” irresistibly sets the tone for the LP centered about intricate feelings, relationships, and ultimately, self-discovery.

“R U STILL MAD AT ME” arrives on Sunday, September 3.

Xenia Manasseh – “Love/Hate, PT. 1”

Xenia Manasseh’s debut album, “Love/Hate, Pt. 1,” is an emotional rollercoaster focused on love’s unpredictability. The 11-track LP is for delicate yet powerful women as the Kenyan-born, Los Angeles-based singer fuses her heritage with a sorrowful, intensely honest masterpiece.

After earning songwriting credits on Teyana Taylor’s The Album and singing background vocals for Taylor, Big Sean, and Burna Boy, fans love Xenia’s universal lyricism and earnest personal reflections.

“All the songs are special to me because they all came from me, they’re all my feelings on a page or in a song and the creation of all songs is sentimental to me,” she shared in a statement of the album. “But I will single out GI’s intro that is with my grandfather, Edgar Manasseh, GI is his nickname. That was done this year and was extremely sentimental and emotional because he has influenced so much of my musical journey. I can think of days when I was growing up he would teach me how to play things on the piano and his music collection is incredible.”

The endearing Swahili song was paired with a Luka Tututu composition. The LP wraps up just as strong as it began with the emotive yet hopeful “Love/Hate.”

She explained, “‘Love/Hate’ is also one of the tracks I felt that was the song that encompassed all the feelings that are spoken about in the album–the good, the bad, and in-between. I try to remember that balance as a lifeline. I’m also a Libra which is the sign of the scale, so I try to see the world through that lens and I felt like it’s not just representative of the album but also of me. I feel like everything in the album falls under those two words. It’s like a pendulum swing–you’re in and you’re out.”

Most of all, she hopes listeners take away the understanding of love’s karmic journey while also learning that it’s just the beginning. “This is just part 1 of the album; there’s a part 2 and in all of it, just know that love always comes around and it’s how you approach it the second time that matters.”

Keke Wyatt – “Water Into Wine”

The first offering from Keke Wyatt’s new album–her first in six years–has arrived. “Water Into Wine” showcases the mother of 11’s soulful roots as she gets honest with her lover about some expectations and realities.

“I really feel good about signing with Shanachie!” the singer said of her new team in a statement. “I’m excited and finally ready. I feel like this time we will create magic together and make HISTORY!”

Shanachie General Manager, Randall Grass, chimed in, “At a time when great singers are in short supply, Keke Wyatt continually displays what real singing is all about. Her range, power and intensely felt vocals connect with her audiences on the deepest level. We loved working with her before and are very excited to work with her now to make an epic new album.”

The reality TV star assures fans that her new LP will spotlight “good ole sanging” and will be an honest look into her life as she gears up to bare it all.

Lendryx – “Forces”

Lendryx is channeling two R&B legends with his new single, “Forces.”

Produced by Dionso, OSEI, and Jproof, the slow jam oozes romantic gratification as the crooner also inquires about the tug ‘o war battle of not wanting to fall in love, but also realizing that may be out of his control.

“I don’t wanna be in love/ But you’re so tempting/ When you leave the room, it feels so empty/ I’m trying be tough/ I’m fighting forces,” he sings.

Lendryx feels the ballad is his most “dynamic vocal performance yet” and admits that he challenged himself by using Tyrese’s “Signs Of Love Makin'” and Brandy’s range as the foundational elements of his vocal execution. It follows his previous single from April, “Just My Turn.”

Shae Universe – “Passenger Princess”

Shae Universe is riding the wave of her recent single, “Passenger Princess,” with the premiere of its visual. The song’s video, starring Kojey Radical, hints at the enthralling story being told as the title card reads, “Ever wish you could go back in time?”

Viewers see Shae seated in the backseat during a late-night drive as she reflects on some lingering feelings and bittersweet memories. The song, itself, was birthed by those emotions.

“He’d sent me roses all the way from LA and I still wasn’t over everything we’d been through when I received them, so I put all my mixed emotions into this song,” the UK-bred songbird stated of the record.

“I think ‘Passenger Princess’ is a very special song because not only is the title current and relatable, but the song’s deeper message of not always knowing exactly how to navigate situations is part of being a human with feelings. A part that sometimes frustrates us but hopefully, through this song, people feel seen and confident enough to accept this grey area of life.”

The Grammy Controversy: Drake and The Weeknd’s AI Track Eligibility

The Grammy Controversy: Drake and The Weeknd’s AI Track Eligibility

Image credit: lev radin / Shutterstock.com

The world of music has been abuzz with the recent controversy surrounding the eligibility of “Heart On My Sleeve,” an Artificial Intelligence (AI) generated track featuring vocals of Drake and The Weeknd, for the upcoming Grammy Awards.

The Track: A Remarkable Feat of AI

The song, which surfaced on YouTube in April, later migrated to streaming platforms, amassing over 630,000 streams on Spotify before being taken down by Universal Music Group. It caused a stir due to its accurate replication of the artists’ vocals and lyricism, despite them not having any direct involvement in its composition.

Grammy Eligibility: A New Precedent

This week, the track was deemed eligible for Grammy consideration by Recording Academy CEO Harvey Mason Jr., who stated that “it’s absolutely eligible because it was written by a human.” This statement has sparked discussion among industry professionals, as it opens the door for AI-generated music to be considered for prestigious awards.

The Controversy: Universal’s Stand Against AI Music

While the tech world celebrates this as a victory for AI, Universal Music Group has taken a stand against the use of AI-generated music. In a statement released in April, they called AI music a “fraud,” and requested its ban from streaming platforms.

Universal Music Group calls AI music a “fraud,” and wants it banned from streaming platforms. Experts say it’s not that easy. https://t.co/g8CHWp3eH0 pic.twitter.com/DESVr3755Y

— CNN International (@cnni) April 19, 2023

The Dilemma: Embrace AI or Protect Artists?

Universal has always embraced new technology for the benefit of its artists, including having their own innovation around AI. However, they took issue with the use of their artists’ music to create AI-generated tracks, labeling it as a violation of their agreements and copyright law.

The Choice: Artists and Fans or Deep Fakes and Fraud?

Universal’s statement presents music industry stakeholders with a critical choice: to side with artists, fans, and human creative expression, or to support deep fakes and fraud, denying artists their due compensation.

The Responsibility: Platforms Must Act

Universal believes that platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists. They are encouraged by the engagement of their platform partners on these issues, as they recognize the need to be part of the solution.

The Future: Uncertain Times Ahead

This controversy has ignited a debate that could redefine the music industry. As AI continues to advance and blur the lines between human and machine creativity, industry stakeholders will have to grapple with complex ethical and legal issues. It remains to be seen how this will play out, but one thing is certain: the music industry is in for a shakeup.

Conclusion: A Call to Action

The debate surrounding AI music and its eligibility for awards like the Grammy is more than just a legal issue. It’s a call to action for the music industry to define its stance on AI and to create norms that protect artists while also embracing innovation. As the saga of “Heart On My Sleeve” continues, it will undoubtedly shape the future of music.

Kelly Rowland: A Testament to Young Talent and Hard Work 

Kelly Rowland: A Testament to Young Talent and Hard Work 

As a seasoned veteran in the music industry, Kelly Rowland has been a witness to the rise of many stars. However, one young talent that has caught her attention recently is none other than Blue Ivy, the daughter of Beyoncé and Jay-Z. Praising her commendable work ethic, Rowland is all admiration for the 11-year-old’s dedication and discipline. 

“I’m very proud,” Rowland shared. “She works very freaking hard, period. But how could she not, you know? She sees her mother in action and she sees her father in action and how they apply everything, hard work to everything that they do.” 

Blue Ivy: A New Star on the Horizon 

Blue Ivy, at a tender age of 11, has been showcasing her talent alongside her mother, Beyoncé, on her Renaissance World Tour. The young prodigy has been turning heads with her performance, proving that the apple doesn’t fall far from the tree. 

The Role of Parenting in Shaping Talent 

In a recent interview with E! News, Kelly Rowland credited Beyoncé and Jay-Z for instilling discipline in their young daughter. The power couple’s influence and guidance have been instrumental in shaping Blue Ivy’s talent and work ethic. 

Blue Ivy’s Debut Performance 

Blue made her first appearance on the Renaissance World Tour back in May, sharing the stage with her mother and a fleet of dancers. The young star held her own among the professional dancers, impressing all with her smooth and confident moves. 

The Grandmother’s Pride 

Following Blue’s performance, her grandmother, Tina Knowles-Lawson, took to Instagram to express her pride and admiration. 

“I am truly amazed by the courage that this brave, talented, beautiful 11-year old exhibited last night!” Lawson wrote “There were almost 70,000 people in that audience. She danced with professional dancers, grown folks, she did complicated choreography and moves that they rehearsed for months! She rehearsed and learned this in a little over a week. She was so smooth with it!” 

Wrapping Up 

The music industry has always been a place where talent and hard work go hand in hand. Blue Ivy is one such talent who, under the guidance and influence of her superstar parents, is making a mark at a very young age. As Kelly Rowland puts it, Blue Ivy’s work ethic is a testament to her parents’ emphasis on discipline and dedication. It’s a clear indication that we can expect great things from this young star in the future. 

Diddy’s Eagerly Awaited Return to R&B Roots: “The Love Album: Off The Grid” 

Diddy’s Eagerly Awaited Return to R&B Roots: “The Love Album: Off The Grid” 

IMAGE CREDIT: KATHY HUTCHINS / SHUTTERSTOCK.COM 

Music mogul, Diddy, is back on the music scene with his much-awaited album, The Love Album: Off The Grid. Famous for his unique blend of hip-hop and R&B, Diddy has made a name for himself in the music industry with his exceptional talent and unconventional style. This time around, he is bringing some heavy-hitters along for the ride, including a much-anticipated reunion with Dirty Money. 

Dirty Money Reunion: The Return of a Phenomenon 

Dirty Money, the band that rose to fame under Diddy’s guidance, was a trio made up of Dawn Richard, Kalenna, and Diddy himself. The group disbanded in 2012 after a successful run, leaving fans longing for more of their distinctive sound and captivating performances. 

“What we did with Dirty Money was phenomenal. Yet, it was misunderstood. Something that was simplistic and manufactured was successful [while] something that was brilliant and iconic, [people] didn’t get it.” 

  • Dawn Richard, in an interview with Billboard 

The reunion of Dirty Money in Diddy’s new album is a move that has excited fans and critics alike. Their unique sound, combined with Diddy’s production and direction, promises to bring something fresh and exciting to the R&B scene. 

Diddy’s Collaborations: A Star-Studded Lineup 

The album, slated for release on September 15, is already creating waves with its star-studded lineup of collaborations. Diddy has managed to bring together some of the biggest names in the music industry, promising a musical extravaganza that is sure to impress. 

The Love Album: Off The Grid features artists like: 

  • Mary J. Blige 
  • H.E.R. 
  • Jazmine Sullivan 
  • Justin Bieber 
  • Summer Walker 
  • Babyface 
  • John Legend 
  • Teyana Taylor 
  • The-Dream 
  • Jozzy 

These collaborations promise to bring a rich diversity of sounds and styles to the album, making it a must-listen for any music lover.

Diddy’s Musical Journey: A Return to His First Love 

For Diddy, The Love Album: Off The Grid is more than just another album; it’s a return to his first love, music. It’s his first album in over a decade, and it’s evident that he has poured his heart and soul into it. 

Diddy’s dedication to his craft and his passion for music is evident in the choice of artists, the careful crafting of each track, and his decision to reunite with Dirty Money. This album isn’t meant to cater to algorithms or trends; it’s a labor of love, designed to touch souls and express Diddy’s story through the medium he knows best – music. 

The Unheard Melodies: A Tale of Lost Beats 

The Unheard Melodies: A Tale of Lost Beats 

Music‘s chronicles are filled with untold tales of tunes and albums that, for a multitude of reasons, never saw the light of day. Recently, the eminent producer, Metro Boomin, added a new chapter to this narrative. An unexpected power cut at his residence led to the tragic loss of three exclusive beats crafted for the renowned hip-hop artist, Future

A Power Outage and Lost Beats 

The incident unfolded on a seemingly ordinary Tuesday, the 29th of August. Metro Boomin was working on his MPC 3000, creating beats that were destined to become iconic Future Beats. But fate had other plans. A sudden power outage at his residence resulted in the loss of these beats, leaving the producer in despair. 

“Just made 3 fire beats on my MPC 3000 and the power just went off at the crib,” Metro Boomin expressed his frustration on Twitter. His disappointment was palpable as he continued, “I didn’t even get to record them in yet. I’m finna go cry myself to sleep bye y’all.” 

The Anticipated Metro-Future Joint Project 

News of the lost beats stirred up speculation amongst fans about the status of the long-awaited Metro-Future joint project. The project, which has been teased for months, now seems likely to face further delays. 

Metro Boomin’s Recent Works 

Despite the setback, Metro Boomin has continued to engage his fans with new releases. His recent work includes the soundtrack for Spider-Man: Across The Spider-Verse, featuring artists like Swae Lee, Lil Wayne, Offset, Coi Leray, JID, Lil Uzi Vert, and more. 

The Last Rap Album to Go No. 1 

Before the release of Lil Uzi Vert’s Pink Tape in late June, Metro Boomin held the honor of having the last rap album to reach No. 1 on the Billboard 200. This achievement sparked numerous conversations about the current state of Hip-Hop. 

Heroes And Villains: A Metro Boomin Masterpiece 

In December 2022, Metro Boomin released the album Heroes And Villains, featuring big names like John Legend, Chris Brown, Gunna, Young Thug, Don Toliver, and more. The track “Creepin’,” a modern reimagining of Mario Winans’ classic “I Don’t Wanna Know,” featured The Weeknd and 21 Savage and was a particular hit amongst fans. 

The Much Loved “Creepin” 

“Creepin” quickly became a fan favorite, and its popularity led to a remix featuring none other than Diddy himself. The music video for the remix was well-received, accumulating millions of views. 

In Conclusion 

The incident of the lost Future Beats presents a stark reminder of the unpredictable nature of music creation. Even the most skilled producers like Metro Boomin can face unexpected setbacks. However, as Metro Boomin’s ongoing projects and recent releases show, such setbacks are but stepping stones in the journey of music production.