It has officially been one year since Burna Boy released Twice as Tall, his fifth studio LP, which included 15 tracks with the assistance of Youssou N’Dour, Naughty by Nature, Sauti Sol, Chris Martin, and Stormzy.
As soon as it was released, it peaked at the top of other charts around the world, including Billboard’s World Albums chart. Twice as Tall was his breakthrough album and recipient of the Grammy Award for Best Global Music Album.
Burna Boy gained fame over the years thanks to albums like Wizkid’s Made in Lagos and Sia’s Music – Songs from and Inspired by the Motion Picture. Meanwhile, he recently released a new single called Kilometre, which boosts hopes that a new album is on the way. This morning (August 24), Burna Boy reveals “Question,” an elegantly crafted collaboration with internationally recognized recording artist Don Jazzy.
“Question”‘s video was directed by TG Omori and shows Burna Boy triumphantly embracing a lot of children in the video – Don Jazzy also makes an appearance throughout in a funny way. Burna Boy’s enemies also attempt to kill him, but they’re unsuccessful.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
It is a well-known fact that although platforms such as Spotify, Apple Music and Amazon Music enjoy millions of listeners, they are not as generous with their payments to artists. However, recent research has uncovered an unexpected and shocking fact, which further explores how terrible the situation is. When it comes to payments per stream, Peloton managed to beat every other platform.
Recently, it was revealed by The Trichordist in “Streaming Price Bible” that according to the numbers from 2019, music rights holders were offered just 0.35 cents per stream by Spotify. On the other hand, Apple Music offered 0.68 cents per stream and Tidal paid 0.88 cents per stream. Finally, the least amount was paid by YouTube- 0.15 cents per stream. Interestingly, the amount paid by Peloton is much higher, at 3.1 cents per stream.
It is undoubtedly surprising that a fitness company is offering better compensation for artists when compared to streaming services. This disparity is better explained by Slate. The higher compensation rate of Peloton can be attributed to the fact that songs are played consistently during classes, and thus, the company needed to seek public performance rights coupled with publishing rights.
In essence, when specific units of music, such as vinyl or digital files are produced, mechanical royalties must be paid. Any third-party entity that records, manufactures, and distributes copyrighted music is paid, and the artists receive funds eventually. In simple terms, performance royalties are paid when artists perform live, either in movies, TV shows, or when streamed in a public setting. When it comes to Spotify and other on-demand streaming services, wherein users who don’t possess specific recording copies of a song, still can play the song when desired, and make both mechanical royalty payments and performance royalty payments to the artists. Peloton pays performance royalties for the songs it streams, and thus, it broadcasts itself as a music broadcaster resembling a radio. It’s possible for users to search for songs or playlists featuring a certain artist, but the entire experience is determined by the instructors – not you.
Yet, the fact that streaming services are able to pay artists fractions of pennies per stream remains a sore point; let’s hope they follow Peloton’s lead and offer better rates soon.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
In anticipation of the release of Pop Smoke’s second posthumous album, cover art has been unveiled.
Steven Victor, Pop Smoke’s manager before he tragically passed away, shared an image of his new album, FAITH, earlier this afternoon (July 12). Additionally, a trailer was included as a bonus.
Featuring a close-up of Pop’s face and a black background, his new album cover is a striking combination. Clearly visible in the image is the “Faith” tattoo on the left side of his face.
Visual clips from the album trailer depict Pop in his actual Hip-Hop element, whether he is performing live, engaging with his closet friends, or being interviewed face-to-face by Hot 97. Additionally, the album contains a snippet of a new song. A tragic end to an illustrious career marked by star power.
Pop Smoke’s Meet the Woo 2 mixtape shook up the rap world and became an instant classic via social media. It was inevitable that his rise to superstardom would be precipitated by his distinctive voice, the ability to create bangers, and a level of charisma that defines rap icons. He was fatally injured on Feb. 19, 2020, after being broken into by four intruders while he was renting a home.
The album included Lil Baby, DaBaby, Roddy Ricch, Future, and others. Shoot For The Stars album took over Hip-Hop on July 3, 2020. Following its release, the album opened at No.1 on Billboard 200 and reached No. 1 on the Billboard Hot 100 chart. This album will also provide him with a new avenue for connecting with his fans. Below you can view the trailer and album cover for FAITH.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
A three-year probationary term is also imposed on Lee Mouat.
It has been announced that Lee James Mouat was sentenced to prison for attacking a Black teen. Earlier this week (July 8), a U.S. According to a District Court judge, the white 43-year-old defendant will serve five years in prison and three years of probation.
Last June, Lee Mouat observed Devin Freelon and some friends at Sterling State Park in Detroit playing loud music and confronted them about the volume. Racial slurs were thrown, for example, “Black lives don’t matter” and “Ni**ers don’t belong on this beach,” then he left the premises, later returning with a bike lock to attack Freelon.
In the course of the attack, he knocked out three of the teenager’s teeth before hitting one of his friends. The young man also suffered a broken jaw and injuries to his face and mouth in addition to his missing teeth. Several dental procedures were carried out in the local hospital following his treatment of cuts.
The difficulty of seeing your son every day without teeth, especially when he is only 19 years old, Devin Freelon Sr. previously told NBC affiliate WDIV-TV. It’s something that no one should experience.
Lee Mouat admitted to being motivated by race when he committed an act of bodily harm against a victim in March and pleaded guilty to willful causing bodily injury. According to the plea deal terms, the 43-year-old was initially facing up to ten years in prison and a fine of up to $250,000. As a result of his sentencing announcement, he learned that he would serve half of his time in prison.
Deputy U.S. Attorney Saima Mohsin called Lee Mouat’s behavior “disturbing” for his cowardly and unprovoked attack on the victim. The right of every citizen to live without fear of violence or attack based solely upon his or her skin color must be taken seriously.”
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
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