by Fabiola Noel | Jun 4, 2021 | Latest, POLITICS |
It was announced Friday that Facebook Inc. (FB.O) had suspended former U.S. Until at least January 2023, the platform will eliminate Donald Trump from its platform and will change the way rule-breaking world leaders are treated in the future.
After the Jan. 7 Capitol riot, when he was initially blocked from posting, Facebook announced the suspension, which would last at least two years, will be lifted only if there is no longer a risk to public safety. Facebook suspended Trump’s account, calling it “an insult” to the Americans who supported him.
Political repercussions and setbacks for the republican party
With this new timeline, Donald Trump will lose a huge social media platform ahead of the November 2022 Congressional elections. Facebook might still be accessible to him after 2024.
Tweets from Trump have been permanently blocked by Twitter (TWTR.N) and remain suspended on Google’s YouTube (GOOGL.O). In the wake of shuttering his recently launched blog, he hinted he would launch his own service, but his company gave no details.
As Facebook’s head of global affairs explained in his post, Trump was suspended for severe reasons that deserved the most severe sanctions available under the new policy.
Facebook had major leverage over Donald J. Trump
According to Facebook’s independent oversight board in May, the company was able to enforce its unprecedented ban on Trump, who had posted offensive political content. A proportionate response will be needed, the board ruled, not an indefinite ban.
Taking a swipe at the record 75M people who supported him in the 2016 election, Trump said, “Facebook’s ruling is an insult to them and many others.” “2020 Presidential Elections are rigged. Protests must be organized to fix this with censorship and silencing. It is transparent that we must win this battle. It can no longer be tolerated by our nation.”
The social network will work with experts to restore Trump’s account once a public safety risk has passed. As part of the evaluation, the committee said it would look at signs of civil unrest, such as instances of violence.
Moreover, the document said that further violations of rules will trigger escalating sanctions that will lead to Trump’s removal.
POLICY CHANGES
World leaders and politicians who violated social media guidelines have been the subject of some controversy in recent years. As long as Facebook and Twitter Inc. (TWTR.N) are concerned about the behavior of politicians, world leaders, and elected officials, these platforms should be given the benefit of the doubt.
As the Internet giant announced Friday, it will finally end its policy of exempting politicians from some content moderation rules when their content is deemed “newsworthy.” It will also disclose the instances when it does use this exemption.
However, Facebook’s spokesman told us that politicians’ posts will still be excluded from third-party fact-checking. Reports of some of these changes were originally published by The Verge.
Several people have criticized Facebook’s lack of involvement in political speech. Republicans and some free-expression advocates, however, have also criticized the Trump ban as disturbing.
In addition, the European Union and the United Kingdom launched formal investigations to determine if Facebook is misusing the vast amount of user information it collects.
Article was written by Jonathan P-Wright, freelance writer for R.N.H. Magazine and C.V.O. of RADIOPUSHERS
by Fabiola Noel | Jun 4, 2021 | Black Girl Magic, Digital Mogul, Latest |
The award was created by Ava DuVernay and Google as part of a new partnership for the launch of ARRAY, her multi-platform media company, and arts collective. The grant is specifically dedicated to supporting emerging filmmakers of color.
In a statement, Ava DuVernay said, “I’ve always started my films by self-funding. So it’s a full-circle moment.” I want to identify a new writer/director and work with Google and the grant advisory committee of ARRAY to make their vision a reality. The mission of ARRAY is to create inclusive stories, and we’re happy to also give grantees access to ARRAY Crew so that their film may integrate the world around them into its set.
She hopes the Array/Google Feature Film Grant will help the next woman filmmaker create her first feature film and create a supportive community of diverse storytelling.
According to Ava DuVernay, the purpose of the project is to amplify the voices of black, brown, and women of all backgrounds. Being in a position to award a filmmaker a half-million dollars ten years after starting out with a $50,000 film is a full-circle moment.
DuVernay’s new grant is the result of conversations between the tech giant and DuVernay in which Google pitched the idea of making a huge splash for up-and-coming entertainment creators.
In order for the grant to be given, both parties had to agree that in order to create something extraordinary, filmmakers from underrepresented backgrounds needed tools.
Advisory committees in the independent filmmaking community will select the winner of the grant, Deadline reports. DuVernay will then fund their production with the help of her digital database Array Crew, which utilizes Ava DuVernay’s diversity to offer hiring managers access to underrepresented film and TV professionals.
The director of entertainment partnerships for Google Assistant, Elle Roth-Brunet, said she was honored to help ARRAY display the talents of underrepresented artists. AARRAY and Google Feature Film Grants are in line with the commitment of Google Assistant to being helpful to people in their everyday lives.
This fellowship is part of a collaboration between Google and The Black List for diverse screenwriters.
Article was written by Jonathan P-Wright, freelance writer for R.N.H. Magazine and C.V.O. of RADIOPUSHERS
by Fabiola Noel | Jun 3, 2021 | Editorial Pick, Latest, Trending |
On September 17, 1967, in the crime-ridden and drug-infested ghettoes of the Bronx and Harlem, a gift from God was delivered: Malik Yoba. No silver spoon, white picket fence, house on the hills, or any type of relief during his early years of childhood—the streets of NYC in the 60s and 70s were vicious, and only the strong survived. By the age of fifteen, he had cheated death when a bullet was lodged in his neck. The bullet was removed, and Malik Yoba’s journey was just getting started.
Labeled as a “misunderstood child” during his early years, he possessed unusual compassion for inner-city youths and categorized many as the victims of widely held racial and social misperceptions. Malik Yoba engulfed himself in volunteering, mentoring, and inspiring the lives of the future leaders of tomorrow. Most people are totally unaware that Malik Yoba taught inner-city youths in the areas of acting and music.
Before he launched his illustrious career in Hollywood, the seeds of his success were already being planted within the youths of NYC.
In 1991, Malik Yoba auditioned for the blockbuster comedy movie Cool Runnings. Yoba’s role as a feisty and hot-tempered member of the Jamaican bobsled team was significant and necessary for the chemistry of the film. Movie critics were not convinced and panned the movie as merely average. However, audiences disagreed, and Cool Runnings soared in theaters, exceeding 68 million dollars. Malik’s flight of success took off and never came back down.
Soon, he landed the coveted role of J.C. Williams on the runaway FOX TV series “New York Undercover.” Playing alongside Michael de Lorenzo (as Eddie Torres), the show enabled viewers to see Harlem, crime, NYPD, rap music, and the entire City of New York from a whole different perspective. New York Undercover is one of the most successful TV shows in FOX TV history. The most important factor is its impact on pop and hip-hop culture. Celebrities worldwide craved to be a part of the show.
Everyone from Tyra Banks to Taye Diggs appeared on the show, and fame followed everyone. The show was the perfect balance between real-life issues and Hollywood drama. Viewers connected emotionally with each character, and public reaction was overwhelming. The essence of J.C. Williams was the talk of every local barbershop, beauty salon, and family BBQ everywhere. Malik Yoba and Michael de Lorenzo were the best duos in Hollywood since Earvin “Magic” Johnson and James Worthy. FOX and Malik Yoba were the new sensation on television, and the rose was growing through the concrete jungle. New York Undercover lasted four seasons and wrapped in late June 1998.
At around the same time, Yoba returned to activism with full force, helming a series of interactive lectures for troubled urban youth called “Why Are You on This Planet?” The program combined exercises in reading, writing, art, music, and visualization to teach children self-empowerment and the wisdom of solid decision-making. “Why Are You on This Planet?” qualified as an instant, triumphant success and continued seemingly without end; in the meantime, Yoba perpetuated his dramatic efforts as well, with contributions to innumerable motion pictures. In addition, he gave a pair of small, impressive performances in two very different 1997 indie dramas—first as Detective Carson in James Mangold’s all-star New Jersey policier Cop Land (1997), then as a studio engineer in George Tillman Jr.’s ensemble comedy-drama Soul Food, alongside Vivica A. Fox and Vanessa L. Williams.
From 2011 to 2012, Yoba appeared as former FBI Special Agent Bill Harken on “Alphas,” a science fiction drama series about a team of people with special abilities who belong to a secret department attached to the DOD. In 2013, Yoba joined the cast of “Revolution” as Jim Hudson, a former captain of the Monroe Republic. In 2015, Malik Yoba made history alongside FOX once more as he was cast as Vernon Turner, Lucious Lyon’s business partner and chairman of Empire Entertainment in “Empire.”
Yoba’s role is dynamic, challenging, inspiring, dark, and vintage Hollywood showmanship. Being the unsung hero of the Lucious Lyon Empire is a very intricate role and the perfect balance between obedience and power. When you watch Malik Yoba on the screen, you can hear, see, and feel his journey in every scene. Malik brings you directly into the moment, and he always leaves his audience wanting more. When you think of the impact of Malik Yoba not just in Hollywood but on the inner-city youths of NYC, the reflection of his power shines brightest.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
by Jonathan P-Wright | Jun 2, 2021 | Editorial Pick, Latest, Trending |
“FRIEND OF MINE” BY KELLY PRICE
“THE THINGS YOU DO [BAD BOY REMIX]” BY GINA THOMPSON FEAT. MISSY ELLIOTT
“HONEY” BY MARIAH CAREY
“SUMMERTIME” BY BEYONCÉ FEAT. DIDDY
“BREAKDOWN” BY MARIAH CAREY FEAT. BONE THUGS-N-HARMONY
“MO’ MONEY MO’ PROBLEMS” BY NOTORIOUS B.I.G.
“LOVE @ FIRST SIGHT” BY MARY J. BLIGE FEAT. METHOD MAN
“LET ME BLOW YA MIND” BY EVE FEAT. GWEN STEFANI
“Can’t NOBODY HOLD ME DOWN” BY PUFF DADDY FEAT MASE
“CAN’T LET HER GO” BY BOYZ II MEN
“ONLY YOU” BY 112 FEAT. NOTORIOUS BIG
“NEVER LEAVE YOU” BY LUMIDEE
“I’LL BE MISSING YOU” BY DIDDY FEAT. FAITH EVANS AND 112
“SPENDIN’ MONEY” BY R. KELLY
“YOU DON’T HAVE TO WORRY” BY NEW EDITION
Puff Daddy ft. Busta Rhymes and The Notorious B.I.G. “Victory,” No Way Out
Puff Daddy ft. Carl Thomas, Ginuwine, and Twista “Is This the End,” No Way Out
Puff Daddy ft. Foxy Brown “Friends,” No Way Out
“Niggas Bleed,” “Notorious Thugs,” “Another,” “Playa Hater,” “Nasty Boy,” “You’re Nobody (till Somebody Kills You)” from the album Life After Death.
Brian McKnight: “You Should Be Mine (Don’t Waste Your Time)” from the album Anytime
I’m sitting in my living room listening to the album “Personal Conversation” by Case (S/O to Case, your music is the perfect tempo to create a classic article) and watching one of my favorite TV shows, “Jeopardy.” The “cool factor” of Jeopardy is even if you don’t know the answer, it’s super intriguing to find out the absolute truth of the question. So when I research all of the “true” classics Stevie J has produced or contributed to, I find myself in another episode of jeopardy.
Hidden genius is a beautiful quality because it doesn’t seek attention, superficial attraction, or seeks its own interest; the motivation is fueled by passion and relentless ambition. The characteristics of Stevie J are a perfect blend of God-given vision, gargantuan inner drive, unflinching confidence, and an ounce of insanity. Ok, I love Case, but the “Red Berry” Ciroc is kicking in, so I fast-forward to “Can’t nobody hold us down” off the “NO WAY OUT ALBUM.
“Normally, when you hear a sampled song, it doesn’t reinvent itself; however, that’s part of the secret formula for Stevie J. Stevie J has an amazing ability to complement a track with an untraceable production approach and signature melodic finish.
The footprints of legends can only be followed and not duplicated, and that’s why his trademark sound will and must be publicly declared. I’m so amped right now!! Music is the soundtrack to life, and when “VICTORY” comes on, so many visions and thoughts are racing through my mind. I’m pacing through my condo rapidly like I’m in the ring of a championship fight.
Yo, the sun don’t shine forever
(You can turn the track up a little bit for me)
But as long as it’s here then we might as well shine together
(All up in my ears)
Better now than never, business before pleasure
(The mic is loud, but the beats isn’t loud)
P-Diddy and the Fam, who you know do it better?
Timeless music!! How did Stevie J know what to add or cut from this sample and then make it work? Success has different outlooks, but the ingredients are always consistent. Stevie J hears a sound only he can ascertain and develop. When he enters into a studio, the room feels, smells, looks, and resonates with an ambrosial atmosphere.
Every great performer, athlete, entertainer, and etc has this creative arena within their mind which enables supernatural results and unfathomable heights of a phenomenon. I just finished listening to “PAIN” and “Is This The End” blares through my speakers like a Hip Hop symphony. Ginuwine, Twista, & Puff Daddy own this track like it is a birthright, and it flows like a sonic motion picture in “HD”.
Who could make “death” sound so good? Stevie J!! The overall instrumentation and sonic delivery of this track are matchless in this current era. My adrenaline is wearing off a little, so as I sit by red berry Ciroc self-down, I flip over to the track “HONEY” (Bad Boy Remix). This universal track connects with every race, gender, and a hater! Jadakiss rips it from the beginning, Styles P supplies his signature gritty undertones, Mase provides the perfect god-flow finger roll, Puff is simply being Puff, Mariah is like cool whip.
She’s good on top of any dessert! Stevie J’s behind the scenes influence is visible throughout each verse, hook, string, chord, and baseline. Stevie J is James Worthy on the fast break, and nobody finishes better. Who can make a pop record cross over to streets better than Stevie J along with the Hitmen production team.
Stevie J understands the language of music, and that’s an inborn God induced gift. Possessing the ability to coordinate over 7 instruments simultaneously, manage sound, tones, voice inflection, intonation, and most importantly, artistic chemistry.
I stop and do a 100 quick push-ups to get my blood flowing and raise my adrenaline. I switch to “Mo Money More Problems” from the 10X platinum “Life After Death” album. Once Big said ”
Uh, uh, B.I.G., P O, P P A, no info, for the, DEA
Federal agents mad cause I’m flagrant
Tap my cell and the phone in the basement
My team supreme, stay clean triple beam lyrical dream
Man, need I say more about this classic record that Stevie J was a part of during the meteoric rise of Notorious B.I.G. How many producers/people would Sean Combs trust with the music and career of B.I.G?
How many producers possess the patience, instinct, and overall musical acumen to deliver for arguably the greatest MC of all time (Its always a toss-up between B.I.G & Tupac). Stevie J’s catalog is responsible for the biggest hits during an entire decade only and not to mention after the 90’s.
When I think about the song “I’ll be missing you” and the impact the record has made worldwide and continues to assist in healing the emotional wounds of people, I often wonder the metal state of mind he commanded during those studio moments.
Knowing that B.I.G. was recently buried and the entire world was waiting and needed this record for their eternal playlist. Stevie J, Puff, Faith, 112, & Sauce Money engineered one of the greatest songs of unity in the league of “We are the world.” Everyone in the world felt compelled to mourn and be inspired at the very exact moment.
Once again, the beautiful mind of Stevie J provided the finely detailed production assembly of emotion, chords, guitar strings, blissful sounds, and undertones of Faith and 112 and made history again. But, unfortunately, most people admire, detest, applaud, aspire to, and reject Stevie J every Monday night via VH1.
The television showcases a very small portion of his life. Stevie’s life is an authentic soundtrack, and we’ve only heard a few tracks of his life. In 2016, Stevie J will ascend to new heights and release new musical jewels for the world to love again.
Stevie J is mentally, physically, and spiritually in the best shape of his life, and he’s leaving no stone unturned. Multiple movies, TV shows, business ventures, and more occupy his current and 2016 roll-out calendar.
The infamous Stevie J bus has turned into super-ultra RV, and more people have come aboard for apparent reasons. But, when you closely examine his catalog, journey, sound, music production, Faith, and God-given talent, there can only be one title: “LORD OF THE STRINGS.”
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
RECENT COMMENTS