It has officially been one year since Burna Boy released Twice as Tall, his fifth studio LP, which included 15 tracks with the assistance of Youssou N’Dour, Naughty by Nature, Sauti Sol, Chris Martin, and Stormzy.
As soon as it was released, it peaked at the top of other charts around the world, including Billboard’s World Albums chart. Twice as Tall was his breakthrough album and recipient of the Grammy Award for Best Global Music Album.
Burna Boy gained fame over the years thanks to albums like Wizkid’s Made in Lagos and Sia’s Music – Songs from and Inspired by the Motion Picture. Meanwhile, he recently released a new single called Kilometre, which boosts hopes that a new album is on the way. This morning (August 24), Burna Boy reveals “Question,” an elegantly crafted collaboration with internationally recognized recording artist Don Jazzy.
“Question”‘s video was directed by TG Omori and shows Burna Boy triumphantly embracing a lot of children in the video – Don Jazzy also makes an appearance throughout in a funny way. Burna Boy’s enemies also attempt to kill him, but they’re unsuccessful.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
Investment Banker Lance Wilson has gotten himself caught up in a major money scheme. After losing a million dollars he is now a wanted man on the run. Looking for Lance is a gangster name Blacky Knuckles. Now he must survive a perilous night in Philly or suffer the consequences. Lance is on the run all through the city as the “Runner” call is put out in the airways and direct text to all known hustlers shooters and steppers in the city. The amount of money put out on his head even had the police and preachers tryna get a hold of lance.
“I want everyone to individually stand out”– Jimmy Dasaint
When asked what his main focus of the film was, “You Only Live Once” he explained, he wanted each character to stand out and be remembered. After watching and being apart of the production I have to say Jimmy Dasaint was spot on with his goal. This action/comedy has to be one of the top Philadelphia productions in a long time. Not only did it utilize the city and its monumental views but the artist and talent that it has birthed. Mastering his ability to create a solid film and select a top tier supporting cast. The reviews were nothing less than 5 stars. Each role being unique and having its own hometown vibe, Jimmy Dasaint, captures Philadelphia in its essence yet again. With endless variables and outcomes a sequel or spin off is sure to be in order.
With noted features from Philadelphia Hip-hop artist Dell-P, Rome Ya’FavoriteRapper, Wyo Chi, personalities and host like Trizzy The Mouth, Purple Queen and more. Big salute to Jimmy and congrats on another great production.
It is a well-known fact that although platforms such as Spotify, Apple Music and Amazon Music enjoy millions of listeners, they are not as generous with their payments to artists. However, recent research has uncovered an unexpected and shocking fact, which further explores how terrible the situation is. When it comes to payments per stream, Peloton managed to beat every other platform.
Recently, it was revealed by The Trichordist in “Streaming Price Bible” that according to the numbers from 2019, music rights holders were offered just 0.35 cents per stream by Spotify. On the other hand, Apple Music offered 0.68 cents per stream and Tidal paid 0.88 cents per stream. Finally, the least amount was paid by YouTube- 0.15 cents per stream. Interestingly, the amount paid by Peloton is much higher, at 3.1 cents per stream.
It is undoubtedly surprising that a fitness company is offering better compensation for artists when compared to streaming services. This disparity is better explained by Slate. The higher compensation rate of Peloton can be attributed to the fact that songs are played consistently during classes, and thus, the company needed to seek public performance rights coupled with publishing rights.
In essence, when specific units of music, such as vinyl or digital files are produced, mechanical royalties must be paid. Any third-party entity that records, manufactures, and distributes copyrighted music is paid, and the artists receive funds eventually. In simple terms, performance royalties are paid when artists perform live, either in movies, TV shows, or when streamed in a public setting. When it comes to Spotify and other on-demand streaming services, wherein users who don’t possess specific recording copies of a song, still can play the song when desired, and make both mechanical royalty payments and performance royalty payments to the artists. Peloton pays performance royalties for the songs it streams, and thus, it broadcasts itself as a music broadcaster resembling a radio. It’s possible for users to search for songs or playlists featuring a certain artist, but the entire experience is determined by the instructors – not you.
Yet, the fact that streaming services are able to pay artists fractions of pennies per stream remains a sore point; let’s hope they follow Peloton’s lead and offer better rates soon.
This article was penned by Jonathan P. Wright. Jonathan is a freelance writer for multiple mainstream publications and CVO of RADIOPUSHERS. You can read more of his work by clicking here.
Kevin Anim better known as K Slug, a rising star from Philadelphia has dropped a new Ep. Quarantine Flow on all platforms. Keeping his trend of solid production and song variation K Slug is definitely a voice that needs to be heard in the game. Dope visuals, versatilely, substance and content, a message mixed in with a lil fun and a lil flex mixed in with some hard times. K Slug is actively covering all the creative aspects when working on his craft. Its rare to get a solid artist who understands what it takes to make it behind the scenes and on the forefront and K Slug is ready for the next level.
I expect K Slug to continue the rest of the year with a lot more eyes and ears listening and supporting, 2020 was the break out year 2021 shall be the year of the foundation. After two solid projects and a bunch of great visuals I’m anxious to see how K Slug decides to execute the next body of work. I also hope to see some of the other artist in the city collab with K Slug also to continue to push solidarity with in the city of Philadelphia as it is much needed in the inner city. Music has been the outlet for not only the creators but the consumers as well and K Slug not only chases his dreams he supports other artist and entrepreneurs alike.
Make sure to tune in to the latest music video and single “Like Me” from Ep, Quarantine Flow below
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