It is a well-known fact that although platforms such as Spotify, Apple Music and Amazon Music enjoy millions of listeners, they are not as generous with their payments to artists. However, recent research has uncovered an unexpected and shocking fact, which further explores how terrible the situation is. When it comes to payments per stream, Peloton managed to beat every other platform.
Recently, it was revealed by The Trichordist in “Streaming Price Bible” that according to the numbers from 2019, music rights holders were offered just 0.35 cents per stream by Spotify. On the other hand, Apple Music offered 0.68 cents per stream and Tidal paid 0.88 cents per stream. Finally, the least amount was paid by YouTube- 0.15 cents per stream. Interestingly, the amount paid by Peloton is much higher, at 3.1 cents per stream.
It is undoubtedly surprising that a fitness company is offering better compensation for artists when compared to streaming services. This disparity is better explained by Slate. The higher compensation rate of Peloton can be attributed to the fact that songs are played consistently during classes, and thus, the company needed to seek public performance rights coupled with publishing rights.
In essence, when specific units of music, such as vinyl or digital files are produced, mechanical royalties must be paid. Any third-party entity that records, manufactures, and distributes copyrighted music is paid, and the artists receive funds eventually. In simple terms, performance royalties are paid when artists perform live, either in movies, TV shows, or when streamed in a public setting. When it comes to Spotify and other on-demand streaming services, wherein users who don’t possess specific recording copies of a song, still can play the song when desired, and make both mechanical royalty payments and performance royalty payments to the artists. Peloton pays performance royalties for the songs it streams, and thus, it broadcasts itself as a music broadcaster resembling a radio. It’s possible for users to search for songs or playlists featuring a certain artist, but the entire experience is determined by the instructors – not you.
Yet, the fact that streaming services are able to pay artists fractions of pennies per stream remains a sore point; let’s hope they follow Peloton’s lead and offer better rates soon.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
WildeTuna Exclusive podcast will be bringing out the biggest names in the game along with some up and coming greats. Already featuring Cassidy, Reed Dollaz, Dapper Dan and more WildeTuna Exclusive is off to a great start. After covid the show migrated from instagram live to streaming on all platforms such as spotify, google play and more. Make sure to tune in to the next WildeTuna Exclusive to see what celebrity guest is up next.
Kaboom, Reed Dollaz, Eness and Eazy Da Block Captain have shown their unique styles can with stand any legend or up and coming battle rapper. Before we get upset or want to argue this list is made in light of my personal analysis and opinion. There are many candidates but I insure you this list will be hard to match up against.
Kaboom has yet to fail when it comes to delivering a show. With Kabooms freestyle ability he is easily the most comfortable in the room under pressure. He can keep it calm and allow you to listen to the word play or turn up on you with the hype after a tote from the vape pin. Either way Kaboom is a sure top 5 from the city of Philadelphia and makes my Big 4 list. his skillful rebuttals tend to leave you laughing at his opponent. Already having experience with battling big names and vets he will walk any rookie with a easy 3-0.
Reed Dollaz, with a monumental battle against Murda Mook on the horizon I feel Reed is highly motivated and ready to reclaim his title at the top. Reed has always had the full package and as much as we say we are over the gun lines, he finds new ways to keep us in tune with what’s next. Plus you always need someone on the team with anger issues to keep the intimidation factor on deck. take battle rap to another level as he did before and I think he has the people around him to help do so.
Eness, undeniably one of the best to ever touch a mic from the city a a pioneer in the Philadelphia music scene. With a recent spur of wins Eness is on a hot streak that I don’t see him falling off of anytime soon. Always being in touch with the people Ness finds a way to put together verses so relatable you feel like you said it yourself. Staying on top of what the young generation is inclined to like, as he holds his true to essence of lyricism if Eness wants to win he is unstoppable.
And last but not least Eazy Da Block Captain, the new beast looking to take home the rookie of the year crown. Already tearing down the best of the best in the game his pure tenacity and delivery alone can silence an opponent and make you forget your at a battle. Eazy has mixed love with in the battle world but that comes with the pure energy he brings that forces you to choose sides right away. The fans love him and would be a great starter along side these other top tier battle rappers.
A three-year probationary term is also imposed on Lee Mouat.
It has been announced that Lee James Mouat was sentenced to prison for attacking a Black teen. Earlier this week (July 8), a U.S. According to a District Court judge, the white 43-year-old defendant will serve five years in prison and three years of probation.
Last June, Lee Mouat observed Devin Freelon and some friends at Sterling State Park in Detroit playing loud music and confronted them about the volume. Racial slurs were thrown, for example, “Black lives don’t matter” and “Ni**ers don’t belong on this beach,” then he left the premises, later returning with a bike lock to attack Freelon.
In the course of the attack, he knocked out three of the teenager’s teeth before hitting one of his friends. The young man also suffered a broken jaw and injuries to his face and mouth in addition to his missing teeth. Several dental procedures were carried out in the local hospital following his treatment of cuts.
The difficulty of seeing your son every day without teeth, especially when he is only 19 years old, Devin Freelon Sr. previously told NBC affiliate WDIV-TV. It’s something that no one should experience.
Lee Mouat admitted to being motivated by race when he committed an act of bodily harm against a victim in March and pleaded guilty to willful causing bodily injury. According to the plea deal terms, the 43-year-old was initially facing up to ten years in prison and a fine of up to $250,000. As a result of his sentencing announcement, he learned that he would serve half of his time in prison.
Deputy U.S. Attorney Saima Mohsin called Lee Mouat’s behavior “disturbing” for his cowardly and unprovoked attack on the victim. The right of every citizen to live without fear of violence or attack based solely upon his or her skin color must be taken seriously.”
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
Verdell Smith better known as Dell-P, recently hosted a listening party for his latest release “We Owe The World”. 17 undeniable records that are playable at anytime of the day and of course for any age group. Due to his top tier vocabulary Dell-P is able to refrain from using profanity and still deliver the pain and feeling. Most underground artist struggle to project their message and reach the masses due algorithms and music bans outside of the country. As American artist we often are not in tune with the rules and regulations other countries apply to music where the true emcee Dell-P has no fault. The humbled spitta’ has not only continued to deliver new stories, instill more morals and paint more pictures, he was able to collaborate with some like minded souls to deliver classics.
“Here For It” featuring Wil Guice has the award winning sound Philadelphia is known for. Incorporating the soul and Hip-hop with a message to uplift, you can’t be more Brotherly Love than that. Then following with a vibe that takes me back to Wu-Tang, Mos Def, Talib Kweli vibes with “Get Busy on Em” featuring Teef. The simple but catchy instrumental that puts you on a New York Subway, then the bars that blend that make you feel like you got off on some hundred and Lennox ave. Dell-P hands down has Hip-hop mastered and if the fore fathers were looking to pass the torch bring it back to Philly.
“Karma” one of my favorite records on the project for sure. The story telling ability he has is unflawed and has me anticipating the visual production. I see this being one of the stand out records that really capture the mind, ears and hearts of the people. With features from Trazsh Man, Wil Guice, Teef, Tracey Lee, MC Knowledge, Jay Reezy, Zone Boy Mir, 4evertaylormade and Wise intelligent made for a great collective of outstanding music.
PhiladelphiaWeekly.com mentioned Dell-P as one of “Hip-hop’s best kept secrets” and I think it’s time to tell all. Already, Dell-P is the 2017 Philly Hip Hop Awards Album of the Year Award winner, the 2017 PHL Live Hip Hop Artist Of The Year, a 2017 Black Gala Award winner, a 2017 Black Power Music Award nominee, a 2018 dual Spiral Award winner (Album Of The Year and Artist Of The Year), the 2020 Spiral Award winner (Artist Of The Year), and 2020 Indie Music Award winner for Album Of The Year and Single Of The Year. He’s also been named one of hip-hop’s Hottest Independent Artists of 2020 by Source Magazine. In addition, he’s been co-signed by hip-hop legends such as Chuck D, Black Thought, Wise Intelligent, Arrested Development, EPMD, Wyclef Jean, David Banner, Jay Electronica and more.
He’s been considered seven times for a Grammy – including three for Best Rap Album and once for Best Rap and Song Performance. Don’t sleep on the future of Hip-hop support Dell-P.
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