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Jorja Smith and R&B’s Finest: A Melodious Farewell to Summer

Jorja Smith and R&B’s Finest: A Melodious Farewell to Summer

As we inch towards the twilight of the summer season and prepare to embrace the crisp ambiance of fall, it is impossible to ignore the mellifluous voices that have serenaded us throughout the season. Mercury may still be in retrograde, but the musical cosmos is in perfect alignment, offering us an array of harmonious compositions that perfectly complement the changing seasons. As the sun sets on Beyoncé’s Renaissance World Tour, we find solace in the new creations by some of R&B’s most talented artists, helping us transition smoothly into the new season.

Among the myriad of voices, one stands out – Jorja Smith. Her long-awaited sophomore album’s title track has been shared, and it’s as emotion-inducing as Ama Lou and Xenia Manasseh’s debut albums. While we patiently wait for Chase Shakur’s debut LP, he ensures his fans are well-fed with the deluxe edition of his EP. Keke Wyatt is making a stealthy re-entry into music with the lead single from her first album in six years. Additionally, male crooners like Eric Roberson, Lendryx, Landon Thomas, and Beharie are guiding us down a soothing path that’s deeply essential.

Jorja Smith – “Falling or Flying”

Jorja Smith, who welcomed the summer with her singles, “Little Things” and “GO GO GO,” has now unveiled the title track from her highly-anticipated sophomore album, “Falling Or Flying.” During a conversation with Zane Lowe from Apple Music, Smith confessed that this track is currently one of her favorites, depending on her mood.

Smith elaborated, “This song always takes me on a journey, so right now it’s one of my favorites. Maybe because it’s coming out. But it’s funny though because that song started out completely different with me and the producers. It’s the first song we actually ever started together but it didn’t have the chorus before, and we moved everything over and did all sorts to it, and then we got this chorus. But the song has nothing to do with the album title. It’s just called that.”

The music video for “Falling or Flying” also marks Smith’s directorial debut. She had always dreamed of shooting a video in space, and this song gave her the perfect opportunity to fulfill that dream. She candidly mentioned that she wanted to journey into space with someone she loved and cherished, but they didn’t reciprocate her enthusiasm.

Smith’s new album is set to release on September 29, and music enthusiasts are eagerly waiting for the release.

Ama Lou – “I Came Home Late”

Ama Lou’s debut album, “I Came Home Late,” is a testament to her profound songwriting skills. With an assortment of 15 tracks, including previously released singles “Silence” and “Caught Me Running,” the album paints a vivid picture of Lou’s artistic range.

Lou began songwriting at a tender age and released her debut single, “TBC,” in 2016, which caught the attention of Drake and heavily influenced his 2018 album, “Scorpion.” She has since dropped three EPs, providing fans with a taste of her depth before unveiling “I Came Home Late.”

Chase Shakur – “It’s not you, it’s me… it’s love”

Chase Shakur continues to tantalize his fans, who are eagerly waiting for his debut album, with the release of his deluxe EP, “It’s not you, it’s me… it’s love.” The EP follows the highs and lows of a tumultuous relationship, providing an insight into the male perspective of an emotionally-charged romance. The captivating follow-up includes three new tracks: “nite,” “exit 65,” and “you’re so lovely.”

Shakur has clarified on his Instagram that “this is NOT the album,” and is looking forward to performing these tracks live on his “It’s Still Love Tour.”

K. Michelle – “Blame Yourself”

K. Michelle is gearing up for the release of her final R&B album, “I’m The Problem,” and has shared the LP’s fourth single, “Blame Yourself.” The introspective track urges women to take some accountability and introspect whether they are the problem in their relationships.

The Memphis native sings, “You’re playing the victim all because he made you look stupid/ ‘Fore you put the blame on everybody else/ Point to the mirror and blame yourself.” Her honest and heartfelt lyrics echo the album’s premise.

Back in May, K. Michelle candidly expressed on Instagram, “I am the problem. Took me so long to solve ’em.” In a recent interview with The Shade Room, she added, “I’m gon’ be the problem regardless. The industry gonna label you. It doesn’t matter. I could try to change; I could be better, [but] no matter what I do, I’m a problem because I still stand for what I stand for and I am how I am. It just is what it is.”

LAYA – “Bet That”

LAYA’s long-awaited new EP, “BET THAT,” is finally here. The seven-track project is a confident flex, proving that LAYA is in charge of her world and isn’t budging one bit on that matter. The unapologetic anthem, “F’d Up,” set the tone for the EP, and the Staten Island, N.Y. native continued that momentum with “I Ain’t Playin’,” title track, “Bet That,” and the manic yet soulful “Psycho Bitch.”

The EP succeeds her debut EP, “Um, Hello.” If you’ve been missing out on this rising star, consider this an alert to wake up.

Raiche – “Big Daddy”

Raiche’s new single, “Big Daddy,” is a breath of fresh air as she addresses an alternative perspective from records like Usher’s “Hey Daddy (Daddy’s Home).” Her soothing, distinct tone captivates listeners as she sings, “You just stepped in/ What you bout to prove/ Big daddy, come take real good care of me/ Say that’s what you can be […] You know what your baby needs/ Just come through.”

The singer, with her soulful roots and alternative pop flair, recently performed at 2023’s Atlanta Funk Fest. Since her debut single in 2018, she has amassed over 20 million international streams and has been featured in Netflix’s Self Made: Inspired by the Life of Madam C.J. Walker and on The Kelly Clarkson Show.

Beharie – “We Never Knew”

Beharie is a dream we never knew we needed. Our introduction to the Norwegian crooner is his latest single, “We Never Knew.” The idyllic production is a somber reflection on a forever love that’s now non-existent.

The singer explains, “In the heat of it all. When you lose yourself in it. How things made sense, and how the bad things were ignored. But little did we know that we would end up being strangers.”

The record stems from his in-depth exploration of varying identities as heard on his upcoming debut album, “Are You There, Boy?,” set to arrive on October 20. Of the album, he explains in a statement, “This album has given me the opportunity to delve into various aspects of my own identity, and in the process, I have explored the complexity inherent in my personality and expression.”

Eric Roberson – “I Apologize”

Eric Roberson is honoring the indie R&B movement with a series of new monthly releases. “I Apologize” is the second single of the series, inspired by what the crooner considers to be his “creative gumbo.”

Co-written and produced by Jairus Mozee, Brett “B Dubb” Baker, Rodney Jones, and Roberson, the latter explains in a statement, “The song is inspired by the creative gumbo that feeds my music. The theatrical musicality of Stevie Wonder, heartfelt word play of urban contemporary gospel group Commissioned, and the unapologetic low-end approach of A Tribe Called Quest.”

Marzz – “In The Morning”

Marzz is back! Two years after the release of their debut EP, Love Letterz, and its subsequent deluxe installment, the singer’s impassioned new single, “In The Morning,” hypnotizes us once more.

“This song represents a feeling of waiting until the morning, getting excited of the unknown,” they explained in a statement. “It’s the wishful understanding of everything within a relationship. Sometimes we need understanding about falling in love when we’re not sure.” Ultimately, Marzz hopes their music encourages listeners to “create their own narratives” but in a magical way.

Landon Thomas – “Anything”

Landon Thomas may be new to us, but R&B is embedded in his DNA. With the lead single, “Anything,” from his forthcoming album, “R U STILL MAD AT ME,” the Pittsburgh, Pa. native is making his mark as a trailblazer with his infectious melodies and unique spin on contemporary R&B.

As he sings “Do you mind/ If I slide on you/ Spend time with you tonight/ Do you mind if I chill with you/ Make it real for you,” we’re drawn into the heartwarming embrace of his sultry tone.

“Anything” irresistibly sets the tone for the LP centered about intricate feelings, relationships, and ultimately, self-discovery.

“R U STILL MAD AT ME” arrives on Sunday, September 3.

Xenia Manasseh – “Love/Hate, PT. 1”

Xenia Manasseh’s debut album, “Love/Hate, Pt. 1,” is an emotional rollercoaster focused on love’s unpredictability. The 11-track LP is for delicate yet powerful women as the Kenyan-born, Los Angeles-based singer fuses her heritage with a sorrowful, intensely honest masterpiece.

After earning songwriting credits on Teyana Taylor’s The Album and singing background vocals for Taylor, Big Sean, and Burna Boy, fans love Xenia’s universal lyricism and earnest personal reflections.

“All the songs are special to me because they all came from me, they’re all my feelings on a page or in a song and the creation of all songs is sentimental to me,” she shared in a statement of the album. “But I will single out GI’s intro that is with my grandfather, Edgar Manasseh, GI is his nickname. That was done this year and was extremely sentimental and emotional because he has influenced so much of my musical journey. I can think of days when I was growing up he would teach me how to play things on the piano and his music collection is incredible.”

The endearing Swahili song was paired with a Luka Tututu composition. The LP wraps up just as strong as it began with the emotive yet hopeful “Love/Hate.”

She explained, “‘Love/Hate’ is also one of the tracks I felt that was the song that encompassed all the feelings that are spoken about in the album–the good, the bad, and in-between. I try to remember that balance as a lifeline. I’m also a Libra which is the sign of the scale, so I try to see the world through that lens and I felt like it’s not just representative of the album but also of me. I feel like everything in the album falls under those two words. It’s like a pendulum swing–you’re in and you’re out.”

Most of all, she hopes listeners take away the understanding of love’s karmic journey while also learning that it’s just the beginning. “This is just part 1 of the album; there’s a part 2 and in all of it, just know that love always comes around and it’s how you approach it the second time that matters.”

Keke Wyatt – “Water Into Wine”

The first offering from Keke Wyatt’s new album–her first in six years–has arrived. “Water Into Wine” showcases the mother of 11’s soulful roots as she gets honest with her lover about some expectations and realities.

“I really feel good about signing with Shanachie!” the singer said of her new team in a statement. “I’m excited and finally ready. I feel like this time we will create magic together and make HISTORY!”

Shanachie General Manager, Randall Grass, chimed in, “At a time when great singers are in short supply, Keke Wyatt continually displays what real singing is all about. Her range, power and intensely felt vocals connect with her audiences on the deepest level. We loved working with her before and are very excited to work with her now to make an epic new album.”

The reality TV star assures fans that her new LP will spotlight “good ole sanging” and will be an honest look into her life as she gears up to bare it all.

Lendryx – “Forces”

Lendryx is channeling two R&B legends with his new single, “Forces.”

Produced by Dionso, OSEI, and Jproof, the slow jam oozes romantic gratification as the crooner also inquires about the tug ‘o war battle of not wanting to fall in love, but also realizing that may be out of his control.

“I don’t wanna be in love/ But you’re so tempting/ When you leave the room, it feels so empty/ I’m trying be tough/ I’m fighting forces,” he sings.

Lendryx feels the ballad is his most “dynamic vocal performance yet” and admits that he challenged himself by using Tyrese’s “Signs Of Love Makin'” and Brandy’s range as the foundational elements of his vocal execution. It follows his previous single from April, “Just My Turn.”

Shae Universe – “Passenger Princess”

Shae Universe is riding the wave of her recent single, “Passenger Princess,” with the premiere of its visual. The song’s video, starring Kojey Radical, hints at the enthralling story being told as the title card reads, “Ever wish you could go back in time?”

Viewers see Shae seated in the backseat during a late-night drive as she reflects on some lingering feelings and bittersweet memories. The song, itself, was birthed by those emotions.

“He’d sent me roses all the way from LA and I still wasn’t over everything we’d been through when I received them, so I put all my mixed emotions into this song,” the UK-bred songbird stated of the record.

“I think ‘Passenger Princess’ is a very special song because not only is the title current and relatable, but the song’s deeper message of not always knowing exactly how to navigate situations is part of being a human with feelings. A part that sometimes frustrates us but hopefully, through this song, people feel seen and confident enough to accept this grey area of life.”

The Grammy Controversy: Drake and The Weeknd’s AI Track Eligibility

The Grammy Controversy: Drake and The Weeknd’s AI Track Eligibility

Image credit: lev radin / Shutterstock.com

The world of music has been abuzz with the recent controversy surrounding the eligibility of “Heart On My Sleeve,” an Artificial Intelligence (AI) generated track featuring vocals of Drake and The Weeknd, for the upcoming Grammy Awards.

The Track: A Remarkable Feat of AI

The song, which surfaced on YouTube in April, later migrated to streaming platforms, amassing over 630,000 streams on Spotify before being taken down by Universal Music Group. It caused a stir due to its accurate replication of the artists’ vocals and lyricism, despite them not having any direct involvement in its composition.

Grammy Eligibility: A New Precedent

This week, the track was deemed eligible for Grammy consideration by Recording Academy CEO Harvey Mason Jr., who stated that “it’s absolutely eligible because it was written by a human.” This statement has sparked discussion among industry professionals, as it opens the door for AI-generated music to be considered for prestigious awards.

The Controversy: Universal’s Stand Against AI Music

While the tech world celebrates this as a victory for AI, Universal Music Group has taken a stand against the use of AI-generated music. In a statement released in April, they called AI music a “fraud,” and requested its ban from streaming platforms.

Universal Music Group calls AI music a “fraud,” and wants it banned from streaming platforms. Experts say it’s not that easy. https://t.co/g8CHWp3eH0 pic.twitter.com/DESVr3755Y

— CNN International (@cnni) April 19, 2023

The Dilemma: Embrace AI or Protect Artists?

Universal has always embraced new technology for the benefit of its artists, including having their own innovation around AI. However, they took issue with the use of their artists’ music to create AI-generated tracks, labeling it as a violation of their agreements and copyright law.

The Choice: Artists and Fans or Deep Fakes and Fraud?

Universal’s statement presents music industry stakeholders with a critical choice: to side with artists, fans, and human creative expression, or to support deep fakes and fraud, denying artists their due compensation.

The Responsibility: Platforms Must Act

Universal believes that platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists. They are encouraged by the engagement of their platform partners on these issues, as they recognize the need to be part of the solution.

The Future: Uncertain Times Ahead

This controversy has ignited a debate that could redefine the music industry. As AI continues to advance and blur the lines between human and machine creativity, industry stakeholders will have to grapple with complex ethical and legal issues. It remains to be seen how this will play out, but one thing is certain: the music industry is in for a shakeup.

Conclusion: A Call to Action

The debate surrounding AI music and its eligibility for awards like the Grammy is more than just a legal issue. It’s a call to action for the music industry to define its stance on AI and to create norms that protect artists while also embracing innovation. As the saga of “Heart On My Sleeve” continues, it will undoubtedly shape the future of music.

SEC’s First Enforcement Action on NFTs: A Deep Dive

SEC’s First Enforcement Action on NFTs: A Deep Dive

Image Credit: Photo by Andrey Metelev on Unsplash

The U.S. Securities and Exchange Commission (SEC) has stepped into the world of non-fungible tokens (NFTs), making its first enforcement action against a company in this space. The company in question is Impact Theory, a Los Angeles-based media company, which has been accused of selling unregistered securities in the form of NFTs. This case has sent ripples across the industry, providing insights into how NFTs could be regulated in the future.

The SEC’s Lawsuit: A Brief Overview

In a landmark move, the SEC is suing an NFT project, marking the first time the authority has taken enforcement action against a company for selling unregistered NFTs. The case revolves around Impact Theory, an LA media company that allegedly encouraged potential investors to view the purchase of their Founder’s Key NFT project as an investment into the business. The SEC order stated that the digital assets offered to investors were deemed “investment contracts” and therefore “securities.”

The Allegations

According to the SEC, Impact Theory “encouraged potential investors to view the purchase of Founder’s Key [the company’s NFT project] as an investment into the business, stating that investors would profit from their purchases if Impact Theory was successful in its efforts.” This, the SEC argues, means that the digital assets offered to investors were in effect “investment contracts” and therefore should be classified as “securities.”

The Settlement

Impact Theory neither admitted nor denied the SEC’s findings but agreed to pay more than $6.1 million in penalties to settle the allegations. The settlement also established a “Fair Fund” to compensate impacted investors. As part of the agreement, Impact Theory was required to destroy all of its Founder’s Key NFTs and eliminate any royalties it might collect from secondary market transactions.

Impact on the Crypto Industry

This case is significant to the crypto industry, which has been hit with a flurry of regulatory clampdowns in the U.S. It offers a clue for how NFTs could be regulated in the future, particularly as many other NFT projects have used language similar to how Impact Theory marketed its digital assets, touting their blockchain-based identifiers as investment opportunities.

Future Implications

Many other NFT projects have used language similar to how Impact Theory marketed its digital assets. These projects have touted their blockchain-based identifiers representing digital asset ownership as investment opportunities. The SEC’s action against Impact Theory could set a precedent for how these projects are regulated in the future.

Impact Theory’s Response

Despite the SEC’s allegations and subsequent settlement, Impact Theory is not giving up on its NFT endeavor. In a post, the founder of Impact Theory stressed that his company will ensure its future digital assets will be for utility rather than financial purposes.

The Founder’s Statement

“We will operate our go-forward business consistent with our good faith best understanding of all applicable laws, rules, and regulations. We will make clear that all of Impact Theory’s digital assets are collectibles with utility within the exciting new landscape of Borderless Entertainment. We will forcefully discourage people from treating our digital assets as anything other than what they are–collectibles with utility. We will have more news on this in the coming weeks and months.”

Conclusion

As the SEC’s first enforcement action against an NFT project, this case is a watershed moment in the crypto industry. It is a stark reminder of the regulatory complexities at play in this space and underscores the need for companies to ensure they are following all relevant laws, rules, and regulations. It remains to be seen how this case will impact the regulation of other NFT projects and the broader crypto industry in the future.

Bib Sama: The Rising Star of the UK Music Scene 

Bib Sama: The Rising Star of the UK Music Scene 

As the echoes of the Notting Hill Carnival fade and we enter the twilight of summer, UK’s music scene refuses to dim. Among the artists still lighting up the stage is none other than the rising rapper and singer, Bib Sama. His latest single, “Baefriend”, is making waves and promises to keep the party going well into the autumn. 

London’s Emerging Talent 

Born and raised in London, Bib Sama has been on a steady climb to stardom. His debut mixtape, “PLATINUS ✧”, dropped last year and has been making noise ever since. His subsequent sold-out gig at Peckham Audio only added to the buzz surrounding this promising artist. 

“All eyes have been on him ever since, and this new track looks like it could be his breakout smash.” 

The Sound of “Nu-grime” 

Bib Sama’s sound is as intriguing as it is catchy. Drawing inspiration from video game soundtracks and anime, he’s crafted a unique sound that’s been dubbed “nu-grime”. This genre-bending style has earned him comparisons to artists like JPEGMAFIA and Lancey Foux. But despite these comparisons, Bib Sama is carving out a niche all his own. 

“Either way, he’s drawing an impassioned following that looks certain to grow beyond cult status.” 

“Baefriend” Drops 

With the release of his latest single, “Baefriend”, Bib Sama continues to prove why he’s one of the most exciting artists in the UK right now. The accompanying music video, which just dropped, is not to be missed. Add “Baefriend” to your playlists and keep an eye on this emerging talent. 
  

What’s Next for Bib Sama? 

While we can’t predict the future, one thing is certain: Bib Sama’s star is on the rise. With his unique sound, impressive discography, and growing fanbase, we can’t wait to see where he goes from here. 

In the meantime, we’ll be here, eagerly anticipating his next move and keeping “Baefriend” on repeat. 

Conclusion 

In the ever-evolving world of music, new stars are born every day. But few shine as brightly as Bib Sama. With his blend of unique sounds and undeniable talent, he’s an artist to watch. 

Whether you’re a long-time fan or just now discovering his music, one thing is clear: Bib Sama isn’t going anywhere but up. And we’re here for the ride. 

Maiya The Don: Mariah Carey’s Stamp of Approval and Music’s Rising Star

Maiya The Don: Mariah Carey’s Stamp of Approval and Music’s Rising Star

IMAGE credit: Everett Collection / Shutterstock.com

Maiya The Don, the fresh face of New York’s music scene, recently unveiled a surprise for her fans. During the 2023 ENVSN Festival in Brooklyn, the rapper dropped a bombshell about her upcoming single, “Body”. The new track promises to be an exciting creative endeavor, with the surprising twist of including a sample from Mariah Carey’s hit song, “Touch My Body”. What’s even more noteworthy? The pop icon herself has given the song her seal of approval.

Mariah Carey’s Endorsement of Maiya’s New Single

“The queen Mariah loves it. So that means you have to love it. I don’t make the rules,” Maiya The Don stated confidently when asked about her upcoming track.

This endorsement from Mariah Carey, an established icon in the music industry, is an exciting development for Maiya. With this approval, Maiya’s upcoming single “Body” is already creating a buzz even before its official release.

A Glimpse into “Body”

In a tantalizing teaser shared on Instagram, Maiya gave us a glimpse into her new track. Her lyrics are bold and powerful, promising a song that’s full of attitude and grit.

“Bi**h! Play with me if you want/ Tell these h*es I don’t duck no smoke/ I know all you bi**hes know/ Knock the wig right off a troll/ You can hate me but we know, none of you bi**hes wanna test my body/ Wrist froze (yeah), f**k a showboat, your ni**a want more.”

Maiya’s Journey: From “Telfy” to “Body”

Her journey started with the viral hit “Telfy” in 2022, which paid homage to the popular Black-owned luxury brand Telfar. The music video for “Telfy” astoundingly amassed over 200 million views on YouTube, cementing Maiya’s status as a rising star in the music industry.

Maiya then followed up with her single “Luv U Better”, which featured Saddiq Saunderson from Wu-Tang: An American Saga as her love interest in the music video. She was also featured in a few tracks, including Flo Millie’s 2023 “Conceited (Remix)” with Lola Brooke, and made an appearance in Lakeyah’s video for “Want Em Hood”.

Maiya The Don and Hip-Hop’s 50th Anniversary

On the occasion of Hip-Hop’s 50th anniversary, Maiya teamed up with Google Pixel to deliver a few lines about why Hip-Hop holds a special place in her heart. Her deep connection with the music genre adds another layer to her artistry and persona.

Anticipation for “Body”

With the release date for “Body” still under wraps, the anticipation amongst fans and music enthusiasts is palpable. With the song following the successful “Luv U Better” and the viral “Telfy”, expectations are high. Add to that the endorsement from Mariah Carey, and it’s clear that Maiya The Don’s new single is one of the most eagerly awaited tracks of the year.

Conclusion

Maiya The Don is undoubtedly a rising star in the music industry. Her unique style, powerful lyrics, and the ability to collaborate with and get endorsements from industry heavyweights like Mariah Carey set her apart. As we eagerly wait for the release of “Body”, one thing’s for sure – Maiya The Don is a name you’ll be hearing a lot more of in the music world.