It is a well-known fact that although platforms such as Spotify, Apple Music and Amazon Music enjoy millions of listeners, they are not as generous with their payments to artists. However, recent research has uncovered an unexpected and shocking fact, which further explores how terrible the situation is. When it comes to payments per stream, Peloton managed to beat every other platform.
Recently, it was revealed by The Trichordist in “Streaming Price Bible” that according to the numbers from 2019, music rights holders were offered just 0.35 cents per stream by Spotify. On the other hand, Apple Music offered 0.68 cents per stream and Tidal paid 0.88 cents per stream. Finally, the least amount was paid by YouTube- 0.15 cents per stream. Interestingly, the amount paid by Peloton is much higher, at 3.1 cents per stream.
It is undoubtedly surprising that a fitness company is offering better compensation for artists when compared to streaming services. This disparity is better explained by Slate. The higher compensation rate of Peloton can be attributed to the fact that songs are played consistently during classes, and thus, the company needed to seek public performance rights coupled with publishing rights.
In essence, when specific units of music, such as vinyl or digital files are produced, mechanical royalties must be paid. Any third-party entity that records, manufactures, and distributes copyrighted music is paid, and the artists receive funds eventually. In simple terms, performance royalties are paid when artists perform live, either in movies, TV shows, or when streamed in a public setting. When it comes to Spotify and other on-demand streaming services, wherein users who don’t possess specific recording copies of a song, still can play the song when desired, and make both mechanical royalty payments and performance royalty payments to the artists. Peloton pays performance royalties for the songs it streams, and thus, it broadcasts itself as a music broadcaster resembling a radio. It’s possible for users to search for songs or playlists featuring a certain artist, but the entire experience is determined by the instructors – not you.
Yet, the fact that streaming services are able to pay artists fractions of pennies per stream remains a sore point; let’s hope they follow Peloton’s lead and offer better rates soon.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
Consequently, artists whose rights were lost as youth could enjoy the fruits of their own labor later in life.
Canadian copyright laws should be amended, according to Drake.
Canadian artists Drake and Shania Twain sound the alarm as they join the Songwriters Association of Canada in calling for a change in Canada’s copyright law to give greater power to artists and songwriters.
To be able to regain ownership of their copyrights, they propose creators and their families be allowed to do so 25 years after the transfer, rather than after the creator’s death, as stipulated in the country’s copyright law.
Artists and songwriters are pressed into signing away their rights early in their careers. By doing so, they deny themselves, their families, and their children the chance to reap fair rewards later in life for their creative pursuits.
Moreover, the report reports that copyright laws in the U.S. have been revised to allow creators to terminate and re-claim their rights once 35 years has passed since the transfer, while the European Union is currently considering rules to ensure similar fairness.
To ensure fair protection of Canadian creators, Canada should follow the example of Europe and the United States, the letter says. Creators are better able to contribute to the revitalization of cultural and economic development in Canada with rights reversion.
Furthermore, the letter highlights recent amendments to US and several European countries’ copyright laws that have ensured fairness between creators and labels. Canada should “follow European and American models for protecting Canadian artists and creators,” the letter states.
Keeping with the latest reports of Lil Wayne‘s sale of Young Money’s entire catalog to Universal Music Group, the court documents cite the deal as worth more than $100 million. All of Drake’s albums released before 2018 – Thank Me Later, Take Care, Nothing Was The Same, Views, and Scorpio – were released under Wayne’s record label. Recent projects of his have appeared under October’s Very Own.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
Schoolboy Q, a renowned rapper and an emblem of modern hip-hop, has unveiled the exciting news of his upcoming ‘Blue Lips’ Summer Tour. This tour is set to be a musical journey to promote his latest album, Blue Lips – a record that is already making waves in the music industry.
A Summer of Music with Schoolboy Q
The rapper, in collaboration with Top Dawg Entertainment, made the big announcement on Wednesday via a series of social media posts. These posts not only highlighted the tour but also the numerous cities that Q is scheduled to visit.
“This summer, join me on the road for the ‘Blue Lips’ Weekend tour – it’s going to be a trip!” – Schoolboy Q
The Journey Begins in Toronto
The ‘Blue Lips’ Weekend tour is scheduled to commence in Toronto on July 18. From there, it will journey through various North American cities including Chicago, Washington, D.C., Atlanta, and Brooklyn. The tour is set to culminate in Seattle on August 11. The anticipation for the tour is already palpable, with tickets set to go on sale Friday, April 26.
More Weekends on the Cards?
Interestingly, Schoolboy Q initially hinted that he was planning only a limited number of shows. However, in a subsequent tweet, he teased the possibility of extending the tour.
“Only a handful of shows for now… Might add more weekends. Stay tuned!” – Schoolboy Q
A New Chapter in Schoolboy Q’s Musical Journey
The upcoming tour is in promotion of Schoolboy Q’s sixth studio album, Blue Lips, which was released on March 1. The album made an impressive debut at No. 13 on the Billboard 200 chart and features guest appearances by notable artists such as Ab-Soul, Freddie Gibbs, Rico Nasty, and more. Two days after the album’s release, Q declared it his favorite work to date.
An Album for the Artists
In a series of tweets, Schoolboy Q shared his motivation behind creating Blue Lips. He expressed his desire not to waste his talent over a viral moment and emphasized his dedication to his craft.
“I’m 2 good to let my talent go to waste over a viral moment.. I’m 37 and still Hungry I Honestly don’t tHink nobody can fuck wit me to be real,” – Schoolboy Q
He also explained his absence from interviews prior to the album release, stating he wanted to keep the focus solely on the music.
The Countdown Begins
As the countdown to the ‘Blue Lips’ Summer Tour begins, fans of Schoolboy Q are excitedly preparing for what promises to be an unforgettable series of performances. With Schoolboy Q at the helm, the summer of 2024 is gearing up to be one for the books.
Internationally acclaimed Afrobeats phenomenon,Davido, has made a groundbreaking move in the music industry by securing a significant deal with UnitedMasters. The news comes hot on the heels of a recent sold-out performance at Madison Square Garden, illustrating the artist’s continued momentum and influence in the global music scene.
A New Chapter in the Music Industry
Reflecting on the partnership, Davido expressed his enthusiasm and pride, stating, “I couldn’t be more proud to partner with Steve and the team at UnitedMasters. This announcement represents an exciting new chapter for developing and established artists around the world.” It’s clear that this deal signifies a monumental moment not just for Davido, but for the music industry at large.
Introducing Nine+ Records
As part of the UnitedMasters deal, Davido introduced his newly established label, Nine+ Records. The label aims to provide a platform for emerging talent from across the globe, showcasing a diverse range of music genres. Nine+ Records promises to be an exciting addition to the world of independent music, driven by Davido’s vision and extensive industry experience.
A&R Leadership and Curation
Under the new deal, Davido will take the helm of Nine+ Records‘ A&R division and guide its “behind-the-scenes curation”. As a three-time Grammy nominee, Davido’s expertise and influential presence in the music industry will undoubtedly steer the label towards success.
Collaborating with UnitedMasters
UnitedMasters, a renowned music distributor and licensing platform, is known for its commitment to independent artists. The collaboration with Davido reinforces their mission to support and promote artists around the globe. This is a promising alliance that will undoubtedly yield exciting results in the global music landscape.
The Future of Music Genres
With Davido at the helm, Nine+ Records is set to nurture rising artists across various genres. From hip-hop and R&B to country and, of course, Afrobeats, the label is poised to bring a diverse array of voices and styles to the global stage.
“Over the last 2 years, we’ve proven our commitment to Africa investing in artists, education, and technology,” Steve Stoute of UnitedMasters said. “Today, we are doubling down. With this new venture with Davido & the launch of Nine Plus Records, we reinforce our mission in becoming a bridge for artists on the continent. Together we’ll identify & develop new artists while supporting them with brand and synch opportunities.”
In Conclusion
This partnership between Davido and UnitedMasters marks a significant milestone in the music industry. The launch of Nine+ Records promises to nurture and introduce emerging talent from around the globe, providing a platform for diverse voices and styles to shine. This is an exciting new chapter in the global music scene, and we look forward to seeing what Davido and his team at Nine+ Records will bring to the table.
In an intriguing development in the music world, Joyner Lucas, the revered rapper from Massachusetts, recently shed light on the significant challenges he faces when trying to communicate with fellow rapper and collaborator, Eminem. During a candid conversation on The Breakfast Club, Lucas compared the difficulty of reaching Eminem to the task of trying to get former President Barack Obama on the phone.
The Challenge of Contacting Eminem
“Getting on the phone with him, you could probably hop on the phone with Barack [Obama] quicker than you could hop on the phone with Marshall“, Joyner Lucas shared.
This statement, given by Lucas, serves to highlight the level of difficulty involved in reaching Eminem for a conversation. Eminem, whose real name is Marshall Mathers, reportedly maintains a high level of privacy, even when dealing with fellow musicians.
Joyner Lucas on The Breakfast Club
During his appearance on The Breakfast Club, Lucas emphasized the necessity for musicians of his stature to be cautious when interacting with individuals who may have questionable motives. In this context, he described his experiences attempting to connect with Eminem. According to Lucas, Eminem’s phone calls are typically initiated by an assistant via a 1-800 number, complete with hold music and a request for patience while Eminem comes to the phone.
Eminem’s Uniqueness
This method of communication, as described by Lucas, underscores the uniqueness of Eminem’s approach to maintaining his privacy. As Lucas explains, it is nearly impossible to obtain Eminem’s personal number, making him a highly inaccessible figure within the music industry.
Lucas’ Perceptions
Lucas further elaborated on his observations of Eminem’s behavior during their collaboration for the 2018 single “Lucky You”. He recalled how Eminem maintained a certain distance, appearing somewhat aloof during their interactions.
The Influence of Eminem’s Past
Lucas’ conversation with another of Eminem’s long-time colleagues, Royce Da 5’9″, shed light on the reasons behind Eminem’s guarded nature. It appears that past experiences have left Eminem wary of forming new connections, leading to his current approach to interpersonal interactions.
Understanding Eminem
Upon reflecting on his own experiences within the music industry, Lucas expressed a newfound understanding of Eminem’s approach to maintaining his privacy. The challenges and experiences that come with fame and success in the music industry can make it difficult to trust new acquaintances and form new friendships.
Maintaining Privacy in the Music Industry
In the world of music and entertainment, maintaining privacy can often be a complex task. The experiences shared by Joyner Lucas highlight the lengths that some artists, like Eminem, will go to protect their personal space and privacy.
The Parallels to President Obama
The comparison made by Lucas between contacting Eminem and former President Barack Obama serves to underline the level of privacy maintained by Eminem. It also adds a touch of humor to the scenario, given the widely acknowledged difficulty of reaching a former President.
The Significance of Privacy
In today’s digital age, where personal information can easily be shared and exploited, the importance of maintaining privacy cannot be overstated. Eminem’s approach to managing his personal communications serves as a notable example of privacy preservation in the public sphere.
Lucas’ Message to Fellow Musicians
Lucas’ shared experiences serve as a reminder to fellow musicians about the importance of maintaining personal boundaries and ensuring their privacy. This is especially vital for artists who, like Lucas and Eminem, are constantly in the public eye and subject to intense scrutiny.
The Future of Collaborations
While Eminem’s approach to privacy might seem extreme to some, it does not appear to have negatively impacted his collaborations with other artists. His work with Lucas on “Lucky You” is a testament to this fact.
Conclusion
The anecdotes shared by Joyner Lucas provide a fascinating insight into the world of Eminem. They reveal a man who values his privacy, and who has implemented unique methods to protect it. These revelations underscore the often overlooked challenges that musicians face in maintaining their personal boundaries amidst the demands of fame.
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