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Nicki Minaj receives positive legal news regarding 20 million default judgement

Nicki Minaj receives positive legal news regarding 20 million default judgement

Hip-Hop Icon Nicki Minaj has avoided paying a $20 million default judgment in a lawsuit that accuses her of harassment. 

Nicki Minaj avoids paying a $20 Million Harassment default judgement 

On Tuesday, a federal court clerk decided Nicki Minaj wasn’t in default of responding to the suit claiming she harassed the victim of her husband’s attempted rape conviction and even tried bribing her.  Plaintiff Jennifer Hough wanted a $20 million judgment against Kenneth Petty and her for allegedly having lied about her claim that he raped her at knifepoint in 1994 and engaging in constant attempts to influence her to back down. 

The Background of the Issue 

The federal clerk on behalf of the Eastern District of New York denied the request related to Nicki Minaj, stating, as per the court docket, ‘it appears that Minaj filed paperwork last week revealing new legal representation in defense of the lawsuit.  However, she did certify that Petty had not responded to the complaint or taken any additional actions in connection with it. 

During a sworn statement filed on October 15th, Minaj explained that she assumed she had hired her lawyer when she spoke with him on Zoom in late September, however, a series of confusing communications caused her retainer to not be raised. 

The lawsuit Kenneth Petty filed against the State of New York is based on his claim that he was not properly informed in 2004 that he had the right to challenge his risk level under the Sex Offender Registration Act. Due to his first-degree manslaughter conviction, which involved the killing of a man on a Queens street, he was in prison. 

This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.  

Why is it important to conserve Hip-Hop history? 

Why is it important to conserve Hip-Hop history? 

Hip-hop is more than just music. It’s a culture, a mentality, and a way of life. And in order to preserve the history and legacy of hip-hop for future generations, we need to tell its story. We can’t forget where we came from or how far we’ve come. Hip-hop has been around since the 1970s when DJ Kool Herc invented break beats by looping snippets of James Brown records over extended periods at block parties in the Bronx. The genre became one of the most popular genres across four decades – influencing fashion trends, language and dance moves alike while shaping American pop culture as we know it today. Read on for more about this iconic  

Hip-Hop has been one of the most popular genres across four decades – influencing fashion trends, language and dance moves 
  
Hip-hop has been one of the most popular genres across four decades – influencing fashion trends, language and dance moves. The hip hop culture has spanned different ages and generations in such a way that it’s become a fundamental part of the lives of many people all around the world. The continuing popularity of hip-hop is because it transcends race, gender, and location.  
Hip-hop is popular and has a lot of influence on society because it’s used in different ways. Artists can use hip-hop to express themselves or to share their message through music or social media posts. Hip-hop producers can also make new songs using samples from old records. 
  
How Hip-Hop Shaped American Pop Culture 

Hip-hop is an important part of American culture; it has changed how people think about music. How people play the music has changed to where it is more collaborative than soloistic. 
Regardless of one’s personal opinions on hip-hop, this genre has broken down so many color barriers in society and there have been plenty of other major contributions to society, too. Hip-hop is a worldwide movement that has changed how people see themselves. It talks about differences and things that people have in common.

This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.  

In Texas, abortion is prohibited at six weeks

In Texas, abortion is prohibited at six weeks

As of Wednesday morning (Sept. 1), Texas has become one of the strictest abortion states in the country by banning abortion at six weeks. Abortion providers who requested a blocking of the ban failed to obtain any relief from the Supreme Court and federal appeals court. 

In Texas, women will be prohibited from getting abortions when a fetal heartbeat can be detected, which is around six weeks after conception and before many women realize they are pregnant. Although the law does allow exemptions in case of “medical emergencies,” it does not allow exceptions for rape or incest. 

As part of the ban, private citizens can sue abortion providers and anyone who assists a woman in getting an abortion. A woman might receive help from a neighbor, someone who provides financial assistance, or someone from the local clergy who helps the patient. NPR reports that citizens who bring civil suits needn’t be connected to the person they’re suing in order to receive an award of at least $10,000. 

A website called “whistleblower” has been launched by the anti-abortion organization Texas Right to Life for people to report illegal abortions anonymously. 

John Seago of Texas Right to Life told NPR that the lawsuits are not against the women. “We would be suing the abortion industry and those making money off of abortions. Therefore, this is not spying on your neighbor.” 

Abortion providers and reproductive rights groups argue that the law creates a bounty on abortion providers. 

In Texas, a Whole Women’s Health clinic tweeted on Tuesday night (Aug. 31), two hours before the ban went into effect, that it still provided abortions and had “staff and doctors providing abortions and that the waiting rooms were filled. 

On Wednesday, after the ban went into effect, the ACLU tweeted that abortion has just been restricted for millions of women, the long-term impact will be devastating. 

In a related matter, justices are poised to rule on whether a Mississippi law prohibiting abortions at 15 weeks is constitutional. Advocates for abortion rights have pointed out that both Mississippi’s and Texas’ laws directly conflict with Roe v. Wade, the 1973 landmark decision that legalized abortion nationwide. 

This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.

Jadakiss Over 25 Years of Greatness

Jadakiss Over 25 Years of Greatness

Jadakiss, He is known for being one third of the East Coast hip hop group The Lox as well as being a member of Ruff Ryders and for his solo work. He is currently signed to both Def Jam Records and his own label, D-Block Records, which he founded with the other members of The Lox. Jadakiss has released five studio albums, with the most recent being Ignatius on March 6, 2020. Recently destroying the Diplomats in a Verzuz battle Jada is said to be at a all time high in streams.

Starting out with Ruff Ryders then signing with Bad Boy, Puff Daddy at the time shortened the group’s name from The Warlocks to simply The LOX. They made their first appearance on The Main Source’s 1994 LP “Fuck What You Think” on the track “Set it Off.” They immediately began writing and performing on hit songs with fellow Bad Boy artists, including Puff Daddy’s “It’s All About the Benjamins” and “I Got the Power”, Mase’s “24 Hrs. to Live”, Mariah Carey’s “Honey”, Mary J. Blige’s “Can’t Get You Off My Mind” and The Notorious B.I.G.’s “Last Day”. The group developed a close relationship with B.I.G., during which time Jadakiss especially was taken under his wing. The LOX’s first hit song was a tribute to The Notorious B.I.G. in the wake of his 1997 death, titled “We’ll Always Love Big Poppa”. The song was chosen as the B-side to Puff Daddy’s smash hit B.I.G. tribute song “I’ll Be Missing You”, and received widespread commercial success, achieving multi-platinum status from the Recording Industry Association of America (RIAA).

BAD BOY’S FALL OUT

The success and reception of the song opened the door for them to write more of their own songs, and in 1998, the LOX released their debut studio album, “Money, Power & Respect”. The album was both a commercial and critical success, peaking at number 3 on the Billboard 200 and number 1 on the US Top R&B/Hip-Hop Albums chart, and went on to achieve platinum status. Though the record was successful, The Lox grew unhappy with Bad Boy Records and Puff Daddy’s, radio friendly production, feeling it conflicted with their image.

CONTINUED SUCCESS

Following the release of their debut album, the group left the label to sign with Ruff Ryders Entertainment. They released their second album, We Are The Streets in 2000, through Ruff Ryders. The album was once again a success, peaking at number 5 on the Billboard 200 and number 2 on the US Top R&B/Hip Hop Albums chart. It featured production from Swizz Beatz and Timbaland, and spawned one single, “Ryde Or Die, Bitch” featuring fellow Ruff Ryders artist Eve.

THE GOLDEN YEARS

Jadakiss began embarking on a solo career in 2001 and his debut album, “Kiss Tha Game Goodbye”, was released in August on the Ruff Ryders/Interscope label. The album featured popular guests and producers such as DJ Premier, The Alchemist, DMX, Eve, Snoop Dogg and Swizz Beatz and was commercially successful, going on to be certified gold by the RIAA and selling over 200,000 copies during its first week of release. Despite commercial success, the album received negative reception from critics who criticised the album for being repetitive and uninspired. Jadakiss has acknowledged the criticism as valid, saying the record was done less out of inspiration but rather out of contractual obligations to Bad Boy.The album produced three singles, “We Gonna Make It” featuring Styles P, “Knock Yourself Out” and “Put Ya Hands Up”.

Jadakiss followed this album with “Kiss of Death”, released in June 2004. It features guest appearances from Snoop Dogg, Eminem, The Lox, Kanye West, Pharrell Williams, Nate Dogg, DJ Quik and more. His song “Why?”, featuring Anthony Hamilton and produced by Havoc of Mobb Deep, became one of the year’s biggest hits, spawning a remix featuring Styles P, Common and Nas. “Why?” remains Jadakiss’ biggest hit, peaking at #11 on the Billboard Hot 100. The song also garnered controversy for a line in which Jadakiss claims that he believes George W. Bush planned the 9/11 terrorist attacks. Another single from the record, “U Make Me Wanna,” featuring Mariah Carey peaked at number 21 on the Billboard Hot 100. The album was both a commercial and critical success, receiving better reviews than his previous album and debuted at number 1 on both the Billboard 200 and the Top R&B/Hip Hop Albums charts.

In late 2007, Jadakiss signed to Jay-Z’s Roc-A-Fella Records, a move Jay had been trying to arrange for a long time. The move came on the heels of increased D-Block/Roc-a-Fella collaborations; in 2006, Jadakiss and former rival Beanie Sigel collaborated on DJ Khaled’s album Listennn… the Album, and in 2007, on Freeway’s album “Free At Last”. Styles P appeared on a radio freestyle with Freeway and Sigel, and also appeared briefly in the video for Jay-Z’s American Gangster single “Roc Boys,” in which he throws up the famous Roc-a-Fella sign, “the Diamond.”

In 2009, Jadakiss released his much-delayed and anticipated third studio album, “The Last Kiss”. The first single, “By My Side” featuring Ne-Yo was released in October 2008. Two more singles, “Can’t Stop Me” and “Death Wish” featuring Lil Wayne, were released in 2009. One more single, “Who’s Real”, featuring Swizz Beatz and OJ Da Juiceman released later that year.

In 2010, Jadakiss left Roc-A-Fella records. In 2011, he was featured on two DJ Khaled tracks, one of them titled “It Ain’t Over Til It’s Over”, featuring Mary J. Blige and Fabolous, and the remix of “Welcome to My Hood,” also featuring Ludacris, Busta Rhymes, Twista, Mavado, Birdman, Ace Hood, Fat Joe, Game, Bun B and Waka Flocka Flame. On April 26, 2012, Jadakiss released his mixtape Consignment, hosted by DJ Drama.

On June 4, 2013, Jadakiss released the first single from his upcoming fourth studio album, “Top 5, Dead or Alive” titled “Big Boy Dialogue”, featuring vocals from The-Dream. The album was scheduled to be released during September or October 2013,but after much delay, the album was finally released on November 20, 2015. It features guest appearances from Akon, Future, Jeezy, Lil Wayne, Ne-Yo, Nas, Nipsey Hussle Styles P, Puff Daddy, Sheek Louch, Swizz Beatz, Wiz Khalifa and Young Buck, and was supported by 2 singles, “Jason” featuring Swizz Beatz, and Ain’t Nothin’ New featuring Ne-Yo and Nipsey Hussle. The album debuted at number 4 on the Billboard 200, and received positive reviews from critics.

Jadakiss, He is known for being one third of the East Coast hip hop group The Lox as well as being a member of Ruff Ryders and for his solo work. He is currently signed to both Def Jam Records and his own label, D-Block Records, which he founded with the other members of The Lox. Jadakiss has released five studio albums, with the most recent being Ignatius on March 6, 2020.

Signing with Bad Boy, Puff Daddy at the time shortened the group’s name from The Warlocks to simply The LOX. They made their first appearance on The Main Source’s 1994 LP “Fuck What You Think” on the track “Set it Off.” They immediately began writing and performing on hit songs with fellow Bad Boy artists, including Puff Daddy’s “It’s All About the Benjamins” and “I Got the Power”, Mase’s “24 Hrs. to Live”, Mariah Carey’s “Honey”, Mary J. Blige’s “Can’t Get You Off My Mind” and The Notorious B.I.G.’s “Last Day”. The group developed a close relationship with B.I.G., during which time Jadakiss especially was taken under his wing. The LOX’s first hit song was a tribute to The Notorious B.I.G. in the wake of his 1997 death, titled “We’ll Always Love Big Poppa”. The song was chosen as the B-side to Puff Daddy’s smash hit B.I.G. tribute song “I’ll Be Missing You”, and received widespread commercial success, achieving multi-platinum status from the Recording Industry Association of America (RIAA).

BAD BOY’S FALL OUT

The success and reception of the song opened the door for them to write more of their own songs, and in 1998, the LOX released their debut studio album, “Money, Power & Respect”. The album was both a commercial and critical success, peaking at number 3 on the Billboard 200 and number 1 on the US Top R&B/Hip-Hop Albums chart, and went on to achieve platinum status. Though the record was successful, The Lox grew unhappy with Bad Boy Records and Puff Daddy’s, radio friendly production, feeling it conflicted with their image.

CONTINUED SUCCESS

Following the release of their debut album, the group left the label to sign with Ruff Ryders Entertainment. They released their second album, We Are The Streets in 2000, through Ruff Ryders. The album was once again a success, peaking at number 5 on the Billboard 200 and number 2 on the US Top R&B/Hip Hop Albums chart. It featured production from Swizz Beatz and Timbaland, and spawned one single, “Ryde Or Die, Bitch” featuring fellow Ruff Ryders artist Eve.

THE GOLDEN YEARS

Jadakiss began embarking on a solo career in 2001 and his debut album, “Kiss Tha Game Goodbye”, was released in August on the Ruff Ryders/Interscope label. The album featured popular guests and producers such as DJ Premier, The Alchemist, DMX, Eve, Snoop Dogg and Swizz Beatz and was commercially successful, going on to be certified gold by the RIAA and selling over 200,000 copies during its first week of release. Despite commercial success, the album received negative reception from critics who criticised the album for being repetitive and uninspired. Jadakiss has acknowledged the criticism as valid, saying the record was done less out of inspiration but rather out of contractual obligations to Bad Boy.The album produced three singles, “We Gonna Make It” featuring Styles P, “Knock Yourself Out” and “Put Ya Hands Up”.

Jadakiss followed this album with “Kiss of Death”, released in June 2004. It features guest appearances from Snoop Dogg, Eminem, The Lox, Kanye West, Pharrell Williams, Nate Dogg, DJ Quik and more. His song “Why?”, featuring Anthony Hamilton and produced by Havoc of Mobb Deep, became one of the year’s biggest hits, spawning a remix featuring Styles P, Common and Nas. “Why?” remains Jadakiss’ biggest hit, peaking at #11 on the Billboard Hot 100. The song also garnered controversy for a line in which Jadakiss claims that he believes George W. Bush planned the 9/11 terrorist attacks. Another single from the record, “U Make Me Wanna,” featuring Mariah Carey peaked at number 21 on the Billboard Hot 100. The album was both a commercial and critical success, receiving better reviews than his previous album and debuted at number 1 on both the Billboard 200 and the Top R&B/Hip Hop Albums charts.

In late 2007, Jadakiss signed to Jay-Z’s Roc-A-Fella Records, a move Jay had been trying to arrange for a long time. The move came on the heels of increased D-Block/Roc-a-Fella collaborations; in 2006, Jadakiss and former rival Beanie Sigel collaborated on DJ Khaled’s album Listennn… the Album, and in 2007, on Freeway’s album “Free At Last”. Styles P appeared on a radio freestyle with Freeway and Sigel, and also appeared briefly in the video for Jay-Z’s American Gangster single “Roc Boys,” in which he throws up the famous Roc-a-Fella sign, “the Diamond.”

In 2009, Jadakiss released his much-delayed and anticipated third studio album, “The Last Kiss”. The first single, “By My Side” featuring Ne-Yo was released in October 2008. Two more singles, “Can’t Stop Me” and “Death Wish” featuring Lil Wayne, were released in 2009. One more single, “Who’s Real”, featuring Swizz Beatz and OJ Da Juiceman released later that year.

In 2010, Jadakiss left Roc-A-Fella records. In 2011, he was featured on two DJ Khaled tracks, one of them titled “It Ain’t Over Til It’s Over”, featuring Mary J. Blige and Fabolous, and the remix of “Welcome to My Hood,” also featuring Ludacris, Busta Rhymes, Twista, Mavado, Birdman, Ace Hood, Fat Joe, Game, Bun B and Waka Flocka Flame. On April 26, 2012, Jadakiss released his mixtape Consignment, hosted by DJ Drama.

On June 4, 2013, Jadakiss released the first single from his upcoming fourth studio album, “Top 5, Dead or Alive” titled “Big Boy Dialogue”, featuring vocals from The-Dream. The album was scheduled to be released during September or October 2013,but after much delay, the album was finally released on November 20, 2015. It features guest appearances from Akon, Future, Jeezy, Lil Wayne, Ne-Yo, Nas, Nipsey Hussle Styles P, Puff Daddy, Sheek Louch, Swizz Beatz, Wiz Khalifa and Young Buck, and was supported by 2 singles, “Jason” featuring Swizz Beatz, and Ain’t Nothin’ New featuring Ne-Yo and Nipsey Hussle. The album debuted at number 4 on the Billboard 200, and received positive reviews from critics.

In 2016, The Lox released their first album in 16 years, title “Filthy America…It’s Beautiful”. The album featured guest appearances from Fetty Wap, Mobb Deep and Gucci Mane, and peaked at number 42 on the Billboard 200.

On February 29, 2016, Fabolous posted a picture on Instagram with Jadakiss with the caption, “Freddy vs. Jason coming soon”, hinting at the release of a joint project with Jadakiss, titled Freddy vs. JasonOn April 2, 2016, Fabolous and Jadakiss released a freestyle of Future’s “Wicked” from Purple Reign that was scheduled appear on Freddy vs. Jason, but did not make the final cut of the album. They also revealed that it would not be a mixtape, but instead a full album.

On October 31, 2017, the album’s first and only single, “Stand Up” featuring Futurewas released. On November 21, 2017, it was announced that the album title was changed to “Friday on Elm Street”. The album was released on November 24, 2017, and features guest appearances from Future, Jeezy, Styles P, French Montana and Yo Gotti.

WHAT IT TAKES TO BE A KING IN THIS GAME FOR MULTIPLE DECADES…..

Forget everything you just read and use some critical thinking… From 1994 to 2020, how drastically the music sound, business, owners and fans have changed and grown. Being able to create classics like “Why” and still drop street music illustrating his harsh come up. Standing toe to toe with the top artist of 3 generations in the hiphop world, not losing motivation when times got hard and groups split up, not losing the motivation during hard times and bad contracts and not losing the authenticity of yourself as an artist. Jada has given game in the music and outside the music with his actions leading to his longevity. Forever a staple in Hip-Hop Jadakiss goes on the first ballot for the Hall of Fame, Jadakiss goes 1st all Hip-Hop team as a starter and forever embedded in the history of our culture.

In 2016, The Lox released their first album in 16 years, title “Filthy America…It’s Beautiful”. The album featured guest appearances from Fetty Wap, Mobb Deep and Gucci Mane, and peaked at number 42 on the Billboard 200.

On February 29, 2016, Fabolous posted a picture on Instagram with Jadakiss with the caption, “Freddy vs. Jason coming soon”, hinting at the release of a joint project with Jadakiss, titled Freddy vs. JasonOn April 2, 2016, Fabolous and Jadakiss released a freestyle of Future’s “Wicked” from Purple Reign that was scheduled appear on Freddy vs. Jason, but did not make the final cut of the album. They also revealed that it would not be a mixtape, but instead a full album.

On October 31, 2017, the album’s first and only single, “Stand Up” featuring Futurewas released. On November 21, 2017, it was announced that the album title was changed to “Friday on Elm Street”. The album was released on November 24, 2017, and features guest appearances from Future, Jeezy, Styles P, French Montana and Yo Gotti.

WHAT IT TAKES TO BE A KING IN THIS GAME FOR MULTIPLE DECADES…..

Forget everything you just read and use some critical thinking… From 1994 to 2020, how drastically the music sound, business, owners and fans have changed and grown. Being able to create classics like “Why” and still drop street music illustrating his harsh come up. Standing toe to toe with the top artist of 3 generations in the hiphop world, not losing motivation when times got hard and groups split up, not losing the motivation during hard times and bad contracts and not losing the authenticity of yourself as an artist. Jada has given game in the music and outside the music with his actions leading to his longevity. Forever a staple in Hip-Hop Jadakiss goes on the first ballot for the Hall of Fame, Jadakiss goes 1st all Hip-Hop team as a starter and forever embedded in the history of our culture.