Menu
Carrying the City: Young Dolph’s Unshakable Influence

Carrying the City: Young Dolph’s Unshakable Influence

Photo by Joshua J. Cotten on Unsplash 

Every time Adolph Robert Thornton Jr., better known to the world as Young Dolph, stepped into the spotlight, he brought Memphis with him — in his cadence, in his lyrics, in his presence. He wasn’t just a rapper representing a city; he was a walking embodiment of its grit, struggle, ambition, and raw authenticity. To understand Young Dolph is to understand the soul of Memphis. But Dolph’s story was more than just about music — it was about legacy, loyalty, leadership, and the power of betting on oneself.

Born Into Fire, Forged Through Hustle

Born on July 27, 1985, in Chicago, Dolph was relocated to Memphis during his early childhood, where he was raised primarily by his grandmother. The neighborhoods of South Memphis weren’t easy to grow up in — poverty, instability, and crime surrounded him from a young age. But instead of falling into despair, Dolph developed a hardened sense of resilience. He was quick to learn that in his world, survival depended on resourcefulness and drive.

He once reflected that where he came from, people didn’t have time to dream unless they figured out how to stay alive first. For Dolph, music was more than expression — it was strategy. It was the rope he climbed out of the shadows with. It became the way he narrated his reality while transforming it into something better.

From Mixtapes to Movement: The Birth of a Paper Route

In 2008, Dolph released his first mixtape titled “Paper Route Campaign.” The name wasn’t just a catchy slogan — it was a philosophy. He wasn’t following a script handed down by labels or trends. He was designing his own blueprint. That same year, he founded Paper Route Empire (PRE), his independent label that would go on to change the way many young artists viewed the music industry.

PRE wasn’t just a label — it was a defiant stance. It was Dolph’s message to the world that independence was possible, that a rapper could retain control of his art, his image, and his income. While most new artists were chasing label deals, Dolph was rejecting them. Even when major labels offered multi-million-dollar contracts, Dolph said no — not out of arrogance, but out of vision.

He understood something many artists learn too late: that freedom and ownership often matter more than fame. Instead of sharing his profits with industry giants, Dolph reinvested into himself and into his city. His choice to go solo wasn’t a backup plan. It was the main strategy.

A Catalog of Confidence and Clarity

By 2016, Dolph had already built a strong reputation in Southern hip-hop circles. That year, he released “King of Memphis,” a declaration of both self-belief and territorial pride. Some saw the title as audacious, but fans and critics alike couldn’t deny the consistency in his work and the depth in his storytelling.

A year later, Dolph dropped “Gelato,” a project that echoed with raw energy and uncompromising lyrics. It made waves online and offline, sparking conversations about his authenticity and his entrepreneurial streak. It wasn’t just that the music slapped — it was the fact that he did it without anyone pulling strings in the background. Every release was self-funded, self-owned, and self-promoted.

His 2020 album, “Rich Slave,” would become his highest-charting record, debuting at No. 4 on the Billboard 200. The album blended introspection, social commentary, and banger-level production — proving that even at the height of his career, Dolph was still evolving as an artist and thinker.

The Power of Family and Collaboration

One of the brightest chapters of Dolph’s career unfolded through his collaboration with his cousin and protégé, Key Glock. Together, they dropped “Dum and Dummer” in 2019, an explosive mixtape that captured the unique energy of Memphis with back-to-back verses that were both playful and powerful.

The chemistry between Dolph and Glock was palpable. Their partnership went beyond business — it was a brotherhood. The success of their mixtape led to a national tour that packed venues in city after city. Fans weren’t just attending shows — they were witnessing a movement.

The Dum and Dummer Tour wasn’t supported by corporate sponsors or big-label marketing budgets. It was Dolph, Glock, and the Paper Route Empire team doing it on their own — selling out dates, moving merch, and giving fans a high-octane experience rooted in love for the music and pride in their independence.

Lifting Others While Building His Own

What truly set Young Dolph apart was his role as a mentor and leader. While many artists become obsessed with self-promotion, Dolph made it a point to spotlight others. He saw PRE as more than a label — it was a gateway for other Memphis talents to shine. He poured time, money, and attention into developing artists like Key Glock, Big Moochie Grape, and Snupe Bandz, helping them avoid the pitfalls he had navigated alone.

Dolph was vocal about the importance of owning music rights and being educated about business. In an industry where artists are often exploited, he consistently encouraged newcomers to take the reins of their careers. His philosophy was straightforward: don’t wait for validation, don’t give up your power, and don’t forget to take care of your people on the way up.

A Father’s Love, A Mogul’s Mind

Away from the spotlight, Dolph was a devoted father and businessman. He made it clear that his children were his top priority. As a symbol of that commitment, he bought properties for his kids — not flashy toys or temporary luxuries, but real assets. He wanted to ensure that his children had a solid foundation no matter what happened.

His business acumen extended beyond music. Dolph had investments in real estate, retail, and other ventures. He understood that his voice might not last forever, but if he played it right, his money could. His moves were intentional — everything he did had a long-term goal behind it.

A Quiet Force for Good

Despite his fame and wealth, Dolph never distanced himself from his roots. He was frequently seen in his old neighborhoods, not for PR stunts but for genuine acts of support. He donated $25,000 to Hamilton High, his former school. He funded college scholarships. He handed out turkeys to families during Thanksgiving. He paid rent for those facing eviction. And he did it all without broadcasting his good deeds.

For Dolph, giving back wasn’t about headlines. It was about doing what needed to be done because he remembered being the kid who needed help too. His generosity wasn’t performative — it was personal.

An Icon for the New Era of Artists

To today’s rising generation of rappers and creatives, Young Dolph represents more than a name — he’s a model of what’s possible. He became a north star for artists who wanted to remain authentic, build on their terms, and retain full control of their vision.

The stories of Dolph turning down record deals and still selling out tours have become folklore. New artists refer to him as “the big homie they never met” — a guiding spirit in an industry full of smoke and mirrors. He proved that there’s another way to make it — one rooted in hustle, ownership, and loyalty.

A Life Cut Short, A Legacy That Multiplies

On November 17, 2021, tragedy struck when Young Dolph was gunned down in Memphis while visiting Makeda’s Homemade Butter Cookies, a local shop he regularly supported. The city mourned. The music world paused. The headlines were filled with disbelief.

But while his life ended abruptly, his story didn’t. His music still plays in cars, in headphones, and in speakers around the globe. Paper Route Empire continues to thrive, driven by artists he mentored. His messages about ownership and independence are echoed by younger rappers, YouTubers, and entrepreneurs alike.

Dolph didn’t just leave behind albums — he left behind a philosophy. A mindset. A movement.

Forever Paper Route

To many, Young Dolph will always be the guy who did it his way — who refused to bend, refused to sell out, and refused to forget where he came from. His journey was never easy, but it was always honest. And in a world where authenticity is often the first thing to go, that made him special.

His name lives on not just in songs or murals but in the very spirit of modern hip-hop. Every independent artist carving their own lane is part of his ripple effect.

Behind the Hype: The Visual Legacy of Hype Williams and His Influence on Music News

Behind the Hype: The Visual Legacy of Hype Williams and His Influence on Music News

Photo by Nainoa Shizuru on Unsplash

Hype Williams, a prodigious music video director, is a name that reverberates throughout the music world. His groundbreaking vision has shaped the music videos of some of the most influential artists in the industry, such as Jay-Z, Missy Elliott, and DJ Khaled. This article delves into the stories behind Williams’ impactful work, exploring the collaborative efforts and creative processes that have marked his legendary career.

The Team Behind the Vision

The indelible visuals that Williams has been known for over the past three decades were not the work of a single individual. Williams, despite his grandiose ideas and pioneering vision, required a team to transform his concepts into reality. His collaborative endeavors involved working closely with various creatives, including June Ambrose, an imaginative costume designer, Malik Hassan Sayeed, a talented cinematographer, and Connie Orlando, a dedicated producer, among others.

Artists such as Jay-Z, Missy Elliott, Kelis, and DJ Khaled, placed their trust in Williams, faithfully following his direction. This collaborative approach was critical in producing 2-3 music videos a month at the peak of Williams’ career.

Jay-Z: From “Can’t Knock The Hustle” to “Big Pimpin”

Jay-Z’s collaboration with Williams began in 1996 with the music video “Can’t Knock The Hustle”. The video’s cinematic feel was amplified by the stunning cinematography of Malik Hassan Sayeed. The grandeur of the visuals and Williams’ unique eye for detail elevated the video to a whole new level.

The duo’s groundbreaking collaboration continued with “Sunshine” in 1997, and “Big Pimpin” in 2000. “Big Pimpin” marked their first high-budget video. Williams’ direction and vision for the video were instrumental in pushing the album sales from one million to four million.

Missy Elliot: The Magic of “The Rain” and “She’s a Bitch”

Williams’ collaboration with Missy Elliot led to the creation of visually stunning music videos like “The Rain” and “She’s a Bitch”. Williams’ innovative ideas, coupled with Elliot’s risk-taking attitude, resulted in captivating and futuristic music videos.

For “She’s a Bitch”, Williams suggested the bold idea of Elliot sporting a bald head. This idea, along with Elliot’s futuristic wardrobe and make-up, made the video a masterpiece. These visuals have become iconic in the music industry, proving to be a work of art set to inspire future generations.

The Costuming Genius of June Ambrose

June Ambrose, the costume designer behind some of Williams’ most iconic videos, played a crucial role in bringing his visions to life. Ambrose designed the costumes for videos such as “Mo Money Mo Problems” and “The Rain”. Her ability to create custom, out-of-the-box costumes on short notice was instrumental in setting the tone and visual impact of these videos.

Fatima Robinson: Choreographing the Moves

Fatima Robinson, the choreographer for videos like “Rock The Boat” and “Put Your Hands Where My Eyes Can See“, was instrumental in bringing Williams’ vision to life. Her choreography, combined with Williams’ innovative direction, resulted in music videos unlike any seen before.

Margo Wainwright: Making Iconic Videos a Reality

Margo Wainwright, the former video commissioner at Def Jam, worked closely with Williams to produce iconic videos for Def Jam artists. Despite the astronomical budgets associated with Williams’ videos, the results were always worth the investment. Videos such as “Big Pimpin” and “Hate Me Now” were game-changers in the music industry, becoming iconic symbols of the culture.

Hype’s Legacy: Beyond Music News

The impact of Williams’ work extends beyond music news and the music industry. His innovative direction and groundbreaking vision have inspired countless artists and filmmakers. His contribution to the representation of Black culture in media is unparalleled. His work has set the bar high for music video directors, challenging them to think outside the box and push the boundaries of creativity.

Williams’ legacy continues to inspire new generations of artists, filmmakers, and music video directors. He has paved the way for creative expression in the music industry, proving that with a bold vision and a talented team, anything is possible. So, here’s to Hype Williams, the man who showed the world what Black opulence looks like and continues to shape the visual landscape of the music industry.

GHETTS DEMONSTRATES A ‘CONFLICT OF INTEREST’ IN NEW ALBUM

GHETTS DEMONSTRATES A ‘CONFLICT OF INTEREST’ IN NEW ALBUM

It has been fifteen years since the London artist Ghetts began his journey and today, he is a veteran. People consider him to be one of grime’s best lyricists, and his image/profile has never aligned with the praise due to his direct refusal to work on grime’s pop crossover in the late 2000’s, and his failure in creating an amazing comeback album.  However, his latest album titled ‘Conflict of Interest’ managed to change all that and how! 

NFL’S CHAD WHEELER KEPT EATING FOOD AFTER HE THOUGHT HE CHOKED GIRLFRIEND TO DEATH

NFL’S CHAD WHEELER KEPT EATING FOOD AFTER HE THOUGHT HE CHOKED GIRLFRIEND TO DEATH

Offensive tackle of Seattle Seahawks, Chad Wheeler, was taken into custody on January 24th, on suspicions of felony domestic violence. According to reports, Wheeler allegedly strangled and beat his girlfriend after he asked her to bow to him. His girlfriend was found by police inside a bathroom, after she called 911 stating that her arm was dislocated by Wheeler and he was trying to kill her.  

https://youtube.com/watch?v=5R9sJDJLH-4
LIL WAYNE UNVEILS OFFICIAL VISUAL FOR “NFL”

LIL WAYNE UNVEILS OFFICIAL VISUAL FOR “NFL”

Just last month, Lil Wayne collaborated with his Young Money cohorts Gudda Gudda and Hoodybaby in order to launch the new song titled “NFL,” which is also meant to act as a promotional material for Amazon’s “TNF On Prime” broadcasts. The track came with an animated visual and featured cartoon versions of the rappers playing on an Amazon Video football field. Now, an official video for NFL has been released by Weezy F. Baby and it is directed by Eif Rivera. The video begins with a janitor sneaking a break in a locker room, and then the room starts shaking to denote he entrance of Gudda Gudda and Hoodybaby.