In the vibrant world of hip-hop, Playboi Carti and Travis Scott need no introduction. A dynamic duo that has repeatedly proven their musical prowess, they’ve once again hit the studio to bring us a fresh new track for 2024, aptly titled “BACKR00MS”.
A Surprise Announcement and the Role of a British Artist
Playboi Carti and Travis Scott took to their respective social media accounts early this week to announce their latest project. The announcement came as a surprise to many, given the secretive nature of its release. A video clip featuring British artist Blackhaine yelling about the new music release added an extra layer of intrigue to the announcement.
This isn’t the first time Blackhaine has been involved in the announcement of a new release. He had also assisted Carti in announcing his track “H00DBYAIR” back in December.
The Teaser and the Mystery of Time
The video teaser released by the rappers included a timestamp of 9:30 p.m., but failed to specify the time zone. This left fans in suspense, as they eagerly awaited the release of “BACKR00MS”.
The “FE!N” Phenomenon and Scott’s Circus Maximus Tour
Scott’s “FE!N”, from his “Utopia” album, has been a hit with fans. During his Circus Maximus Tour, Scott performed “FE!N” a total of ten times at the Tulsa, Oklahoma stop alone. This trend reportedly continued at other stops on the tour, including performances at Madison Square Garden and Barclays Center in Brooklyn.
Scott’s dedication to performing “FE!N” can be attributed to the energy he receives from his fans:
“Man, I have the best fans in the world and I go off the energy they give me, and they were wild that night, and so I just got even wilder,” – Travis Scott on The Tonight Show Starring Jimmy Fallon.
The Anticipation for “BACKR00MS”
With the announcement of “BACKR00MS”, fans are eagerly anticipating the latest collaboration between Playboi Carti and Travis Scott. Given their previous successful collaborations, expectations are high for this new release.
In the ever-evolving world of Music News, this announcement has undoubtedly generated a buzz and we can’t wait to hear what this dynamic duo has in store for us.
Conclusion
The announcement of “BACKR00MS” has sent waves of excitement through the hip-hop community. The collaboration between Playboi Carti and Travis Scott promises another hit, and fans are eagerly awaiting its release. Until then, we can only speculate on the magic that this dynamic duo will bring to our playlists.
Playboi Carti, the founder of Opium, is no stranger to stirring up intrigue with his lyrical content. His latest track, “H00DBYAIR,” is no exception. The song’s outro gives a brief yet poignant glimpse into his personal life, revealing that he has recently welcomed a second child into the world. Let’s delve into the details of this exciting new development.
Decoding the Lyrics
Longtime fans were quick to decipher the clues in “H00DBYAIR”. It seems that the song acts as Carti’s public announcement of his newborn daughter. He refers to her as Yves in the song, a name initially misinterpreted by some fans as “Eve”.
A Father of Two
Before Yves, there was Onyx. Playboi Carti’s son, Onyx, is from his previous relationship with Australian rapper, Iggy Azalea. The new track gives a nod to Onyx, demonstrating Carti’s tender side as a father. The rapper takes listeners on a journey through his experiences of fatherhood, sharing the age he was when each of his children were born.
Clearing Up Confusion
Playboi Carti took to Instagram Stories to clear up the confusion surrounding his daughter’s name. He corrected the spelling from “Eve” to Yves, using a familiar font he’s been employing throughout his recent songs. This clarification added an extra dimension to the rapper’s persona, showing his attention to detail and care for his fans’ understanding.
Legal Matters
In the backdrop of this happy news, there seems to be a cloud of legal issues. TMZ reported earlier this year about an arrest in Georgia, with Carti initially accused of assaulting a woman described as “his pregnant girlfriend.” The alleged assault was reported to have occurred in December of the previous year. However, Carti’s lawyer, Brian Steel, refuted the allegations, stating that Carti had been “falsely accused”.
“Mr. Carter was falsely accused,” Steel had said. “Pursuant to my communications with the Fulton County District Attorney‘s Office, this case will be dismissed without any prosecution or litigation.”
Anticipating New Music
Fans of Playboi Carti are eagerly waiting for his new album, speculated to be titled “Music”. This album is expected to drop next month, marking a significant milestone as it comes just over three years after his critically acclaimed “Whole Lotta Red”.
Wrapping Up
Playboi Carti’s latest track “H00DBYAIR” has not only given fans a catchy new tune to vibe to but also a glimpse into his personal life. As he navigates his journey of fatherhood, his music continues to evolve alongside him, an echo of his experiences and emotions. One thing is certain – Playboi Carti isn’t just a rapper; he’s a storyteller, sharing his narrative with the world one song at a time.
As we anticipate his new album, we can only expect more layers of his life to be unraveled, more stories to be told, and more music that resonates with the experiences of his fans. Until then, we celebrate the birth of Yves and the new chapter in Playboi Carti’s life.
Celebrated music artist Playboi Carti is set to mark the three-year milestone of his chart-topping album, Whole Lotta Red this December. The groundbreaking album, which has been a mainstay in music rotations since its Christmas Day release in 2020, has sparked an array of theories. The project has been known by various working titles, including the cryptic “Music.”
In a recent conversation with Damien Cummings for Numéro Berlin, Carti shed light on his unconventional recording process for his latest work, which intriguingly included a prolonged stay inside an unspecified cave and other distinctive locations.
Music Born in a Cave: A Journey Into the Unorthodox
“I’ve been recording in Paris, I love Paris. Amazing,” Carti told the publication.
Carti’s recording journey took him to the French capital, Paris, which he openly adores. But more fascinating is his admission of spending about three months inside a cave, a move that might seem eccentric to some. The music born out of this unique experience, according to Carti, is nothing short of “chaotic and crazy.”
Carti’s Diverse Recording Locales and Their Influence on His Music
“Then, I’m in a glass house, somewhere in the hills, and the music there is just very good to the ears. And then, I’m in Atlanta and the tensions are just high and the music is biting.”
Carti’s musical journey didn’t stop at the cave. He went further to record in a glass house nestled somewhere in the hills. The music birthed there was, in Carti’s words, “very good to the ears.” He also recorded in Atlanta, where the high tensions translated into biting music.
The Anticipation of a New Album
Even though Carti didn’t give specific details about the release plans of this much-anticipated album or a final title, he did share his excitement about its likely release. He believes he’s about to release the “best album” of his career, a sentiment he admits to feeling with every project.
“This is my moment,” he said. “This is the one for me.”
This suggests a strong conviction in the quality of his impending work and a readiness to meet the expectations of his fans.
The Antagonist Tour and Album Release Speculations
Carti’s latest run of U.S. tour dates, dubbed the Antagonist Tour, was initially planned to start earlier but will now commence at the start of 2024. With the support of Ken Carson, Destroy Lonely, and Homixide Gang, the tour will kick off with a show at the Delta Center in Salt Lake City on Jan. 14.
Given that Carti’s new album is widely speculated to be released in 2024, the shift in tour dates is understandable. The eagerness for a WLR follow-up among fans remains undeniably high. As proof, fans are still actively commenting on a Carti Instagram post from December of last year.
Playboi Carti’s Opium Label: A Year in Review
In summary, as the three-year anniversary of Whole Lotta Red draws near, fans eagerly anticipate new music from Playboi Carti. His unique recording process and the promise of a “chaotic and crazy” sound have only heightened the anticipation. As we wait, the words echo: “This is my moment. This is the one for me.”
In the realm where sonic artistry meets visual grandeur, a triumvirate of titans – Future, Metro Boomin, and The Weeknd – have conspired to ignite a blaze that scorches the boundaries of creativity. Their latest offering, the “Young Metro” visual, is a testament to the inextricable bond forged between these luminaries, a bond that traces its origins back to the formative days of their respective careers.
Metro Boomin, the beatsmith extraordinaire, recounted the serendipitous beginnings of his alliance with Future during a candid interview with Red Bull Music Academy. His narrative unfolded like a well-crafted verse, revealing how a fortuitous exchange of beats with his comrade Propain set the wheels in motion. Among those instrumental gems was the now-iconic “Karate Chop,” which would become a cornerstone in Future’s discography.
From those humble beginnings, a bond was forged – one that would transcend mere collaboration and evolve into a brotherhood of shared vision and unwavering artistic kinship.
Unleashing the Behemoth: “WE DON’T TRUST YOU” and Its Colossal Impact
As the embers of their partnership glowed brighter, Future and Metro Boomin channeled their synergy into a magnum opus – the colossal “WE DON’T TRUST YOU.” This seismic release, comprising a staggering 17 tracks, reverberated through the music cosmos like a supernova, its shockwaves amplified by the star power of heavyweights like Travis Scott, Rick Ross, Playboi Carti, and the inimitable Kendrick Lamar.
According to the prophetic whispers of Hits Daily Double, this audacious offering is poised to amass a staggering 190,000 to 220,000 album-equivalent units during its debut week, a testament to the insatiable appetite of fans for the sonic sustenance served by this dynamic duo.
But the story doesn’t end there. Like a cosmic echo, a sequel – “WE STILL DON’T TRUST YOU” – is already on the horizon, slated for an April 12 release, promising to further solidify Future and Metro Boomin’s dominance over the musical stratosphere.
The Weeknd’s Cameo: A Celestial Convergence
Amidst this celestial convergence of talent, a supernova of his own – The Weeknd – was destined to make a grand entrance. His appearance on the track “Young Metro,” a standout from the “WE DON’T TRUST YOU” opus, was a cosmic event in itself, his boastful chorus serving as the gravitational force that anchored the entire composition.
The Weeknd’s cameo, shrouded in mystique with a bandana obscuring his visage, added an enigmatic allure to the already electrifying visual spectacle.
The Cybertruck Invasion: A Futuristic Fusion of Sounds and Sights
In a location cloaked in secrecy, Future and Metro Boomin orchestrated a scene that defied convention and embraced the avant-garde. The pièce de résistance? A sleek, otherworldly Cybertruck, a fitting emblem of the duo’s relentless pursuit of innovation and their refusal to conform to the ordinary.
Amidst this futuristic backdrop, the two titans performed with a fervor that could ignite supernovas, their presence commanding the attention of a bevy of beauties who adorned the set like celestial bodies in orbit. It was a spectacle that transcended mere music, a fusion of sound and sight that left an indelible mark on the cosmos.
Blink-and-you’ll-miss-it cameos from luminaries like Don Toliver, Young Scooter, and others added to the star-studded tapestry, their fleeting appearances akin to shooting stars streaking across the night sky.
The Visual Architects: Hidji World and Omar Jones
Behind the lens of this cosmic masterpiece were the visionary talents of Hidji World and Omar Jones, whose artistry in crafting the “Young Metro” visual was akin to sculpting galaxies from stardust. Their collaborative prowess imbued the clip with a sense of grandeur and otherworldliness, elevating it from a mere music video to a cinematic odyssey.
Through their lens, the boundaries between reality and fantasy blurred, creating a realm where the extraordinary became the norm, and the impossible was merely a canvas waiting to be painted with the vibrant hues of their imagination.
The Stratospheric Ascent: Charting the Course of a Meteoric Rise
As the “Young Metro” visual ignites a firestorm of excitement across the music cosmos, it serves as a harbinger of the meteoric ascent that Future, Metro Boomin, and The Weeknd have embarked upon. Their trajectories, once separate celestial bodies, have now converged into a singular, blinding supernova, a force of nature that threatens to consume all in its path.
With each artistic endeavor, they continue to push the boundaries of what is possible, shattering conventions and redefining the very essence of creativity. Their impact reverberates far beyond the confines of the music industry, transcending genres and mediums, inspiring a generation of dreamers and risk-takers to embrace their own unique visions.
The Celestial Tapestry: Weaving Tales of Triumph and Resilience
Beneath the glitz and glamour of their meteoric success lies a tapestry of tales woven from the threads of triumph and resilience. Each artist has navigated their own treacherous journey, overcoming obstacles and defying the odds to carve their names into the annals of musical history.
Future’s ascent from the streets of Atlanta to the pinnacle of hip-hop royalty is a narrative that resonates with those who dare to dream. His lyrical prowess and unwavering authenticity have galvanized a legion of fans, each verse a testament to the power of perseverance and the indomitable human spirit.
Metro Boomin, the architect of soundscapes that have defined an era, has risen from humble beginnings to become a sonic savant, his beats pulsating with the heartbeat of a generation. His story is a reminder that greatness often emerges from the most unexpected places, a clarion call to never underestimate the power of passion and dedication.
And The Weeknd, a enigmatic force whose soulful croons have captivated millions, has transcended the boundaries of genre and convention, his journey a testament to the transformative power of art and the resilience of the human spirit.
The Interstellar Embrace: Connecting Cultures and Generations
In the vast expanse of the music cosmos, Future, Metro Boomin, and The Weeknd have become more than mere artists – they are cultural ambassadors, their influence transcending borders and bridging generations. Their music is a universal language, a tapestry woven from the threads of diverse experiences, resonating with audiences across the globe.
Through their art, they have forged a connection that defies boundaries, uniting disparate cultures and ideologies in a shared celebration of creativity and self-expression. Their impact extends far beyond the realm of music, inspiring a generation to embrace their individuality and fearlessly pursue their passions.
Rich The Kid, the Atlanta-based rap luminary, has been undeniably making waves in the music industry for years. From his groundbreaking hits like “New Freezer” and “Plug Walk” that helped set the stage for the dab dance trend, to his relentless commitment to honing his craft, Rich has proven time and again that he’s far from finished.
The Unabated Journey of Rich The Kid
It’s not uncommon to hear critiques about his perceived lack of musical output. But, as Rich himself asserts, he’s always been diligently working on his craft and refining his sound. People who believe he’s been slacking simply don’t understand his process.
“A lot of people be like, ‘Damn, your ass has not been putting out music’ or some shit like that,” he tells Complex. “But the whole time, I’ve just been perfecting the craft, perfecting my sound. I’m always working, so motherfuckers who don’t think I’m working, you’re wrong.”
His last solo album, “Boss Man“, was released nearly four years ago, followed by “Trust Fund Babies” with Lil Wayne, which came out about two and a half years ago. Nevertheless, Rich The Kid has caught a fresh gust of wind lately, hitting the zenith of his career with his first-ever No. 1 song, “Carnival,” a phenomenal collaboration with Ye, Ty Dolla Sign, and Playboi Carti.
Upcoming Album: “Life’s a Gamble”
Now, Rich is gearing up for the release of his new album, titled “Life’s a Gamble“. The title choice was instinctive, reflecting his lifelong habit of betting on himself. This self-belief has been a driving force throughout his career, from the days when he spent every dime to promote his music with CDs and flyers, to his more recent ventures.
He recalls those early days with a sense of wonder. “It still sounds insane to me now, but those early grinding habits came full circle,” he asserts. His determination and self-belief were put to the test when he had to embark on a flight followed by a grueling hour-and-a-half taxi ride to a resort in Saudi Arabia. He was there to work with Ye and Ty Dolla Sign on their joint album, “Vultures“. His decision to go, despite the challenges, was in line with Ye’s own words, “Name one genius that ain’t crazy.”
Rich The Kid on “Carnival”
“Carnival,” the chart-topping track from “Vultures“, is a testament to Rich’s unyielding work ethic and his knack for recognizing a hit. Just a few weeks after their recording sessions in Saudi Arabia, Ty reached out to Rich to decide which of their two songs would best fit the “Vultures” album.
“I instantly was like, ‘Oh yeah, ‘Carnival’ is one,’” Rich remembers. “It’s got the energy. When I first heard the beat, I already knew it was a new sound. I was already ready for it.”
“Carnival” has since become a massive success, igniting stadiums with its anthemic energy. For Rich, the track’s success is a source of pride, and he doesn’t take kindly to suggestions that it was merely a stroke of luck.
“I kind of felt a way about that because I made this song, we made this song. I went in the booth, I recorded it—I didn’t write it down, I freestyled it—and we made magic. And now you’re talking about I’m lucky, like the words didn’t come out of my mouth, like I ain’t say it. How the fuck am I lucky? I chose the beat. It was like, get off my dick.”
The Road to “Life’s a Gamble”
As Rich gears up for the release of “Life’s a Gamble“, he’s chosen to collaborate with Ye once more. After “Carnival” clinched the No. 1 spot, Ye reached out to Rich, expressing his interest in executive producing the project alongside Ty. Since then, they have been in the studio, working day in and day out to perfect the sound.
Most of the album was already in place before Ye came aboard, but with his involvement, they have been reworking and refining the tracks. This approach is a stark contrast to Rich’s studio sessions with Lil Wayne for “Trust Fund Babies“, where they focused on churning out tracks. With Ye, the process is more nuanced and focused on perfecting each element.
Despite the controversy surrounding Ye in recent times, Rich was undeterred. He’s always been about the music and doing what’s best for the sound. His unwavering commitment to his craft and the desire to make music history are what drive him.
“For one, it’s Ye and it’s the music. I’m just focused on the music and doing what’s the best for the sound. Making history, music, and stamping what we’ve been doing now.”
Looking Forward
Rich The Kid’s journey is a testament to hard work, relentless self-belief, and the determination to forge his own path in the music industry. With the upcoming release of “Life’s a Gamble“, fans and critics alike are eager to see what Rich has in store. One thing is for sure, he’s not slowing down anytime soon.
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